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新闻 | 刘任作品在瑞银艺术藏品展中展出

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LIU Ren 刘任

新闻 | 刘任作品在瑞银艺术藏品展中展出刘任作品瑞银艺术藏品新闻 Ren 刘任东画廊新方向崇真艺客

东画廊很荣幸宣布刘任作品将在瑞银艺术藏品展览：“重塑：新方向”中展出。

展览时间：2021年11月11日-11月14日

展览地点：西岸艺术中心 D馆

Don Gallery is honored to announce that LIU Ren's participation in UBS Art Collection Exhibition at Shanghai West Bund Art Center, Hall D, from 11 November to 14 November 2021 .

新闻 | 刘任作品在瑞银艺术藏品展中展出刘任作品瑞银艺术藏品新闻 Ren 刘任东画廊新方向崇真艺客

Panta Rhei-139219(1), LIU Ren 刘任, 2021. Silk screening on straw paper, gold foil 丝网草纸金箔, 219 × 139 cm

在这个系列中，刘任将草纸打成纸浆再重新塑形成厚如砖块的纸砖，当表面被压平与晾干后，再用丝网印刷的方式把颜色深浅不一的“Panta Rhei”字样描摹成海浪起伏的视觉形态，并且最终用金箔嵌入纸砖自然风干过程遗留下的裂隙。刘任动用众多反差性对峙的元素。譬如在直观的视觉感受上，用干枯的草纸去表现潮湿的洋流；在物质形态上，则是作为廉价快消品的草纸被转译为试图指向永恒的艺术品；而在至关重要的主题学范畴内，则是凝固的海与绵延的时间所形成的、互为隐喻的关系。

LIU Ren uses roughly textured straw toilet paper to create a mulch, and then presses the mulch into bricks of paper. After preparing a flat and dry surface on the straw paper bricks, LIU screen prints the words “Panta Rhei” in various shades to evoke the visual form of undulating waves. Lastly, he uses gold leaf to limn the cracks in the paper bricks which are left behind by the air-drying process. In terms of form, this process is like yet unlike painting. In this series, LIU often places elements in direct confrontation with each other. Visually speaking, dry paper is used to evoke the liquid currents of the ocean. While straw toilet paper -- one of the cheapest and most disposable consumer products -- is the chief material used in a work of art which strives at timelessness. In the crucial category of thematics, we find contrast in the mutually metaphorical relationship between the solidified sea and elongated time.

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关于艺术家

刘任（生于1983年）毕业于上海大学美术学院版画系（2007年），现工作并生活于上海。刘任的创作主要涉及绘画、雕塑与装置。他往往从身边日常的材料中寻找灵感，在干净工整的视觉形态背后隐藏感性累积与文本解析。他关注时间的流逝、生命的消耗以及人的存在状态，各种碎片化的信息，日常的物质材料得以转化。刘任的作品曾在香港巴塞尔（香港，2021）、思南公馆（上海，2020）、西岸艺术中心-瓷屋（上海，2019）、UNArt艺术中心（上海，2019年）、杨峰艺术与教育基金会（上海，2018年）、余德耀美术馆（上海，2017年）、chi K11美术馆（上海，2016年）、上海民生现代美术馆（上海，2016年）、上海二十一世纪民生美术馆（上海，2015年）、中央美术学院美术馆（北京，2015年）、上海喜玛拉雅美术馆（上海，2014年）等机构展出，他的个展包括“昨日重现”（东画廊，上海，2021）、“黄金时代”（东画廊，上海，2018）、“春江花月夜”（东画廊，上海，2016）、“过滤”（空白空间，北京，2013）、“青春”（东画廊，上海，2012）等。

Biography

LIU Ren (b. 1983) graduated from Department of Printmaking, Fine Art College of Shanghai University (2007), currently living and working in Shanghai. LIU’s practice mainly involves painting, sculpture and installation. He so often draws inspirations from everyday materials that surround him and conceals accumulated sentiments and analytical texts behind the clean, neat and orderly visual forms. He attends to the passage of time, the consumption of life and the state of being, where fragmented information and mundane materials are transformed. LIU’s work has been presented by Art Basel (Hongkong, 2021), Sinan Mansions (Shanghai, 2020), West Bund Art Centre-Ceramic House (Shanghai, 2019), UNArt Center (Shanghai, 2019), Frank F. Yang Art and Education Foundation (Shenzhen, 2018), Yuz Museum (Shanghai, 2017), chi K11 art museum (Shanghai, 2016), Shanghai Minsheng Art Museum (Shanghai, 2016), Shanghai 21st Century Minsheng Art Museum (Shanghai, 2015), CAFA Art Museum (Beijing, 2015), Shanghai Himalayas Museum (Shanghai, 2014), etc. His solo exhibitions include "Yesterday Once More" (Don Gallery, Shanghai, 2021), "Times" (Don Gallery, Shanghai, 2018), "Spring, River, Flowers, Moon, Night" (Don Gallery, Shanghai, 2016), "FILTRATE" (White Space Beijing, Beijing, 2013), "Youth: Everything in Between - Liu Ren & Su Chang" (Don Gallery, Shanghai, 2012), etc.

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