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AIKE参加2021北京当代艺术博览会

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AIKE参加2021北京当代艺术博览会北京艺术博览会 AIKE 展位 Booth 贵宾 VIP Preview 公众崇真艺客

2021北京当代艺术博览会｜AIKE 展位：3.8

Beijing Contemporary Art Expo 2021 | AIKE Booth: 3.8

贵宾预览 VIP Preview：

2021.10.13，15:00 - 19:00

2021.10.14，11:00 - 18:00

公众开放日 Public Days：

2021.10.15 - 17，11:00 - 18:00

地点 Venue：全国农业展览馆1、3号楼，北京市朝阳区东三环北路16号

Hall 1&3, Beijing National Agricultural Exhibition Center, 16 East Third North Ring, Chaoyang District, Beijing

AIKE将于2021年10月13日至10月17日参加“2021北京当代艺术博览会”。届时AIKE将荣幸呈现艺术家万杨“颜色”系列作品。此次展览是继个展“从雨林到火星”之后万杨作品首次在北京整体亮相。

万杨的每幅作品都由一个独一无二调色盒中的颜料画成。如地质岩层般的颜色在调色盒内部纵横阡陌，创生和寂灭。色层环环相扣构成了坚实的框架，色彩的交融被空间结构精确的量化。但这种人造的秩序，在反复叠加的混合中变得越来越不可预测、难以琢磨，造成了复杂微妙、甚至难以察觉的色彩变化。

当一个个调色盒在不停迭代中变形、进化、改头换面；当万杨在反复落笔和颜色的呈现过程中，甚至一度经验到了一种可以反向推演出色彩在空间中的形状的洞察力，仿佛把颜色从空间中解放出来。

AIKE will be participating in the “2021 Beijing Contemporary Art Expo” from 13 to 17 October 2021. AIKE is pleased to present Wan Yang’s “Colour” series works at the art fair. This exhibition is the first overall presentation of Wan’s works in Beijing after the solo exhibition “From Rainforest To Mars” earlier this year.

Each work is painted with pigments from a unique palette, like the geological formation of rocks and stones, the colours interspersed inside the palette box, suggest birth and extinction. The layers of colours are interlocked to form a solid framework, and their interplay is quantified precisely by the spatial structure. However, this artificial order becomes increasingly unpredictable and inscrutable in the repeated overlapping mixtures, resulting in complex and subtle, even imperceptible colour changes.

When a palette box transforms, evolves, and renews in constant re-iterations, when the artist shows the rendering of brushwork and colour applications to the extent of reversing speculation of colours in space, it seems colours liberate out of the pictorial space of the canvas.

关于艺术家

ABOUT THE ARTIST

万杨，1983年出生于湖南，2005年毕业于四川美术学院油画系。现工作和生活于上海。

万杨的艺术创作意图通过人与计算机、绘画与数字图像之间的交互合作关系拓展绘画的疆界。作为一个“方法先行”的艺术家，万杨持续探索新的制作工艺和流程，并通过方法反哺创作内容本身，以阶段性的系列形式呈现二维空间中物质的几何学描述及抽象的可能性。近年来，万杨发展的绘画系列包括“碳”系列（2008-2013），“云”系列（2013-2019），“金属”系列（2015-2018）和“颜色”系列（2019- ）。

他的近期个展包括“从雨林到火星”，AIKE，上海，中国，2021；“钅”，AIKE，上海，中国，2016；“衍生物”，Connoiseur Art Gallery and Connoisseur Contemporary，香港，中国，2008。他曾参与的部分群展包括“金汤”，CHAO艺术中心，北京，中国，2020；“无象之境”，泥轩，上海，中国，2020；“无调之川”，AIKE，上海，中国，2019；“原素”，ANNEX艺术空间，复星基金会，上海，中国，2018；“旋梯”，AIKE，上海，中国，2018；“待定”，Jewelvary Art & Boutique，上海，中国，2015；“真相部II：再造界域”，博而励画廊，北京，中国，2014；“Sichuan Hot! 中国重庆新绘画展”，昆士兰艺术学院，格里菲斯大学，布里斯班，澳大利亚，2009；“口传于耳闻的四方”，第三届贵阳艺术双年展，贵阳，中国，2007；“未来考古学”，第二届中国艺术三年展，南京，中国，2005。

Wan Yang was born in 1983 in Hunan, China and graduated from Sichuan Fine Arts Institute. He currently lives and works in Shanghai, China.

Wan Yang’s artistic practices intend to expand the boundaries of painting through the interactive and collaborative relationship among computer, painting, and digital imagery. A “method-first” artist, Wan continues to explore new production processes and procedures, and through method feeds into the creative content itself, presenting the geometrical presentation of matter in two dimensions and discovering the possibilities of abstraction in a series of stages. The painting series developed by the artist in recent years include “Carbon” series (2008-2013), “Cloud” series (2013-2019), “Metal” series (2015-2018) and “Colour” series (2019- ).

His recent solo exhibitions include “From Rainforest to Mars”, AIKE, Shanghai, China, 2021; “Metal-”, AIKE, Shanghai, China, 2016; “Derivative”, Connoiseur Art Gallery and Connoisseur Contemporary, Hong Kong, China, 2008. His group shows include “Golden Flow”, CHAO Art Center, China, 2020; “Non-objective Realm”, MUD Gallery, Shanghai, China, 2020; “The Atonal River”, AIKE, Shanghai, China, 2019; “Primitive Elements”, ANNEX Space, Fosun Foundation, Shanghai, China, 2018; “Spiral Stairs”, AIKE, Shanghai, China, 2018; “To Be Confirmed”, Jewelvary Art & Boutique, Shanghai, China, 2015; “Ministry of Truth II: The Factitious and Its Realm”, Boers-Li Gallery, Beijing, China, 2014; “Sichuan Hot! New Paintings from Chongqing City, China”, Queensland College of Art, Griffith University, Brisbane, Australia; “Word of Mouth from Four Corners”, The 3rd Guiyang Biennale Exhibition, Guiyang Art Museum, Guizhou, China, 2007; “Archaeology of the Future”, The 2nd Triennial of Chinese Art, Nanjing Museum, Nanjing, China, 2005.

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