aaajiao | “我死于互联网” 展览现场
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aaajiao
我死于互联网 I was dead on the Internet
展期 | 2021年9月4日至9月26日
时间 | 每周三(Wed)至周日(Sun),10:00 - 18:00
铜仁路联华公寓 Lianhua Apartment
地址 | 杭州市西湖区天目山路398号,16号楼,2楼
2F, Bldg16, No.398, Tianmushan Rd, Hangzhou
我死于互联网,我曾经以为我在这里成长。这两年困在柏林生长在庞大的顶楼阳台上,边沁式的圆形监狱,观察着所有邻居的日常,同时在互联网上求生的自己还是死去了,在冬日强风下竹叶的飘动沙沙声抹去手指摩擦屏幕留下油腻的指纹,身体沉在沙发里,黑色的皮面散发着头发的气味,灰尘包裹着真菌落在臂膀上,弥留中变成一棵红枫,冬季的红枫枯死枝蔓上蘑菇的痕迹随风飘散降落在另一具身体旁被蚂蚁搬走。失败的,沮丧的,不值一提的瞬间与念头死于互联网。
I was dead on the Internet, where I once thought I was raised. The past two years of trapping in Berlin, inhabiting on the huge penthouse balcony—the Benthamian panopticon—observing the daily routine of all the neighbours while surviving on the Internet, I still died. Under the strong winter wind, the fluttering rustle of bamboo leaves erased the greasy fingerprints left by the fingers rubbing the screen; body sunken into the sofa, with its black leather surface that smelled of hair, dust wrapped in fungus falling on the arms, on the deathbed, transforming into a red maple. The branches of the red maple dried out during the winter. Remnants left by the mushrooms were drifted away with the wind, landing next to another body and being carried away by ants. Failure, frustration, worthless moments and thoughts die on the Internet.Written by aaajiao in Berlin










一组用iPhone制造的图片,用菲林打印的方式呈现在窗户上,借助自然光呈现不同的灰度,图片成了对使用手机去观看的结果,也是我尝试去描述看见的过程,那些在记忆中会闪回又模糊的构成生活的大面积空洞,失败的细节。
This group of images was made with iPhone, presented on the window by way of film printing, with the help of natural light to show different shades of grey. These images became the result of using the iPhone to see and my attempt to describe the process of seeing. Those that would flashback and blur in memory constitute a large void in life, failure details.
Consensus, geopolitics, chain, batteryLCD screen, acrylic fittingsProphecy, mullification algorithm, shaman, conspiracyLCD screen, acrylic fittings
Fabric, computational wind, OCD, searchLCD screen, acrylic fittings
Free will, open mic, GFW, confessionsLCD screen, acrylic fittings
延续了之前《橡皮软糖》使用的玻璃糖纸材料,UV在材料上,涂层脆弱,揉搓材料并再次铺展开,涂层会龟裂,掉落,图片的内容是LED透过玻璃映射在玻璃正面的云层的倒影中,在此刻看见了所有可被眼睛看到的光,下一刻消散破碎,念头般不值一提。
Continued the material selection in the previous gumdrop, Siu~ also uses cellphone and UV printing. The coating is fragile. After kneading the material and spreading it again, the coating will crack and fall off. The image's content reflects the clouds mapped by LED through the front of the glass. All the light that the eye can receive at this moment is dissipated and shattered in the next instant, just as worthless as one's thought.
Screen printing, silicone skin, acrylic, oil-based paint在公园里打坐的人,在地铁里享受春日阳光的人,在炽热的水泥地面穿着融化拖鞋散步的人,爬出城市水系的人,在这些规训的景观中,我看见自洽的失落,悲伤的无聊,臃肿的情绪,一堆景观。
Those who meditate in the park, who enjoy the spring sun in the subway, who walk in melting slippers on a blazing hot concrete floor and who climb out of the city water system, in these regimented landscapes I see the loss of self-consistency, sad boredom, bloated emotions, a bunch of landscapes.
“Icon”系列是对User描摹,用手机app Pixelable 像发社交媒体动态一样,手指和智能设备的摩擦,碎片状的注意力相互敲击,听到回声,留在屏幕上。
《icon011》在我完成后,我遇到了她。
The “icon” series portrays the User using the mobile app Pixelable to send social media updates. Among the friction of fingers and smart devices, fragmented attention taps against each other, hearing echoes that remain on the screen.After I completed icon011, I met her.
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Screen printing, chevron board, metal frame, acrylic paint
ddrk.me是一个叫作低端影视的网站,观察域名不难发现,“ddrk”并不是“低端影视”的拼音首字,尝试拼出来,发现是“低端人口”,在网站的关于页面,站长写道:“我们的目标是提供最便捷的,同时支持电脑和移动设备的超清画质在线观看影视剧体验。域名ddrk.me是站长自嘲,不是指访问本站的您,请勿对号入座。”我习惯性地查看了域名的whois信息并记录了下来,把这些信息打印在工业薄膜上,放进空间中,薄膜很容易产生静电,会黏在皮肤上,地上墙上,也会吸附灰尘。
ddrk.me is a website called Low-End Film and TV. It is not difficult to figure that “ddrk” is not the pinyin initials of "Low-End Film and TV", but of "Low-End Population" (dī duān rén kǒu). On the About page of the website, the webmaster writes that “Our goal is to provide the most convenient online viewing experience for both computers and mobile devices with ultra-clear picture quality. The domain name ddrk.me is self-deprecating and does not refer to you as a visitor to the site, so please do not take it personally." I habitually checked the domain name's whois information, recorded it, later printed it on industrial films, and included them in the space. These films easily generate static electricity, stick to the skin, the floor and walls, and absorb dust.
aaajiao/徐文恺,1984年出生于西安。现生活工作于上海和柏林。
aaajiao,是年轻艺术家徐文恺的化名,也是他虚构的网络分身。1984年(他的出生年份恰好是乔治·奥威尔经典预言式小说的名称),出生于中国最古老城市之一的西安,aaajiao的创作结合了浓重的反乌托邦意识、对文人精神的反思。他的很多作品都致力于探索新的科技和媒体影响之下的文化现象和政治策略,从社交媒体写作、数据处理,到网络和移动媒介下的新美学景观。作为今天全球新一代媒体艺术的代表人物,aaajiao将今天中国特殊的社交媒体文化、科技运用带入了国际艺术的话语和讨论。Aaajiao的作品频繁展出于全球的美术馆和艺术机构,例如:“深渊模拟器”,里沃利城堡当代艺术博物馆,都灵,意大利,2020;“1989年到今天:网络时代的艺术”,波士顿当代艺术中心,波士顿,美国,2018;“非真实”,电子艺术之家,巴塞尔,瑞士,2017;“身体·媒体II”,上海当代艺术博物馆,上海,中国,2017;“带走我(我是你的)”,犹太人美术馆,纽约,美国,2016;“时间转向:当代亚洲的艺术与思辨”,斯班塞美术馆,堪萨斯,美国,2016;“波普之上”,余德耀美术馆,上海,中国,2016;“黑客空间”(由Hans Ulrich Obrist与Amira Gad策展),K11艺术基金会临时空间,香港,中国、chi K11美术馆,上海,中国,2016;“全方位:全控制和言论控制”,ZKM卡尔斯鲁厄艺术与媒体中心,卡尔斯鲁厄,德国,2015;“齐物等观——2014国际新媒体艺术三年展”,中国国家美术馆,北京,中国,2014。他近期个展包括“深渊模拟器”,Tabula Rasa画廊,伦敦,英国,2021;“深渊模拟器”,里沃利城堡当代艺术博物馆,都灵,意大利,2020;“洞穴模拟器”,AIKE,上海,中国,2020;“a’a’a’jiao: 一个ID“,昊美术馆,上海,中国,2019;“观察者”,House of Egorn,柏林,德国,2018;“暴食”,千高原艺术空间,成都,中国,2018;“用户、爱、高频交易”,Leo Xu Projects,上海,中国,2017;“电子遗留物”,华人艺术中心,曼彻斯特,英国,2016;“电子遗留物”,OCAT,西安,中国,2016。aaajiao于2014年获得了第三届三亚艺术季暨华宇青年评审大奖,亦入围首届OCAT皮埃尔·于贝尔奖。
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