正在展出 Current Exhibition
群展 Group Exhibition
"Tropical Lab 15: Interdependencies"
特罗拉马 Tromarama
展期 Duration: 2021.8.21-10.16
地址 Address: 新加坡拉萨尔艺术学院McNally校区
LASALLE College of the Arts' McNally Campus，Singapore
(Scroll down for English version)
自2005年以来，来自万隆、贝尔格莱德、纽约、普利茅斯、东京等地的大学艺术系学生因Tropical Lab项目开始在新加坡一同工作、生活。为期两周的艺术营Tropical Lab由拉萨尔艺术学院前院长、现任校长室高级研究员的Milenko Prvački发起。
由于新冠疫情影响，第15届Tropical Lab以展览的形式举行。本届展览标题“Interdependencies”并没有较强的主题性暗示，而是更具反思性的。它捕捉了在往届Tropical Lab中体现的团结、陪伴和坚韧的精神。疫情以许多不同的方式影响着我们的生存，也使得线下的接触变得困难，但它让我们都意识到——人与人之间相互依存的关系是艺术和生活的根本。
≡ 特罗拉马 Tromarama
展览现场 Installation view
Stranger, 2021
3D打印树脂 3D printed resin
图片由拉萨尔艺术学院提供
Image courtesy of LASALLE College of the Arts
2005年至2019年间，参加过不同届Tropical Lab的25位艺术家均由拉萨尔艺术学院合作大学的艺术院系提名。这些艺术家慷慨地分享了他们近期创作的作品。他们的热情回应也反映了过往在新加坡参加的Tropical Lab的质量。
一张油布以某种掩蔽物的结构悬吊于地面之上，上面印着航线示意图的截图。绘有放大的身份证明照片的两幅画作传达了移民们经常遭遇的被异化的过程。一个迷人的动画将北美森林无缝衔接至热带雨林，暗示了跨国公司在全球范围的影响以及他们对资源的多重剥削。一个AR应用程序打破物理边界，将我们传送至几英里之外的艺术家工作室。在展出的所有作品中寻找一个共同点是徒劳的。如本届Tropical Lab这样的展览之优势便在于多样的艺术立场、媒介和参考背景。
正在展出的是特罗拉马的《Stranger》(2021)。
— 译自拉萨尔艺术学院提供的文字
≡ 特罗拉马 Tromarama
展览现场 Installation view
Stranger, 2021
3D打印树脂 3D printed resin
图片由拉萨尔艺术学院提供
Image courtesy of LASALLE College of the Arts
Since 2005, art students from universities in Bandung, Belgrade, New York, Plymouth, Tokyo, among others, meet each other, work and live together in Singapore as part of Tropical Lab. This two-week intensive art camp was initiated by Milenko Prvački, former Dean of LASALLE’s Faculty of Fine Arts and current Senior Fellow in the President’s Office.
Impacted by the pandemic, the 15th edition of Tropical Lab takes place under an exhibition format. The title of this edition – Interdependencies – is less thematic and more reflective. It captures the spirit of togetherness, companionship, and resilience that defined all the previous editions of Tropical Lab. While the pandemic touched our existence in many different ways, and made off-screen encounters difficult, it made us all acknowledge our interdependencies as fundamental to art and life.
≡ 特罗拉马 Tromarama
展览现场 Installation view
Stranger, 2021
3D打印树脂 3D printed resin
图片由拉萨尔艺术学院提供
Image courtesy of LASALLE College of the Arts
Twenty-five artists who participated in different editions of the Tropical Lab between 2005 and 2019 were nominated by faculty from partner universities. The artists have generously shared their recent work and initiated new projects, and their enthusiastic response to the invitation reflects the quality of the experience they once had in Singapore.
A screengrab of an inflight map, printed on tarp levitates above the ground in a shelter-like structure. Two paintings of blown-up ID photos convey the process of othering immigrants often experience. A seductive animation moving seamlessly from a North American forest to a tropical rainforest alludes to the global ramifications of multinational companies and their manifold exploitation of resources. An augmented reality app defies physical boundaries and teleports us miles away into an artist's studio. It would be futile to seek a common denominator across all the artworks. The strength of an exhibition such as Tropical Lab derives from various artistic positions, media and contexts of reference.
On view is Tromarama's 'Stranger' (2021).
- Courtesy of LASALLE College of the Arts.
艺术家简介 About the artist
结合数字时代中超现实这一概念，特罗拉马不断探索现实和虚拟世界之间的相互联系。自 2006 年印尼万隆成立至今，三名成员菲比·贝比罗斯（Febie Babyrose），赫伯特·汉斯（Herbert Hans）和路迪·哈图瑁拉（Ruddy Hatumena）创作出涵盖视频、装置、电脑编程和公众活动等反映数字媒体影响对当下社会环境认知的各类作品。将语言、文本、机智、序列和交互融入其多样的实践中，特罗拉马以一种全球的认知方式对印尼的政治和文化环境作出深刻思考。特罗拉马被视为印尼最具潜力的艺术家团体之一，他们的作品于世界不同的地方展出。特罗拉马曾于温温哥华亚洲当代艺术国际中心（2017）、利物浦双年展周边项目（2016）、阿姆斯特丹市立博物馆（2015）、墨尔本维多利亚州国立美术馆（2015）、日本森美术馆（2010）等地举行个展。大型联展包括墨尔本维多利亚州国立美术馆（2020）、澳大利亚国家美术馆（2019）、马尼拉当代艺术设计博物馆（2018）、新加坡美术馆（2017）、光州双年展（2016）、法兰克福艺术协会（2015）、阿德莱德Samstag美术馆（2014）、第七届亚太当代艺术三年展（布里斯本昆士兰艺术馆及新现代美术馆）（2012）等。
Image courtesy of the artistand Edouard Malingue Gallery
Engaging with the notion of hyperreality in the digital age, Tromarama explores the interrelationship between the virtual and the physical world. Initiating as a collective in 2006 in Bandung, Indonesia, Febie Babyrose, Ruddy Hatumena and Herbert Hans create works that combine video, installation, computer programming and public participation depicting the influence of digital media on society’s perception of its surroundings. Channelling language, text, wit, sequence as well as interaction through their varied practice, Tromarama reflect on the cornerstones of Indonesia’s political and cultural environment, a form of perceptive engagement that applies globally. Tromarama are widely considered one of Indonesia’s most exciting rising talents and have been exhibited around the world. They have held solo exhibitions at Centre A, Vancouver (2017), Liverpool Biennial Fringe, Liverpool (2016), Stedelijk Museum, Amsterdam (2015), National Gallery of Victoria, Melbourne (2015), and Mori Art Museum, Tokyo (2010) among other locations. Their group exhibitions include National Gallery of Victoria, Melbourne (2020), National Gallery of Australia, Canberra (2019), the Museum of Contemporary Art and Design (MCAD) Manila (2018), Singapore Art Museum, Singapore (2017), Gwangju Biennale, Gwangju (2016), Frankfurter Kunstverein, Frankfurt (2015), Samstag Museum of Art, Adelaide (2014), and the 7th Asia Pacific Triennial of Contemporary Art, Brisbane (2012).
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