​耿画廊参加DnA SHENZHEN设计与艺术博览会

地点 │ 深圳当代艺术与城市规划馆 广东省深圳市福田区福中路184号

展位 │ C02

参展艺术家 │ 彭薇、袁慧莉、苏孟鸿

开放时间

尊贵藏家预览 │

09.30（四） 2:00 p.m. - 8:00 p.m.

公众日 │

10.01（五） 11:00 a.m.- 6:00 p.m.

10.02（六） 11:00 a.m. - 6:00 p.m.

10.03（日） 11:00 a.m. - 6:00 p.m.

10.04（一） 11:00 a.m. - 6:00 p.m.

耿画廊受邀首届 DnA SHENZHEN 设计与艺术博览会，将在 ART021 上海廿一当代艺术博览会团队所打造的首个设计与艺术博览会中，为各位带来彭薇（b. 1974）、袁慧莉（b. 1963）、苏孟鸿（b. 1976）作品；于汇集当代艺术精选之作的「艺展芳华」单元中，以三位创作者汲取自中国传统笔墨戏趣的当代新译，回应DnA SHENZHEN结合古董器物、文房珍藏及不同类型当代艺术与设计的独特视角。

彭薇 PengWei │ 窥－37 Peek–37 │ 2020 │ 水墨．绢 Ink on silk │ 34×24 cm

中国代表性艺术家彭薇，继2020年于耿画廊及广东美术馆巡回展出的展览「女性空间」后，将为各位带来着眼中国传统文本的细腻叙事。穿梭于水墨图像间的传统女性形象，于彭薇的当代思辨中呈现了由内而外的彻底蜕变。于薄透绢布上描绘女性局部图像的「窥」系列，仿佛在窥探中凝视中着不同时空中共同的女性处境；本次首度亮相的书法系列，在有如絮叨的低吟间展现出「阴性书写」日常拙趣，于脱胎自传统的当代水墨系列交相对应间，提示出现今女性美学的不同想像。

彭薇 Peng Wei │ 画字系列：美但萌 Calligraphy Series: Pretty But Sweet │ 2021 │ 水墨．宣纸 Ink on rice paper │ 12 x 44 cm; 含框尺寸 : 22 x 65 cm

台湾女性艺术家袁慧莉，则试图在水墨传统的内蕴中更新原有的形意美学语汇。清丽淡彩的「孤山水」系列，以跳脱黑白色域的彩墨山水重新诠释「墨」与「物」之间「物性」关系；而将山水皴法融入情绪表现的「类山水小屏风」系列，更开展了为感性所包围的异质图文诠释空间，仿佛将细腻的抒情叙事以别致的小屏风与传统的恢宏山水区隔，为当代墨韵中点入了一丝标示着女性空间的感性。

袁慧莉 Yuan Hui-Li │ 孤山水之势山水 No. 29 Intrinsic Potential Landscape of Discrete Islands No. 29 │ 2019 │ 彩墨．棉麻布 Color and ink on linen cotton │ 33.2 x 30.3 cm

现正于耿画廊展出的台湾艺术家苏孟鸿，则带来令人惊艳的「异己国情调」系列作品。撷取自螺钿工艺、掐丝珐琅及中国传统漆艺元素的当代绘画，将画布上拼贴着各式花鸟山水等已然模组化的东方符码与西方抽象绘画技法融合，令画面溢散着一股马可波罗式的模糊异国情怀。而本次展出的亮点作品《有抽象表现主义风格的屏风》，则为中国古董屏风裹上了不同时空、地域文化的美学想像；在华丽与唯美、文人风雅与当代消费等视觉语汇的并置共读间，开展出更宽广的当代美学指涉。

苏孟鸿 Su Meng-Hung │ 青碧玉山水习作 Green Jasper Landscape Exercise │ 2020 │ 压克力颜料．画布 Acrylic on canvas │ 36 x 28.5 cm x 6 件

于中国设计之都深圳的首次亮相，耿画廊仅以三位艺术家融合传统与当代艺术语汇的精彩创作，回应 DnA SHENZHEN 将美学典藏拓展设计与艺术融合的展会精神，为艺术爱好者及来自不同领域的藏家群，提出一份属于当代的艺术观点。

Tina Keng Gallery is pleased to announce its participation in the inaugural edition of DnA Shenzhen, the first art and design fair brought to you by the team that created ART021 Shanghai. For the special sector Le Salon, we present the works of Peng Wei (b. 1974), Yuan Hui-Li (b. 1963), and Su Meng-Hung (b. 1976). Chinese traditional ink painting as refracted through the minds of the three artists resonates with the unique presentation of antiques, literary collections, and eclectic contemporary artworks at DnA Shenzhen.

Following her 2020 traveling solo exhibition Feminine Space at the Guangdong Museum of Art and Tina Keng Gallery, noted Chinese artist Peng Wei (b. 1974) presents a body of work that accentuates Chinese traditional narratives. Female images rendered in strokes of ink instantiate a metamorphosis of women that frees them from convention and stereotype. Painted on oval-shaped silk, the “Peek” seriesdepicts partial images of women as if gazing through a hole at the common circumstances that face women from different eras. Peng’s latest calligraphy series makes its debut at this year’s DnA. Rooted in tradition, the artists contemporary brushwork steeped in a sense of quaint charm encapsulates today’s feminine aesthetics.

彭薇 Peng Wei │ 画字系列：佛汗几回增泣涕经声一半是离骚 Calligraphy Series: Tears blending with sweat on Buddha’s face, the chant of the sutras is the sound of encountering sorrow│ 2021 │ 水墨．宣纸 Ink on rice paper │ 15.5 x 39.5 cm; 含框尺寸 : 26 x 65 cm

Taiwanese artist Yuan Hui-Li (b. 1963) reshapes form and meaning within traditional aesthetics of ink. Her “DiscreteIslands” series, rendered in color and ink, breaks away from monochrome landscape painting in a reinterpretation of the relationship between ink and object. Blending emotion with the texturizng technique, her “THEY Shanshui Small Screen” series conjures a lyrical narrative that is delicately separated from the traditional grandiose landscape, punctuated by a sensibility that is uniquely feminine.

袁慧莉 Yuan Hui-Li │ 类山水小屏风 No. 25 THEY Shanshui:  Small Screen No. 25  │ 2019 │ 法．水墨设色．楮笺六折小屏风．黑柿木特制木座 Color and ink on sixfold Chinese paper screen, with calligraphy on the back, customized ziricote base │ 作品尺寸（包含木座）：22 x 63 x 10 cm;  屏面：18 x 53 cm x 双面 Dimensions (including wooden base): 22 x 63 x 10 cm; screen: 18 x 53 cm x double sides

 类山水小屏风 No. 25 THEY Shanshui:  Small Screen No. 25 
背面 back

Taiwanese artist Su Meng-Hung (b. 1976), whose solo exhibition is currently on view at Tina Keng Gallery, brings his latest body of work themed “Self-exoticism.” Combing mother-of-pearl inlay, cloisonné, and lacquer crafts, Su’s painting brims with Eastern flora and fauna motifs executed in Western abstract painting techniques, quietly suffused with Marco Polo-esquesentiments. One of the highlights from this series, Abstract Expressionist Screen (2020) is an antique screen enwrapped in Su’s imagination of a different time, space, and culture. The juxtaposition of splendor, literati charm, and modern consumerism broadens the horizon of contemporary aesthetics.

苏孟鸿 Su Meng-Hung │ 仿螺钿练习 Imitating Mother-of-Pearl Inlay Exercise │ 2019 │ 压克力颜料．画布 Acrylic on canvas │ 193 × 97 cm

For its first appearance in China’s creative capital, Tina Keng Gallery responds to DnA Shenzhen’sspirit of fusing design and contemporary art by presenting three artists whose diverse works amalgamate tradition and contemporaneity, offering art connoisseurs and collectors from different fields a new perspective that resonates with our times.

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台北市内湖区瑞光路548巷15号1楼

1F, No.15. Ln.548, Ruiguang Rd., 

Neihu Dist, Taipei 114, Taiwan

T. +886.2.2659.0798

F. +886.2.2659.0698

info@tinakenggallery.com

Opening Hours

Tuesday - Saturday :11:00 am - 7:00 pm

Sunday & Monday Closed