童昆鸟、陈丹笛子及范尼·吉奎尔参加柏林画廊周K60群展 | 明日开幕

 K60 Berlin

开幕 Opening

2021.09.05

12 pm - 8 pm 

时间 Duration

参展机构及艺术家 

Galleries and Artists

HUA International / 户尔空间：

Tong Kunniao  / 童昆鸟

Chen Dandizi / 陈丹笛子

Fanny Gicquel / 范尼·吉奎尔

alexander levy：

Gereon Krebber / 杰伦·克雷伯

Ella Littwitz / 艾拉·利特維茨

Vicky Uslé / 薇琪·乌斯莱

ChertLüdde：

Stephanie Comilang / 斯蒂芬妮·科米朗

Petrit Halilaj & Alvaro Urbano / 佩特里特·哈利拉吉&阿尔瓦罗·厄巴诺

Franco Mazzucchelli / 佛朗哥·马祖凯利

Tyra Tingleff / 泰拉·廷格尔夫

Klemm’s：

Gwenneth Boelens / 格温妮丝·博伦斯

Sven Johne / 斯文·约翰

Jonas Roßmeißl / 乔纳斯·罗斯迈斯尔

Adrian Sauer / 阿德里安·绍尔

KOW:

Candice Breitz / 坎蒂丝·布雷茨

Alice Creischer / 爱丽丝·克瑞舍

Henrike Naumann / 亨利克·瑙曼

Michael E. Smith / 迈克尔·E·史密斯

Kraupa-Tuskany Zeidler:

GCC / GCC

Slavs and Tatars / 斯拉夫和鞑靼

Anna Uddenberg / 安娜·乌登伯格

Guan Xiao / 关小

Plan B：

Becky Beasley / 贝基·比斯利

Navid Nuur / 纳维·努尔

Achraf Touloub / 阿什拉夫·图卢布

Serj / Serj

PSM:

Christian Falsnaes / 克里斯蒂安·法尔斯内斯

Emma Jääskeläinen / 艾玛·雅斯凯莱宁

Nathan Peter / 内森·彼得

户尔空间很荣幸将携艺术家童昆鸟，范尼·吉奎尔及陈丹笛子参与2021柏林画廊周第二届K60群展。

第二届K60群展将于2021年9月5日（周日）在位于柏林的Wilhelm Hallen艺术区拉开帷幕。八家柏林画廊alexander levy、ChertLüdde、户尔空间 (HUA International)、Klemm's、KOW、Kraupa-Tuskany Zeidler、Plan B和PSM将参与此次群展。K60是由Wilhelm Hallen创始人发起的，与画廊、艺术家及策展人展开的合作项目，是Hallen#2系列展览、装置和对话的一部分。

Eight Berlin galleries alexander levy, ChertLüdde, HUA International, Klemm’s, KOW, Kraupa-Tuskany Zeidler, Plan B and PSM are happy to announce the second edition of K60, a group exhibition opening Sunday, September 5th, 2021, at Wilhelm Hallen, Kopenhagener Straße 60 in Reinickendorf, Berlin. K60 is part of Hallen #2, a series of exhibitions, installations and conversations in collaboration with galleries, artists and curators, initiated by the founders of Wilhelm Hallen.

童昆鸟 Tong Kunniao | 辐射低于40微瓦的电子棒棒糖的通讯 Communication of Electronic Lollipops with Radiation below 40 Microwatts

2021 | 18‘46‘’ 双轨视频、彩色、无声、LED Dual-channel video, color, silent,  LED

K60 will count with the participation of 30 artists, represented by the organizing galleries, with works spanning video, installation, sculpture, photography and painting.

Established last year as a reaction to the repetitive cancellation of cultural events, the re-enactment of the K60 initiative in the new year underlines the importance of collaboration between galleries and Berlin’s art community as a positive and ongoing practice. Especially now, when normality seems to be one step closer, it is crucial to continue to encourage dialogue, discussion, to dedicate space to the creation of new ideas and sharing of resources.

This year the galleries will be exhibiting in two ground-floor rooms of over 2000 m2, offering a further opportunity to articulate dialogue and highlight the common thread linking the works on display - while at the same time allowing each artist the necessary space to enhance their individual and unique research.

范尼·吉奎尔 Fanny Gicquel｜我想和你一起，无论你去了哪里 I want to go with you, wherever you have gone

2019-2020｜尺寸可变 Variable dimension｜钢，油漆｜Steel, paint

关于艺术家

童昆鸟

Tong Kunniao

童昆鸟，1990年出生于湖南长沙，现工作生活于北京。2015年毕业于中央美术学院雕塑系第三工作室，2016 年考上研究生并同年退学。童昆鸟作品形式多样，在装置、行为、影像、 雕塑、绘画等媒介中灵活穿插。他习惯利用现代社会这个永动废物工厂制造的(过剩)产物与个人日常生活中触手可及的残余物件进行创作。关注繁杂的社会结构对个体身份与地位的限制与消耗，分解现成物，结合机械串联，导入重力平衡等因素，从而回应材料背后的个体意识，社会机制之间的多重变量和脆弱性。在拜物情绪、消费文化符号盛行，信息过载的当下，不断突破人类再造物的想象边界，呈现刁钻与戏谑并行的重构。

Tong Kunniao, born in 1990 in Changsha, Hunan Province, China, now lives and works in Beijing. He graduated from the 3rd Studio of Sculpture Department of the Central Academy of Fine Arts in 2015, enrolled in the graduate school in 2016 and dropped out in the same year. Tong Kunniao’s artworks are diverse, interspersed with installation, performance, video, sculpture, painting and other media. He is accustomed to using the (excess) products of modern society, a perpetual waste factory, and the remnants of objects that are within his reach in his daily life. Focusing on the limitations and depletion of individual identity and status by the complicated social structure, he decomposes ready-made objects, combines mechanical tandem, and introduces factors such as gravity balance, thus responding to the multiple variables and vulnerabilities between individual consciousness and social mechanisms behind the materials. At a time when worship and consumer culture symbols are prevalent and information is overloaded, the imaginary boundaries of human re-creations are constantly broken through, presenting tricky and playful reconstructions in parallel.

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陈丹笛子

CHEN Dandizi

陈丹笛子 (b.1990) 2015年毕业于广州美术学院油画系。陈丹笛子的作品具有媒介共生的特点。她对录像、装置、摄影和文学的 运用构成了所需的组成部分，以照亮亲密的、短暂的瞬间和人类的情感。她的作品探索了与自然和人工世界中反复出现的现象相遇的感知和体验。她探索的主题包括人类情感的异化，被异化的个体的希望和绝望， 以及对自然和想象中的景观的观察。陈丹笛子艺术探索的主题包括自我认识和对生活环境的观察，揭示独特的时刻和情感之间隐藏的关系是她创作过程的核心。

她的近年个展曾在户尔空间（中国北京）、广州画廊 (中国广州) 展出; 她参加群展的机构、画廊和艺术节包括：香格纳M50、OCAT 深圳、Para Site、西岸艺术与设计博览会、北京当代艺术展、户尔空间、广州画廊、胶囊上海、常青画廊、Spurs Gallery、深圳深港城市/建筑双城双年展、匹兹堡大学美术馆、墨西哥国家文化数字中心以及连州国际摄影年展等。入围2020年第八届三亚艺术季暨华宇青年奖。

Chen Dandizi was born in 1990. She graduated from the oil painting department of Guangzhou Academy of Fine Arts in 2015. Dandizi's works are characterized by a symbiosis of media: Her use of video, installation, photography, and literature form integral parts required to illuminate intimate, short-lived moments in time, and human emotion. Her works explore the perception and experience of encounters with reoccurring phenomena of the natural and artificial world. Dandizi's art explores central themes such as self-knowledge and observation of her lived environment. Revealing the fleeting nature of hidden connections between a unique moment and emotion is at the heart of her creative process.

Dandizi's works have been included in a recent solo exhibition at Hua International, Beijing, China, and Canton Gallery, Guangzhou, China; her group exhibitions were held in ShanghART M50, OCAT Shenzhen, Para Site, West Bund Art&Design, Beijing Contemporary Art Expo, Hua International, Capsule Gallery, Galleria Continua, Spurs Gallery, Shenzhen Bi-city Biennale of Urbanism/ Architecture, Frick Fine Arts Building University of Pittsburgh, Mexico National Culture Digital Center, Lianzhou Foto Festival 2019. Finalist in the ART SANYA & HUAYU Youth Award.

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范尼·吉奎尔

Fanny Gicquel

范尼·吉奎尔的作品在装置、雕塑和行为之间游走，并开发出容纳不同元素的空间，这些元素预设了一个激活的场景。雕塑作为身体的延伸，并通过手势激活，质疑身体/ 物体、自我和他人之间的关系。通过这种方式，她的作品探索了有生命的和无生命的、空间和时间在行动中和行动后的关系。这些作品将个人/ 集体、私人/ 公共、亲密/ 遥远等二元论概念之间的空间和肉体渗透性发挥出来。这些作品需要行为支撑，同时也存在于行为之外的编舞和即兴表演的网络中。她的作品近期在柏林户尔空间Hua international、法国布雷斯特Passerelle Centre d'art contemporain、比利时布鲁塞尔Loto、雷恩美术馆，雷恩国际美术馆等地举办个展。

Fanny Gicquel’s works move between installation, sculpture and performance and develop spaces that accommodate different elements which presuppose a scenario of activation. The sculptures act as extensions of the body and are activated through gestures that question the correlation of the body/object and the self and the other. In this way, the work explores the relationship between the animate and the inanimate, space and time during and after the actions. These works bring into play the spatial and corporeal permeability of the dualism between notions of individual/collective, private/public, Intimate/distant. The works require the performance and also exist outside it in a network of choreography and improvisation. Her work has recently been presented in solo exhibitions at HUA international, Berlin, Germany (2021); Passerelle Centre d’art contemporain, Brest, France (2020); Loto, Brussels, Belgium (2020); Museum of Fine Arts, Rennes (2019); Maison Internationale de Rennes, Rennes (2018).

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关于户尔空间   

About Hua International 

户尔空间位于柏林和北京两地。作为一间新锐全球性画廊，户尔空间秉持着国际立场与合作精神，致力于潮流激变的全球艺术市场。画廊于2017年创立，在跨时区的两个空间内，积极倡导着国际化的艺术项目，携新兴艺术家和成熟的国际艺术家一道，呈现跨学科、表演性与社会参与的艺术。

 

画廊的选址分别位于两个充满活力的艺术区的中心。其中，柏林空间地处波茨坦大街一座历史悠久的战前建筑中，而北京空间则于2020年8月搬迁至知名的798艺术区。户尔空间还组织策展项目和艺术合作，追寻新的创作和叙说方式，持续推进当代艺术的进程。在艺术世界持续发生构造性变化的时代，户尔空间在运作模式上注重灵活性，实验性与合作性，致力于推进在艺术市场内全新而独特的艺术创作。

 

Hua International is a contemporary art gallery based in Berlin and Beijing. Driven by a cosmopolitan and collaborative ethos, Hua International is a new global gallery for a fast-changing global art market. Founded by Hua in 2017, the gallery champions a cosmopolitan program across its two spaces, featuring emerging and established international artists with a special emphasis on cross-disciplinary, performative, and socially-engaged art. 

 

The gallery has positioned itself at the epicenter of two vibrant art districts. In Berlin, it is located in a historic, pre-war building situated in Potsdamer Strasse; in Beijing, the gallery relocated to the acclaimed 798 Arts District in August 2020. Hua International also hosts curatorial projects and artistic collaborations in order to pursue new avenues of production, discourse and promotion of contemporary art. In a time of tectonic shifts in the art world, flexibility, experimentation and collaboration are key components of the gallery’s model in promoting works of art that are unique and new to the market.