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安尼沃尔·哈力汗,独立音乐人,擅长吉他及多种哈萨克民族乐器的演奏和独特的音色创新。他的音乐创作根植于哈萨克传统哲学“küy”,一种借由音声达到的极高感官专注度,借由当代的音声表达方式,探索具有现代意识的音乐。他的现场往往通过迷幻声场的充分营造以及情绪和环境的即兴,带来视觉上的强烈画面感。Anuar曾参与IZ乐队,并先后组建“Alakhan”、Anuar与“7”乐队,巡演于英国、波兰及国内多城市;2015年起以个人solo计划参与到各类美术馆项目中,如上午艺术空间发起的“无窗的风景”系列声音实践声场,及上海当代艺术博物馆的实验音乐品牌”1吨半“等等。其个人还参与了关于哈萨克传统音乐的学术性项目,如“塔石”民间音乐档案中“新疆境内的斯布孜额笛”的文献编译,以及2014年在上海音乐学院举办的国际萨满研讨会的“萨仁:巴克斯唱诵”课题中的讲演等。
Anuar Kaldekhan, an indie musician. He is good at guitar, a variety of Kazak folk musical instruments and unique sound innovation His creation is rooted in the traditional philosophy of Kazakhstan, "küy", a kind of the high degree of sensibility achieved with sound, through the contemporary sound expression to explore the music with modern consciousness. His live performance often brings a strong visual sense through the psychedelic sound field to fully create and the mood and the environment improvisation. Anuar was a former member of IZ band, and has formed "Alakhan", Anuar and "7" band and toured in the UK, Poland and several home cities. From 2015,he started solo plan to participate in various art museum projects, such as the morning art space The "No Window Landscape" series of sound practice sound field, and the Shanghai PSA experimental music brand "1 ton and a half" and so on; he also participated in the traditional music on Kazakhstan academic projects, such as compilation work "Tashi" folk Music archives in the "territory of Xinjiang Sibuzi flute" . In 2014 ,he lectured "Sa Ren: Bacchus chanting" at the Shanghai Conservatory of Music held by the International Shaman Seminar.
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