户尔空间将携 GREEN GO HOME 首次亮相中国｜2021西岸xiàn chǎng单元 Booth X11

2021西岸艺术与设计博览会

xiàn chăng单元

上海西岸穹顶艺术中心

展位 Booth X11

GREEN GO HOME

托马斯·吴&里克力·提拉瓦尼 

TOMAS VU & RIRKRIT TIRAVANIJA 

 现场行为艺术家  

 with performance by 

 胡向前、李昕頔、刘玉姗、周轶伦

Hu Xiangqian, Xindi Li, Liu Yushan, Zhou Yilun

展期 Duration

2021.11.11-11.14

贵宾预览VIP Preview

11月11日-12日

11.11 周四 Thu. 13pm - 19pm

11.12 周五 Fri. 12am - 13pm

公众日Public Hours

11月12日-14日

11.12 周五Fri. 13pm - 18pm

11.13 周六Sat. 12am - 18pm

11.14 周日Sun. 12am - 18pm

地址 Address

上海西岸穹顶艺术中心 

（上海市徐汇区龙腾大道2350号）

West Bund Dome: 

2350 Longteng Ave., Xuhui District, Shanghai

托马斯·吴(左)&里克力·提拉瓦尼(右）

关于 “Green Go Home” 这一短语的本源，有许多不同的故事版本，有些是神话，有些是民间传说，还有一些则是误读。因此 “Green Go Home”这一短语在某种程度上，也是一种源自想象力的创造。可无论如何，它都同样引人入胜。而其中一个流传较广的版本是这样描述的: “外国佬” (gringo) 是在拉丁美洲用来描述西方外国人的一种表达方式，很多人都认为这个词源自短语“Green Go Home”。有一个故事讲述了美墨战争期间，美国军队入侵了墨西哥领地并将其彻底击溃。相传，在那个时候，美国的制服经常包括绿色外套。因此，“Green Go Home”所固有的反叛性滋生于美国对来自墨西哥南部的拉丁美洲邻国所运用的微妙干预措施，以及殖民主义态度: 一场造成许多死亡和冲突的对抗。

GREEN GO HOME is a collaborative project by Tomas Vu and Rirkrit Tiravanija.

The story of “Green Go Home” is part myth and part folklore. It is also partially a misunderstanding, and, to some degree, an invention of the imagination. Nonetheless, it makes for a compelling story.The term gringo—commonly used in Latin America to describe a Western foreigner—has been assumed by many to have etymologically originated with the phrase “Green go home!” One story holds that during the Mexican-American War, American troops invaded and overwhelmed their opposition. At this time, according to legend, the American uniform frequently included green coats. Hence “Green go home!” The grid holds up the statement and reinforces the layers of interpretation, readings, and misunderstandings. “Green Go Home” is meant to be a wall of resisters, and of resistance.

REVOLUTION WILL COME IN EVERY DIRECTION, 2018

托马斯·吴&里克力·提拉瓦尼

Untitled Miama 迈阿密，美国

*此次展品为The sculpture系列中迈阿密独版

Green Go Home (The Sculpture), 2021

托马斯·吴 Tomas Vu

丝网印刷人物图像，中国独版

左上起：安杰拉·戴维斯、让·米歇尔·巴斯奎特、约瑟夫·博伊斯、巴勃罗·毕加索、奇奇·史密斯、马赛尔·杜尚、肖鲁、路易斯·布尔乔亚、张洹、弗里达·卡罗

GREEN GO HOME (The Sculpture), 2021｜中国独版

托马斯·吴&里克力·提拉瓦尼

铝、彩钢瓦、亚克力、丝网印

2.5x2.6x3.7(H)m

Green Go Home (The Sculpture), 2021

托马斯·吴&里克力·提拉瓦尼

中国独版

铝、彩钢瓦、亚克力、丝网印

2.5 x 2.6 x 3.7 (H) m

 现场行为，2019

 托马斯·吴(左)&里克力·提拉瓦尼(右）

 马尼拉，菲律宾

GREEN GO HOME 

项目发起人

里克力·提拉瓦尼

Rirkrit Tiravanija

1961年生于阿根廷布宜诺斯艾利斯，现生活工作在纽约、柏林及清迈。

里克力·提拉瓦尼从不停止他对于艺术形式和展览系统的质疑。他综合表演、雕塑、装置等手法， 将展示艺术的空间转换为人们社交互动的场所，成为会面地点成为人们偶遇和交流之处。他曾在 各种国际机构举行个展，包括: 华盛顿特区赫尚史密森尼美术馆(2019)，马里兰州格兰斯通美术馆 (2019)，阿尔勒Luma基金会(2018)，新加坡国家美术馆(2018)，纽约Creative Time (2018)，阿姆斯 特丹市立博物馆(2016)，伦敦泰特现代美术馆(2013)等;提拉瓦尼曾获得众多奖项，包括:纽约古 根海姆博物馆的Hugo Boss奖(2004)，国家艺术视觉艺术家奖学金(1994)，Gordon Matta Clark基金 会奖(1993);他的作品也进入各种重要收藏:美国纽约古根海姆美术馆，美国洛杉矶当代艺术博物 馆，英国伦敦泰特现代艺术博物馆，法国巴黎蓬皮杜艺术中心，美国明尼阿波利斯沃克艺术中 心，中国香港K11艺术基金会，意大利都灵Sandretto Re Rebaudengo基金会，美国纽约现代艺术博物馆，德国柏林新国家美术馆等。

Born in 1961 in Buenos Aires, Argentina, lives and works in New York, Berlin and Chiang Mai.

Rirkrit Tiravanija never stops questioning art forms and exhibition systems. By integrating performance, sculpture, installation and other techniques, he transformed the art exhibition space into a place for social interaction, a meeting place and a place for people to encounter and communicate. He has held solo exhibitions at various international institutions, including: Hershon Smithsonian Museum, Washington DC (2019), Glenstone Gallery, Maryland (2019), Luma Foundation, Arles (2018), National Gallery of Singapore (2018), Creative Time, New York (2018), Stedelijk Museum Amsterdam (2016), Tate Modern London (2013), etc. Rirkrit Tiravanija has received numerous awards, including: Hugo Boss Award from The Guggenheim Museum in New York (2004), National Art Visual Artist Fellowship (1994), Gordon Matta Clark Foundation Award (1993); His works are also included in various important collections: The Guggenheim Museum in New York, the Museum of Contemporary Art in Los Angeles, the Tate Museum of Modern Art in London, the Pompidou Center in Paris, walker Art Center in Minneapolis, THE K11 Art Foundation in Hong Kong, China, Sandretto Re Rebaudengo Foundation in Turin, Italy, The Museum of Modern Art in New York, The New National Gallery in Berlin, Germany, etc.

托马斯·吴

Tomas Vu

出生于越南西贡，现生活工作在美国纽约。

托马斯·吴通过将丝网印刷，绘画和激光雕刻图像层叠在一起，创造出代表破坏，坍缩和重生周期的幻想场景。其作品的灵感和呈现主要来源于战时在越南长大的个人记忆，图像描绘了人与机器，自然和技术之间的史诗般的冲突，作品由层层开放的空间构成，模糊想象与记忆之间的界 限。吴曾在世界各地展出，并在日本，意大利，中国和越南举办过个人美术馆展览，包括: Centro Colombo Americano，波哥大(2012)和中央美术学院博物馆(北京)(2015)等；吴同时还担任巡游团体展览项目 DRAW 与持续性合作项目 Green Go Home 的策展人，目前已有100多 位艺术家参与; 吴获得过诸多奖项，包括 Joan Mitchell 基金(2001)，古根海姆基金(2002)， Sharpe-Walentas 工作室计划(2015)，第30届卢布尔雅那图像艺术双年展(2016)最佳驻地艺术 家和观众奖， Louis Comfort Tiffany 艺术家奖(2017)，以及约翰迈克尔科勒艺术中心(2018)的 艺术/工业驻地。

Born in Saigon, Vietnam, lives and works in New York.

Tomas Vu creates fantastical scenes that represent cycles of destruction, collapse and rebirth by layering screen printing, painting and laser-sculpted images on top of each other. Inspired and presented primarily by personal memories of growing up in wartime Vietnam, the images depict the epic conflict between man and machine, nature and technology, and the work is composed of layers of open Spaces that blur the boundaries between imagination and memory. Vu has exhibited around the world and held exhibitions in his own museums in Japan, Italy, China and Vietnam, including: Centro Colombo Americano, Bogota (2012) and The Central Academy of Fine Arts Museum (Beijing)(2015); Vu is also the curator of Green Go Home, a touring group exhibition project called DRAW and a continuing collaboration with more than 100 artists. Vu has received numerous awards, including the Joan Mitchell Foundation (2001), The Guggenheim Foundation (2002), the Sharpe-Walentas Studio Program (2015), the 30th Ljubljana Image Art Biennale (2016) Best Resident Artist and Audience Award, Louis Comfort Tiffany Artist Award (2017), and the Art/industrial residency of the John Michael Kohler Art Center (2018).

西岸艺术与设计博览会

xiàn chǎng 单元

行为表演中国艺术家

胡向前

 Hu Xiangqian

Hu Xiangqian，born 1983 in Leizhou, Guangdong. Lives and works in Guangzhou. He graduated in the Fifth Studio of The Guangzhou Academy of Fine Arts. Hu’s body of work are mainly about performance and video. Hu’s inspiration comes from his acute observation of his surrounding living environment and reality as well as his unique thinking,  whose creation forms consist of performance and video works. His work has been exhibited both nationally and internationally.

周轶伦 

Zhou Yilun

周轶伦，出⽣于1983年，现⽣活和⼯作于杭州。2006年毕业于中国美术学院油画系。周轶伦的作品包含绘画、装置、雕塑等多种媒介，他通过拆分、重组、模拟等多重⼿法，延展⽇常材料的可能性，⾃由地从唾⼿可得的物件中汲取灵感，构建了⼀个充斥着经典与街头、史前史与未来，甚⾄不同经济形态下的物质⽣态，让艺术的创作充满突破边界的趣味，平衡着⼿感与⼯业⽣产的审美张⼒。

Zhou Yilun, born in 1983, lives and works in Guangzhou, graduated from Oil Painting Department of China Academy of Art in 2006. His works contains such various media as painting, installation and sculpture. He extends the possibility of daily materials by means of splitting, recombining and simulating. He freely draws inspiration from the things readily available, and establishes the material ecology filled with classics and street corner, prehistory and future, even under different economic forms, thus enabling artistic creation full of fun to break through boundaries, and balancing the aesthetic tension between hand feeling and industry production.

李昕頔 

Xindi Li

李昕頔，出生于1996年，现生活和工作于北京。2018年从芝加哥艺术学院雕塑系毕业后，李昕頔回到家乡北京，继续进行个人艺术创作之外，也在艺术机构内全职从事展览设计和项目管理等相关工作。李昕頔的艺术实践深受汉斯·哈克(Hans Haacke)和安德里亚·弗雷泽(Andrea Fraser)等在机构批评(Institutional Critique)领域起到推动性作用的艺术家的影响，他的装置作品经常以无厘头的幽默以及对现实事物出其不意的戏仿，质疑艺术机构的本质以及它们在生产当代文化与定义当代社会审美方面的作用。

Xindi Li (b. 1996) lives and works in Beijing. Li studied sculpture in The School of the Art Institute of Chicago. After completed his study in 2018, Li returned to his home Beijing and started working as a full-time exhibition designer and art administrator while continuing his individual artistic practice. 

Following the paths of pivotal artists who work in the realm of Institutional Critique, such as Hans Haacke and Andrea Fraser, Xindi Li’s installation works pose questions and critically comments on the nature of art institutions and their role in producing culture and defining aesthetics in contemporary society with unexpected parody and non-sequitur humor. Aside from his individual art practice, Li has also worked in private and public art museums professionally; these professional experiences have significantly contributed to his understanding of the functioning of art institutions and initiated his constant introspective examining of the norms within the institutional system. In the artist’s words, the inner conflict created by the dual identity (being an employee and a mindful critic of the established system) does not affect his artistic practice significantly but it is the homology embedded in the two seemingly opposite roles that intrigues him the most.

刘⽟姗 

Liu Yushan

刘⽟姗，是⼀位活跃于纽约和上海之间的独⽴艺术家。她2020年毕业于纽约哥伦⽐亚⼤学视觉艺术专业，创作领域包括绘画、装置、表演和影像等。她的作品通过对材料属性、光线等不确定性环境因素的改变，常常给观众营造出⼀种更私密、个⼈的氛围与感受，常常使⽤和制作⼥性复杂身体特质的图像探索其更多样的审美可能，同时关⼼身体与⾃然的关系。刘⽟姗的作品被北京中间美术馆，筑中美术馆，清华⼤学，国家⼤剧院等机构收藏，曾在纽约Lenfest Art Center，波⼠顿美术馆，清华⼤学美术馆，⼴州时代美术馆等展出作品。

Yushan Liu, who graduated in 2020 from visual art major, Columbia University, New York, is an independent artist being active between New York and Shanghai. Her creation domain includes painting, installation, performing  and video, etc. By means of altering such uncertain environment factors as material property and ray of light, her works usually creates an atmosphere and feeling of more privacy for viewers. She tends to use and make images typical of female complex physical characteristics to explore more varieties of aesthetic possibilities, and in the meanwhile care for the relationship between body and nature. Her woks is collected in such institutions as Beijing Inside-Out Art Museum, Zhuzhong Art Museum, Tsinghua University and National Grand Theatre. Her works was once exhibited in Lenfest Art Center, New York, Boston Museum of Fine Arts,Tsinghua University Art Museum, and Guangzhou Times Art Museum.

GREEN GO HOME 展览履历

2021 *即将展出

GREEN GO HOME，户尔空间，北京，中国

GREEN GO HOME，西岸艺术与设计博览会，上海，中国

2020

GREEN GO HOME，户尔空间，柏林，德国

2019

GREEN GO HOME，艺术柏林，柏林，德国

GREEN GO HOME - DO WE DREAM UNDER THE SAME SKY, The Drawing Room, 马尼拉，菲律宾

2018

GREEN GO HOME - THE REVOLUTION WILL COME IN EVERY DIRECTION, Untitled Miami, 迈阿

密，美国

GREEN GO HOME – DO WE DREAM UNDER THE SAME SKY, Chaos, 东京，日本

2017

GREEN GO HOME – FEAR EATS THE SOUL, Mana Contemporary, 泽西城，美国

GREEN GO HOME, Vargas Museum, 马尼拉，菲律宾

GREEN GO HOME, MECA艺术博览会，圣胡安，波多黎各

2016

GREEN GO HOME, Mednarodni Graficni Likovni 中心，卢布尔雅那，斯洛文尼亚

GREEN GO HOME, Youngworld, 底特律，美国

GREEN GO HOME with Rirkrit Tiravanija, Untitled Miami, 迈阿密，美国

2015

GREEN GO HOME, The Pitch Project, 密尔沃基，美国

GREEN GO HOME, NF Galería, 马德里，西班牙

2014

GREEN GO HOME – MAÑANA IS A QUESTION, Miguel Cardenas and Angélica Teuta ArtBo艺术博

览会，波哥大，哥伦比亚

2013

GREEN GO HOME, 加文·布朗企业展，纽约，美国

GREEN GO HOME：

世界主义的幻想，地方主义的实践

时间 Date and Time

11月14日 14:00 - 15:00

地点 Location

上海市龙腾大道2522号西岸艺术中心A馆 artnow VIP Lounge之 FORUM艺谈

主持人Moderator

杨天歌 Yang Tiange

对谈艺术家 Dialogue artists

陈天灼 Tianzhuo Chen

胡向前 Hu Xiangqian

刘玉姗 LiuYushan

GREEN GO HOME是由艺术家托马斯·吴（Tomas Vu）与里克力·提拉瓦尼（Rirkrit Tiravanija）共同发起的全球化艺术合作项目。户尔空间将分别在11月中旬和下旬，在西岸艺博会和位于北京的画廊空间分别呈现GREEN GO HOME的两个样态。一以贯之的，是其开放的态度，与当地艺术家的合作，以及对现实问题的思考。

本次对话将邀请项目的参与艺术家，就GREEN GO HOME的缘起与延伸发展展开，介绍其创始人托马斯·吴的工作与观念，里克力·提拉瓦尼创作中参与式的艺术与社会实践（常被概括为“关系美学”），关系美学在国内的背景、影响与变体，以及参与艺术家的相应反馈与创作。

GREEN GO HOME is a global art cooperative project jointly initiated by artists Tomas Vu and Rirkrit Tiravanija. HUA International will present two editions of GREEN GO HOME respectively at the West Bund Art Fair and the gallery space in Beijing in mid-November and late November. Despite of different presentations and formats, the project remains consistent in terms its open attitude, cooperation with local artists, and concern about social issues.

In this dialogue, participating artists of the project will be invited to discuss the origin and development of GREEN GO HOME. They will introduce the participatory art and social practice (known also as relational aesthetics) by Rirkrit Tiravanija, one of the initiators of the project, the domestic background, influence and variations of relational aesthetics, as well as the feedback and creation of participating artists.