童昆鸟，1990年出生于湖南长沙，现工作生活于北京。2015年毕业于中央美术学院雕塑系第三工作室，2016 年考上研究生并同年退学。童昆鸟作品形式多样，在装置、行为、影像、 雕塑、绘画等媒介中灵活穿插。他习惯利用现代社会这个永动废物工厂制造的(过剩)产物与个人日常生活中触手可及的残余物件进行创作。关注繁杂的社会结构对个体身份与地位的限制与消耗，分解现成物，结合机械串联，导入重力平衡等因素，从而回应材料背后的个体意识，社会机制之间的多重变量和脆弱性。在拜物情绪、消费文化符号盛行，信息过载的当下，不断突破人类再造物的想象边界，呈现刁钻与戏谑并行的重构。
Tong Kunniao, born in 1990 in Changsha, Hunan Province, China, now lives and works in Beijing. He graduated from the 3rd Studio of Sculpture Department of the Central Academy of Fine Arts in 2015, enrolled in the graduate school in 2016 and dropped out in the same year. Tong Kunniao’s artworks are diverse, interspersed with installation, performance, video, sculpture, painting and other media. He is accustomed to using the (excess) products of modern society, a perpetual waste factory, and the remnants of objects that are within his reach in his daily life. Focusing on the limitations and depletion of individual identity and status by the complicated social structure, he decomposes ready-made objects, combines mechanical tandem, and introduces factors such as gravity balance, thus responding to the multiple variables and vulnerabilities between individual consciousness and social mechanisms behind the materials. At a time when worship and consumer culture symbols are prevalent and information is overloaded, the imaginary boundaries of human re-creations are constantly broken through, presenting tricky and playful reconstructions in parallel.
陈丹笛子 (b.1990) 2015年毕业于广州美术学院油画系。陈丹笛子的作品具有媒介共生的特点。她对录像、装置、摄影和文学的 运用构成了所需的组成部分，以照亮亲密的、短暂的瞬间和人类的情感。她的作品探索了与自然和人工世界中反复出现的现象相遇的感知和体验。她探索的主题包括人类情感的异化，被异化的个体的希望和绝望， 以及对自然和想象中的景观的观察。陈丹笛子艺术探索的主题包括自我认识和对生活环境的观察，揭示独特的时刻和情感之间隐藏的关系是她创作过程的核心。
她的近年个展曾在户尔空间（中国北京）、广州画廊 (中国广州) 展出; 她参加群展的机构、画廊和艺术节包括：香格纳M50、OCAT 深圳、Para Site、西岸艺术与设计博览会、北京当代艺术展、户尔空间、广州画廊、胶囊上海、常青画廊、Spurs Gallery、深圳深港城市/建筑双城双年展、匹兹堡大学美术馆、墨西哥国家文化数字中心以及连州国际摄影年展等。入围2020年第八届三亚艺术季暨华宇青年奖。
Chen Dandizi was born in 1990. She graduated from the oil painting department of Guangzhou Academy of Fine Arts in 2015. Dandizi's works are characterized by a symbiosis of media: Her use of video, installation, photography, and literature form integral parts required to illuminate intimate, short-lived moments in time, and human emotion. Her works explore the perception and experience of encounters with reoccurring phenomena of the natural and artificial world. Dandizi's art explores central themes such as self-knowledge and observation of her lived environment. Revealing the fleeting nature of hidden connections between a unique moment and emotion is at the heart of her creative process.
Dandizi's works have been included in a recent solo exhibition at Hua International, Beijing, China, and Canton Gallery, Guangzhou, China; her group exhibitions were held in ShanghART M50, OCAT Shenzhen, Para Site, West Bund Art&Design, Beijing Contemporary Art Expo, Hua International, Capsule Gallery, Galleria Continua, Spurs Gallery, Shenzhen Bi-city Biennale of Urbanism/ Architecture, Frick Fine Arts Building University of Pittsburgh, Mexico National Culture Digital Center, Lianzhou Foto Festival 2019. Finalist in the ART SANYA & HUAYU Youth Award.
范尼·吉奎尔的作品在装置、雕塑和行为之间游走，并开发出容纳不同元素的空间，这些元素预设了一个激活的场景。雕塑作为身体的延伸，并通过手势激活，质疑身体/ 物体、自我和他人之间的关系。通过这种方式，她的作品探索了有生命的和无生命的、空间和时间在行动中和行动后的关系。这些作品将个人/ 集体、私人/ 公共、亲密/ 遥远等二元论概念之间的空间和肉体渗透性发挥出来。这些作品需要行为支撑，同时也存在于行为之外的编舞和即兴表演的网络中。她的作品近期在柏林户尔空间Hua international、法国布雷斯特Passerelle Centre d'art contemporain、比利时布鲁塞尔Loto、雷恩美术馆，雷恩国际美术馆等地举办个展。
Fanny Gicquel’s works move between installation, sculpture and performance and develop spaces that accommodate different elements which presuppose a scenario of activation. The sculptures act as extensions of the body and are activated through gestures that question the correlation of the body/object and the self and the other. In this way, the work explores the relationship between the animate and the inanimate, space and time during and after the actions. These works bring into play the spatial and corporeal permeability of the dualism between notions of individual/collective, private/public, Intimate/distant. The works require the performance and also exist outside it in a network of choreography and improvisation. Her work has recently been presented in solo exhibitions at HUA international, Berlin, Germany (2021); Passerelle Centre d’art contemporain, Brest, France (2020); Loto, Brussels, Belgium (2020); Museum of Fine Arts, Rennes (2019); Maison Internationale de Rennes, Rennes (2018).
童昆鸟、陈丹笛子及范尼·吉奎尔参加柏林画廊周K60群展 | 明日开幕
About Hua International
Hua International is a contemporary art gallery based in Berlin and Beijing. Driven by a cosmopolitan and collaborative ethos, Hua International is a new global gallery for a fast-changing global art market. Founded by Hua in 2018, the gallery champions a cosmopolitan program across its two spaces, featuring emerging and established international artists with a special emphasis on cross-disciplinary, performative, and socially-engaged art.
The gallery has positioned itself at the epicenter of two vibrant art districts. In Berlin, it is located in a historic, pre-war building situated in Potsdamer Strasse; in Beijing, the gallery relocated to the acclaimed 798 Arts District in August 2020. Hua International also hosts curatorial projects and artistic collaborations in order to pursue new avenues of production, discourse and promotion of contemporary art. In a time of tectonic shifts in the art world, flexibility, experimentation and collaboration are key components of the gallery’s model in promoting works of art that are unique and new to the market.