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展览回顾 | 回响 ECHO

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回响

ECHO

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策展人Curator

陆佳

Lu Jia

参展艺术家Artists

何艺雯、严许雨、张嘉宁

He Yeewen,Yan Xuyu,Kane Zhang

指导教师Instructor

夏阳

Xia Yang

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前言

Introduction

维也纳艺术史学派的李格尔在《荷兰团体肖像画》一书中提出“观者”的概念，以此阐述荷兰团体肖像画中的人物与画外的观者形成统一性的互动。这一具有现代主观性的知觉方式不仅是艺术鉴赏方法的创新，同时为艺术创作提供了新的角度。作品的叙事性或指向性召唤出其与“观者”的互动与一致性。这种一致性来自“观者”的共鸣和作品的回响。

本次展览以“回响”为母题，借此触及三位艺术家和观者们的丰沛心理。通过她们不同的子域“尝试”、“通道”和“转身”，将作品与空间结合，探索观赏性和描绘性之外的可能。同时，将“观者”引入子域，进行第三次重构，完成再创造，以此建立共鸣和回响的统一性和多样性。在“回响”的场域中，不管是谁都可以进入、连接或打破，进行思考、互动、交流，以探索观者或艺术家的感悟。

Alois Riegl, the established art historian from Vienna School, put forward the idea “Beholders” in his treatise “The Group Portraiture of Holland”, arguing the interaction between the beholders and works of art in the group portraits. The perception with such modern awareness may innovate, not only ways of interpretating art, but artistic creation as well. The narrative or nature of works of art calls for its interaction and consistency with the “beholders”, which comes from the resonance of the “beholders” and the echo of works of art.

The exhibition, entitled "Echo", attempts to reach out to the diverse and energetic spirit of the artists and the “beholders”. Artists’ subdomains of "Experiment", "Channel" and "Turning-around", combined with space, explore the possibilities beyond ornamental essence and narrative. At the same time, the "beholders" are introduced into the subdomain, the result of which was reconstructed for the third time and recreated to establish the unity and diversity of resonance and echo. In the field of "Echo", anyone who enters, builds a connection or breaks through and then reflects, communicates to explores the perception of the beholders or artists.

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展览现场

Exhibition site

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何艺雯

He Yeewen

何艺雯1994年生于上海，现就读于上海大学上海美术学院，攻读硕士学位。她曾通过对各种材料的实验性创作进行思想的自由表达，但何艺雯今后的兴趣点是回归泥塑，她想在创作时将手的温度融入作品中。

He Yeewen, born in 1994 in Shanghai, is now studying in Shanghai Academy of Fine Arts for a Master Degree. She used to experiment all material for free expression. Her interest is now back to clay by means of which her sense of hands integrates with her works of art.

窟 Cave

16×19×4cm×3

树脂 resin

临萨埵太子舍身饲虎图

Imitation Prince Sattva giving up his body to feed the tiger

50×50×30cm

树脂 resin

龛Ⅰ NicheⅠ

9×10×14cm

耐火砖 refractory bricks

龛Ⅱ NicheⅡ

10×6×21cm

花泥、树脂、香灰

flower clay, resin,incense ash

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严许雨

Yan Xuyu

严许雨1997年生于上海，目前在上海大学上海美术学院攻读硕士学位。她致力于对各种媒介和材料的创作尝试，并利用非传统雕塑媒材进行创作探索。

Yan Xuyu, born in 1997 in Shanghai, is now studying in Shanghai Academy of Fine Art for Master Degree. She attempts to apply all kinds of material to creation, searching the possibility of non-traditional sculptures.

黄 Yellow

53×63×10cm

纸、色粉、油脂

sketch paper, pastels, grease

油碗 Grease Bowl

12.7×12.7×4.7cm

油脂、头发

grease, hair

沉睡 Slumbering

37.5×20×11cm

树脂 resin

小憩 Nap

40×13.5×11.2cm

树脂 resin

内向的氤氲Ⅰ

Introverted denseⅠ

52×96×0.5cm

硅胶、色浆

silica gel, colour paste

内向的氤氲Ⅱ

Introverted denseⅡ

60×120×0.3cm

硅胶、色浆

silica gel, colour paste

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张嘉宁

Kane Zhang

张嘉宁1996年生于上海，目前在上海大学上海美术学院攻读硕士学位。她的作品运用了纤维材料，张嘉宁借助创作向外探索的同时向内认知自我。

Kane Zhang, born in 1996 in Shanghai, is now studying in Shanghai Academy of Fine Arts for a Master Degree. Fiber is the language of her works of art. By creation, she explores outwards during the process, to reach out artistic self-awareness.