同行/孤独的远行者 | Aria Dean
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Aria Dean(b.1993)质疑集体和个人主观的结构,重点是解构和重新配置他们与网络可见性、代表性和权力的关系。Aria经常以黑人为出发点,借用极简主义雕塑和结构/唯物主义电影的形式语言。她努力研究传统历史,并探索其他符合物质、政治和技术现实的叙事的潜力。本期视频展示的是Aria Dean在一场名为Notes on Blacceleration II的分享会上的影像记录。
“在批评方面,我希望有更多的空间;如果我觉得黑人艺术家、评论家、作家和策展人有更多的空间对作品发表不同的意见,我会写更多的批评。”
——Aria Dean
Aria Dean, King of the Loop, 2020. Installation view, Hammer MuseumKing of the Loop在各种体裁和文学形式之间跳跃,包括史诗、书信、独白、社会现实主义戏剧、荒诞主义和单口喜剧,并借鉴了南欧和欧洲哥特式故事传统以及科幻小说。
在哈默威尔希尔大厅的墙上,Aria的作品Les Simulachres是一组骷髅效果图,取材于15世纪和16世纪的恐怖木刻,经过数字处理后出现在不同的抽象阶段。
Aria Dean, Les Simulachres, 2020. Installation view, Hammer Museumcipher (4) 2020 Mirror, vinyl wall text Dimensions variableAria的第一个个展Baby Is A Cool Machine于2017年开幕,画廊网站评价该展览“磨练了她对美国黑人状况的物质驱动的审视”。同时在四个专栏中受到James Hannaham的好评,并被Kat Herriman选为艺术论坛的评论家精选。2017年末,Aria策划了New Black Portraitures作为《Rhizome》网络艺术选集的一部分。在线展览包括视觉艺术家Manuel Arturo Abreu, Hamishi Farah, Juliana Huxtable, Rindon Johnson, Pastiche Lumumba, N-Prolenta (Brandon Covington), Sondra Perry, Redeem Pettaway,“探讨了与在线可见性、隐蔽性和自我表现策略相关的黑人肖像画的不断变化的地位”。
cipher (1) 2017 Mirror, vinyl wall text Dimension variable 'Discretion,' BFA Boatos Fine Arts, São PauloAria Dean, 'untitled (footnote to war of position),' 2017. Courtesy the artist and Veronica Seattle. Photo- Michael Van Horn.Eraser (that’s the abattoir!) 2021 Cryogenically engraved crepe rubber, aluminum 16.25 x 13.25 x 0.88 in / 41.3 x 33.7 x 2.2 cmInstallation view- Aria Dean, Helen Marten, Kelley Walker, Olga Balema, Raque Ford, Greene Naftali, New York, 2020. Image courtesy the artist and Greene Naftali, New York. Photo- Zeshan Ahmed 2Installation view- Aria Dean, Helen Marten, Kelley Walker, Olga Balema, Raque Ford, Greene Naftali, New York, 2020. Image courtesy the artist and Greene Naftali, New York. Photo- Zeshan AhmedIronic Ionic Replica 2020 Engineered wood, latex coating 136 x 71.75 x 48 in / 345.4 x 182.2 x 121.9 cm Made in L.A. 2020- a version The Huntington Library, Art Museum, and Botanical Gardens, San Marino Installation view
Installation view, Aria Dean, “(meta)models: fam,” Chapter NY, New York, 2019. Courtesy of the artist and Chapter NY. Photograph by Dario Lasagn.Show Your Work Little Temple 2021 Greene Naftali, New York Installation view她的第二个个展lonesome crowded west,以雕塑和装置为特色,超文化批评家Matt Stromberg评价称“穿梭于个人生活的体验和媒体和历史现代主义的全面概括之间”。在接受Travis Diehl采访时,Aria透露她绘画般的雕塑中的粘土来自密西西比州,该系列向她讲述了“与那个地方的接近和距离”。“他们对我感兴趣的那种关系进行索引,把自己归入这个特别的黑人群体,在这个群体中,已经不像‘适当的’西方个体主体那样明显存在的个体被归入另一个对象。节目标题来自Modest Mouse乐团专辑The Lonesome Crowded West (1997),我不是他们的超级粉丝,但我喜欢这张专辑,我理解了这句话。The Lonesome Crowded West是我与物品的关系。我是孤独的人群,在西方……”Suite! 2021 REDCAT, Los Angeles Installation viewSuite! 2021 REDCAT, Los Angeles Installation view2Untitled (Obscenities) 2017 Galvanizing steel, silk, wax, chain 39 x 50 x 10 in / 99 x 127 x 3.9 cm 'Baby is a Cool Machine,' American Medium, New YorkWork (new eye rag) 2021 3D print in polylactic acid, pigmented silicone 69.75 x 35.75 x 35.75 in / 177.2 x 90.8 x 90.8 cm(meta) models or how i got my groove back 2019 Chapter, NY Installation viewAria Dean, '(meta)model- after flat stanley,' 2019. Security mirror, oak. Image courtesy the artist and Château Shatto, Los Angeles. Photo- Ed Mumford.A Regular Thing 2017 Burnt vests on hangers, candlewax 110.63 x 37.4 in / 281 x 95 cm 'White Ppl Think I’m Radical,' Arcadia Missa, LondonAria Dean, 'Mise en abyme 1.0,' 2020. Blackened steel with stainless steel standoffs. Image courtesy the artist and Greene Naftali, New York. Photo- Zeshan Ahmed
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