户尔北京｜「行为之物：日常的实践」开幕行为表演回顾

纳迪娅·阿布特 扇舞 行为舞蹈回顾视频 @户尔北京

2021

Nadja Abt  Dança dos Leques Performance and Dance Review Video @Hua International Beijing

艺术家 Artists

纳迪娅·阿布特                       Nadja Abt

琼·乔纳斯                             Joan Jonas

圣戈·南古地                   Senga Nengudi

奥卢·奥古纳克               Olu Ogunnaike

尼可拉斯·里普绍夫       Niclas Riepshoff

郑亦然                             Jasphy Zheng

展期 Duration

   2021.08.27（周五）

—

   2021.11.13（周六）

地址 Location

户尔空间 北京市朝阳区酒仙桥路2号798艺术区东街 D08-3

Hua International Beijing D08-3, 798 East Street, 798 Art District, No.2 Jiuxianqiao Road, Chaoyang District, Beijing

扇舞 Dança dos Leques｜纳迪娅·阿布特 Nadja Abt

染色织物上丝网印刷，木头  Silkscreen on dyed fabric, wood｜150 × 300cm｜2021

表演者：冯发轫，刘梓峰，王哲，王梦凡

Performer: FENG Faren, LIU Zifeng, WANG Zhe, WANG Mengfan

策划组织：杨天歌

Organizer: YANG Tiange

photography by YU Xueying

photo courtesy Hua International

户尔空间群展“行为之物：日常的实践”已于2021年8月27日开幕，将持续展出至2021年11月13日。开幕当日，表演者冯发轫、刘梓峰、王哲、王梦凡合作呈现了艺术家纳迪娅 · 阿布特（Nadja Abt）的作品《扇舞》。

"Performing Objects: Practices of the Everyday" a group exhibition opened at Hua International Beijing on August 27th, 2021 and will be on view until November 13th, 2021.On the opening day, performersFENG Faren, LIU Zifeng, WANG Zhe, WANG Mengfan collaborated on a performance of Dança dos Leques by artist Nadja Abt.  

本次展览汇集展出由后极简主义时期至今的物向艺术及行为舞蹈。展览讨论了近年来的全球变化如何改变我们对“日常的艺术”的认识，并在各具特色的艺术实践之间建立起交错融合的联系。 

This exhibition features object-oriented art, performance and dance from post-minimalism to the present. The exhibition is motivated by how the recent global changes have transformed our sense of the "art of the everyday" while establishing interconnections between distinctive art practices.  

《扇舞》（dança dos leques）是一种即兴舞蹈，它基于艺术家对“Ausdruckstanz”（表现性舞蹈）的历史和舞蹈符号的研究，包括Mary Wigman和Rudolf von Laban等人的作品。 在表演前，对于每种颜色和符号，表演者都会创作出属于个人的一套动作。表演中，表演者轮流举起一种颜色，其他的表演相应地跳起各自的舞蹈。每次的“舞蹈与色彩”大约持续1-3分钟。表演同时伴随着音乐，音乐人在每次颜色变化后也会改变即兴音乐的节奏，在节奏渐强至某一时刻，戛然而止，表演结束。

The dança dos leques is a dance improvisation based on a research about the history of Ausdruckstanz (expressive dance) and dance notations, as from Mary Wigman and Rudolf von Laban. For each colour and symbol the performers memorize their indivdual movement. Alternately, one performer holds up a colour and the other dance their choreography. One “dance-colour-episode” lasts 1-3min approximately. The performance is accompanied by a musician who also change the rhythm after every colour change. As the rhythm increases to a certain point, it was stopped, and the performance ends.

在表演编舞的规则设置下，《扇舞》具有即兴成分；与此同时，它又是经过悉心准备的——每一位舞者在彩排中，各自根据对于扇子作品的感知，自我编舞，提前准备好并记好他们的动作。在此，物的前设激发了人的动作，而人的表演又唤醒了物的存在。扇子的元素、偶发的表演、看似并无太多技术含量的动作，恰恰是一种“日常的实践”。行为表演不再专属于艺术家或是专业舞者，它是平等的，普通的，可被还原于万物，于平素，于街头，于一切人。

Under the rules of performance choreography, Fan Dance has improvisation elements. At the same time, it is carefully prepared that each dancer choreographed their own dance in rehearsal, preparing and memorizing their movements in advance based on their perception of the fan's work. Here, the presupposition of the object inspires the action of man, while the performance of man awakens the existence of the object. The elements of fans, the occasional performance and the seemingly nontechnical movements are just a kind of "practices of the everyday". Performance is no longer exclusive to artists or professional dancers, it is equal, ordinary, and can be restored to everything, to the ordinary, to the street, to everyone.

关于艺术家

纳迪娅·阿布特 

Nadja Abt 

1984 年出生于德国，威斯巴登｜现工作生活于柏林和里斯本

Born 1984 in Wiesbaden, Germany｜Lives and works in Berlin and Lisbon 

纳迪娅·阿布特在柏林自由大学学习文学和艺术史，并且在柏林艺术大学和布宜诺斯艾利斯大学学习纯艺术。在艺术家的行为表演、影像和绘画作品中，纳迪娅通过文学和电影的引用构建女性主义叙事。她是艺术家团体米歇尔·沃尔塔（Michelle Volta）和b_ books Berlin的一员。她最近参与的展览和行为表演包括 Bärenzwinger，柏林；柏林现代艺术中心，柏林；世界文化中心，柏林。她即将在波尔图的自由港（2021. 09）和里斯本的 Galeria Diferença 画廊（2021.10）举办个展。 

Nadja Abt studied Literature and Art History at Freie Universität Berlin as well as Fine Arts at Universität der Künste Berlin and the Universidad Torcuato di Tella in Buenos Aires. In her performances, videos, and paintings, She constructs feminist narratives that reference the world of literature and film. She is part of the artist collective Michelle Volta and b_books Berlin. Recent exhibitions and performances include Bärenzwinger, Berlin; KW Institute for Contemporary Art, Berlin; Haus der Kulturen der Welt, Berlin; Pivô, São Paulo; Casa Triângulo, São Paulo. She has upcoming solo shows at Freeport, Porto (Sept. 2021) and Galeria Diferença, Lisbon (October 2021). 

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户尔北京｜「行为之物：日常的实践」即将开幕

户尔北京｜「行为之物：日常的实践」正在展出

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关于户尔空间   

About Hua International 

户尔空间位于柏林和北京两地。作为一间新锐全球性画廊，户尔空间秉持着国际立场与合作精神，致力于潮流激变的全球艺术市场。画廊于2017年创立，在跨时区的两个空间内，积极倡导着国际化的艺术项目，携新兴艺术家和成熟的国际艺术家一道，呈现跨学科、表演性与社会参与的艺术。

 

画廊的选址分别位于两个充满活力的艺术区的中心。其中，柏林空间地处波茨坦大街一座历史悠久的战前建筑中，而北京空间则于2020年8月搬迁至知名的798艺术区。户尔空间还组织策展项目和艺术合作，追寻新的创作和叙说方式，持续推进当代艺术的进程。在艺术世界持续发生构造性变化的时代，户尔空间在运作模式上注重灵活性，实验性与合作性，致力于推进在艺术市场内全新而独特的艺术创作。

 

Hua International is a contemporary art gallery based in Berlin and Beijing. Driven by a cosmopolitan and collaborative ethos, Hua International is a new global gallery for a fast-changing global art market. Founded by Hua in 2017, the gallery champions a cosmopolitan program across its two spaces, featuring emerging and established international artists with a special emphasis on cross-disciplinary, performative, and socially-engaged art. 

 

The gallery has positioned itself at the epicenter of two vibrant art districts. In Berlin, it is located in a historic, pre-war building situated in Potsdamer Strasse; in Beijing, the gallery relocated to the acclaimed 798 Arts District in August 2020. Hua International also hosts curatorial projects and artistic collaborations in order to pursue new avenues of production, discourse and promotion of contemporary art. In a time of tectonic shifts in the art world, flexibility, experimentation and collaboration are key components of the gallery’s model in promoting works of art that are unique and new to the market.