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千帆过尽,行为不死｜何云昌大型装置新作展“千重影”即将开幕

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千帆过尽,行为不死｜何云昌大型装置新作展“千重影”即将开幕重影何云昌装置行为千帆过尽新作展个展策展人谢素贞展期崇真艺客

展览：千重影—何云昌个展

策展人：谢素贞

展期：2021年9月20日-12月19日

主办：山中天艺术中心

协办：十点睡觉艺术空间

地点：山中天艺术中心｜北京市朝阳区798艺术区南门万红里甲31号

2021年9月20日至12月19日，山中天艺术中心将呈现由知名策展人、学者谢素贞策划的展览“千重影——何云昌个展”。此次展览关注于艺术家何云昌近五年来有所转变的创作重心：以翡翠原石为基础，力图最大限度减少人为介入的近百件全新系列的雕塑与装置作品。

千帆过尽,行为不死｜何云昌大型装置新作展“千重影”即将开幕重影何云昌装置行为千帆过尽新作展个展策展人谢素贞展期崇真艺客

双脊

翡翠、玻璃杯、水

装置尺寸可变

30x76x2cm (翡翠), 6700克

2021

不是记忆不用风干

---- 记行为艺术不死

文/谢素贞

啊昌是人类欲望中喂养起来的

以行为艺术知名，而今不以富贵为矜，用翡翠为材，试世人金石之心。

他总调侃，大笑时露出底层社会才会有的黄牙,底层社会是象征生命力的贵族，不用时时刻刻注意是否要介意别人对他外在的观点，尽管他有极为上镜头的魅力。

他的眼睛有点浊且拙，仿佛看世间太久，风流不拘，皆可自在。

他们这一代独具的光华，吸收了改革前中国人遮掩于灵魂的、酝酿于黄土地的能量，绽放开在各个行业，开枝散叶，因而创造了如今的大国风华；历史已经为他们烙下混沌红通通的印记，艺术史也大都遵循命运的铺陈，记录着这一代的光华，吸收殆尽，不吐一点渣儿。在众多文化门类中，行为艺术似乎不会造成丝毫祸害；只是他们走过的地方，寸草不留，狠准至极，把个人躯体及意志结合到极致，毕竟让啊昌值得做的事情太少。

啊昌是理性的，因为他的行为艺术是理性的结果，同时他很感性，这次作品的题名都可以感受文学及历史的典故；文字打躬作揖后不受理论束缚，这个展览他用文字来引领观众，玉石则服膺于现实的脚步。

千帆过尽，行为不死

Exhibition: Endless Shadowlands——He Yunchang Solo Exhibition

Curator: Su Zhen Xie

Duration: Sep. 20-Dec. 19, 2021

Organizer: Wind H Art Center

Co-Organizer: Click Ten Art Space

Add: Wind H Art Center, 31a Wanhongli South Gate 798 Art Zone, Chaoyang Beijing

From September 20 to December 19, 2021, Wind H Art Center will present Endless Shadowlands -- He Yunchang Solo Exhibition, which curated by renowned curator and scholar Su Zhen Xie. The exhibition focuses on the shifting practice of Artist He Yunchang over the past five years : a new series of nearly 100 sculptures and installations based on jade with minimal human intervention.

千帆过尽,行为不死｜何云昌大型装置新作展“千重影”即将开幕重影何云昌装置行为千帆过尽新作展个展策展人谢素贞展期崇真艺客

首尾

翡翠

8.2x52.5x8cm，6600克

2021

No Airing of Memories

—On the Persistence of Performance Art

Su Zhen Xie

Ah Chang was raised on the desires of humankind.

He is famed for his performance art, and remains unmoved by fortune and fame. He uses jade as his material, and serves as a touchstone for the human heart.

He's ever the trickster, and when he laughs, he reveals yellow teeth only seen among the lower rungs of society. Those lower rungs of society are a symbol of the aristocracy of vitality—there is no need to be on constant alert about whether to take offense at how people see his appearance, because he has a mirror-like allure.

His eyes are a bit hazy and dim, as if he has seen too much of the world, but also show sophistication and contentment.

There is a brilliance unique to their generation, having absorbed that spiritual energy of the Chinese people concealed before the reform era, and fostered by the yellow soil, it bloomed in every field, sprouting branches and leaves, and giving rise to the great national flourishing we see today. History had left a scorching mark of chaos on them, and art history has mostly followed the narrative of destiny, recording the brilliance of this generation, absorbing all in their path, releasing not the least bit of waste. Among the many cultural fields, performance art seems harmless; only the places they go are utterly, ruthlessly devastated, integrating the individual body and will to the utmost extreme. After all, there are few things actually worth doing for Ah Chang.

Ah Chang is rational because his performance art is the outcome of reason. He is also sensational; in the titles of these artworks, we can sense literary and historical allusions. After an act of obeisance to words, they are unfettered by theory. In this exhibition, he uses words to guide the viewer. Jade heeds the footsteps of reality.

Countless sails have passed over the horizon. Performance persists.

千帆过尽,行为不死｜何云昌大型装置新作展“千重影”即将开幕重影何云昌装置行为千帆过尽新作展个展策展人谢素贞展期崇真艺客

精灵的踪影

翡翠磁悬浮

装置尺寸可变

120x70x70cm (翡翠)，2200克

2021

艺术家

·请上下滑动观看（For English please scorll down)

何云昌1967年出生于云南，1991年毕业于云南艺术学院油画系，从1999年至今居住和工作在北京。他曾在北京今日美术馆、白盒子艺术馆、比利时国家美术馆、印度尼西亚国家美术馆、墨斋画廊、东京画廊、前波画廊、麦勒画廊等地举办个展。曾参加库里蒂巴双年展（2019）、横滨三年展（2014）、第55届威尼斯双年展（2013）、广州三年展（2012）、第十届福冈亚洲艺术三年展（2009）、第二届纽约国际行为艺术双年展（2007）、“墙” 中国当代艺术主题展（2005）、沙迦双年展（2003）、釜山双年展（2002）、不合作方式（2000）、广州双年展（1992）等重要展览。

曾获第二届长江国际影像双年展金奖（2017）、首届颜文梁青年艺术奖（2011）、中国当代艺术金棕榈奖（2010）、“改造历史 2000-2009年”中国当代艺术奖（2010）、“以身观身”澳门现代艺术博物馆行为艺术国际交流奖（2005）、“中国当代艺术奖”CCAA（2002）、第九届全国美展铜奖（油画）（1999）

作品曾被中国美术馆、日本福冈亚洲美术馆、澳大利亚悉尼白兔美术馆、昆土兰美术馆、法国蓬皮杜当代艺术馆、澳门现代艺术博物馆、瑞士ER I EN Meyer摄影基金会等机构收藏。

HE Yunchang

Born in Yunnan, China in 1967, he graduated from the Oil Painting Department of Yunnan Art Institute in 1991 and has lived and worked in Beijing since 1999. He has held solo exhibitions at Today Art Museum, Beijing, White Box Art Gallery, National Art Museum of Belgium, National Art Museum of Indonesia, Ink Gallery, Tokyo Gallery, Chambers Fine Art Gallery and Galerie Urs Meile Gallery. He has participated in the Curitiba Biennial (2019), Yokohama Triennial (2014), 55th Venice Biennale (2013), Guangzhou Triennial (2012), 10th Fukuoka Asian Art Triennial (2009), 2nd New York International Performance Art Biennial (2007), "The Wall" China (2005), Sharjah Biennale (2003), Busan Biennale (2002), Uncooperative Approach (2000), Guangzhou Biennale (1992), and other important exhibitions.

He has won the second yangtze river international Image Biennale Golden Award（2017）, the first Yan Wenliang Youth Art Award（2011）, China Contemporary Art Golden Palm Award（2010）, “Transformation History 2000-2009 ”China Contemporary Art Award（2010）, “OLHARES INTE RIORES”Macau Museum of Modern Art Performance Art International Exchange Award（2005）, “China Contemporary Art Award”CCAA, Bronze Award (oil painting) at the 9th National Exhibition of Fine Arts

His works have been collected by the National Art Museum of China, the Fukuoka Asian Art Museum in Japan, the White Rabbit Gallery in Sydney, the Queensland Art Museum, the Pompidou Museum of Contemporary Art in France, the Macao Museum of Modern Art, and the ER I EN Meyer Photography Foundation in Switzerland, etc.

Web: www.heyunchangart.com

策展人

·请上下滑动观看（For English please scorll down)

谢素贞

台湾出生，英国伦敦大学哥德史密斯学院的策展与艺术行政硕士学位，北京中央美术学院 (CAFA) 美术史博士学位。曾任教于中央美术学院、实践大学时尚与媒体设计研究所及国立台北艺术大学。曾任台湾高雄山美术馆副馆长、山艺术文教基金会执行长、台北当代艺术馆馆长、中央美术学院美术馆馆长、今日美术馆馆长、北京大都美术馆执行馆长、银川当代美术馆执行馆长。在艺术领域有着丰富的经验和深厚的专业基础，曾主持策划过“人民·历史”20世纪中国美术研究展、荷兰建筑百年展等多次大型展览及多个中国当代艺术家个展于中国美术馆等大型美术馆；吴冠中、赵无极、熊秉明、贺墓群等大师的回顾展、策划当代大型动漫展、城市双年展等多种脉络梳理及年轻观众参与的大型公共教育。擅长品牌与艺术的结合推广、与市场行销做不同种类的文创行销；及结合旅游、消费、高端消费群体的文化软性行销活动。

Su Zhen Xie

born in Taiwan, received an MA in curation and arts administration at Goldsmiths, University of London, and a PhD. in art history at the Central Academy of Fine Arts in Beijing. She has previously taught at the Central Academy of Fine Arts, the Institute of Fashion and Communications Design at Shih Chien University, and the Taipei National University of the Arts. She has served as Deputy Director of Kaohsiung Mountain Museum, Executive Director of Mountain Art Foundation, Director of the Museum of Contemporary Art Taipei, the Central Academy of Fine Arts Museum, and Today Art Museum, and executive director of the Beijing Dadu Museum of Art, and the Yinchuan Museum of Contemporary Art. She has rich experience and a solid professional foundation, having curated many large-scale exhibitions including People · History: 20th Century Chinese Art Research Exhibition, and A Hundred Years of Dutch Architecture, as well as many artist solo exhibitions at the National Art Museum of China and other key institutions, major retrospectives on Wu Guanzhong, Zao Wou-ki, Hsiung Ping-Ming, and He Muqun, and many large scale youth exhibitions and public education events including anime art exhibitions and city biennales.

She is particularly skilled at brand–art collaborations, various forms of creative merchandising, and combined tourism, consumer, and high-end consumer marketing events.