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活动报名 | 纪念但丁诞辰700周年：“但丁当代风景”系列活动论坛

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主办方：

上海多伦现代美术馆

意大利驻沪总领事馆文化处（IIC）

意大利在华学者协会（AAIIC）

WhyWhyArt

欧洲艺术与科学学会（EASA）

时间：2021年11月13日15:00-18:00

地点：上海多伦现代美术馆4F学术报告厅（上海市虹口区多伦路27号）

策划、主持：Antonino Marciano & Zane Mellupe

论坛嘉宾（按首字母排序）：蔡东铧（CAI Donghua）, Francesco D’Arelli，Filippo Fabrocini, Francesco Fioretto

支持方：

上海市对外文化交流协会

ifa画廊

I-Gallery

上海喜玛拉雅美术馆

上海美第奇中心

阅音无界

意大利科学之家

Ray

Synergy

雍福会

媒体合作伙伴：在艺、ZTV News

Organizers:

Shanghai Duolun Museum of Modern Art

Cultural Section (IIC) of the Consulate General of Italy in Shanghai

Association of Italian Scholars in China (AAIIC)

WhyWhyArt

European Arts and Science Association (EASA)

Time: 15:00-18:00 ，13th Nov.(forum)

Location: Shanghai Duolun Museum of Modern Art 4th Floor (No. 27 Duolun Road, Hongkou District, Shanghai)

Supporters:

Shanghai International Culture Association

ifa gallery

I-Gallery

Himalaya Museum

Shanghai Duolun Museum of Modern Art

Medici Center Shanghai

Lyrically Unbounded China

Italy House of Science

Ray

Synergy

YongFoo Elite

Media：ZAIYI，ZTV News

活动报名 | 纪念但丁诞辰700周年：“但丁当代风景”系列活动论坛崇真艺客

现场活动预约↑↑↑

活动报名 | 纪念但丁诞辰700周年：“但丁当代风景”系列活动论坛崇真艺客

直播间二维码(论坛全程英文）

论坛简介

但丁·阿利吉耶里是欧洲人文主义的先驱，也是欧洲文化遗产的重要组成部分。但丁的《神曲》是意大利文学的里程碑，是中世纪欧洲文学中最伟大的作品之一，已被翻译成130多种语言。

几个世纪以来，但丁启发了艺术家、科学家、哲学家和作家。但丁《神曲》的影响和当代解读是本次系列活动的主要焦点之一，至今仍引发艺术与科学之间的对话。但丁的科学思想—知识与美德一起，被佛罗伦萨的诗人提升为支撑和指导人类人生旅程的主要支柱。在这一系列的论坛中，我们发现、承认和庆祝但丁在《神曲》中总结的科学思想的复杂性。特别是在这个论坛上，考虑到但丁的《神曲》是设计师、人工智能专家和音乐家灵感的持续来源，我们将深化但丁世界观的丰富性，详细阐述但丁诗歌中的比喻、音乐和神经/精神科学分析的观点。

系列活动“但丁700—当代风景”的第一次论坛“科学之乡意大利”强调意大利文明对现代科学诞生的贡献，同时庆贺乔治·帕里西获得2021年诺贝尔物理学奖。第二次论坛的主题将由来自欧洲的艺术家和艺术策展人赞恩·梅勒佩（Zane Mellupe）在上海为我们呈现。随后，意大利驻上海总领事馆文化处总监弗朗西斯科·达雷利（Francesco D'Arelli）将向观众介绍国际癌症研究所计划在上海举办的庆祝但丁·阿利吉耶里逝世周年的纪念活动。上海马兰戈尼学院教育部主任弗朗西斯科·菲奥雷托（Francesco Fioretto）将开启论坛的科学部分，从元宇宙的角度揭示《神曲》，强调但丁的杰作如何被视为虚拟现实的第一个例子的。接下来，菲利波·法布罗西尼(Filippo Fabrocini)将揭开但丁、荣格和精神之间的联系，展现一场在人工智能、诗歌和精神分析之间的旅程。最后，国际知名指挥家、作曲家蔡东铧将从《神曲》的角度，以非常个人化的方式讲述音乐创作过程。演讲人之间的讨论部分将由复旦大学物理学教授、意大利中国学者协会（AAIIC）主席安东尼诺·马西亚诺（Antonino Marciano）主持，他将在论坛的结尾总结一些初步的结论。但丁对天堂和地狱的深刻见解，以及在表达“圆形”、“球体”问题上的人类文字之旅，为我们在如何看待这一永恒的风景以及风景线上的人类生命上留下了永远的印记。从这个意义上说，但丁的作品是那个时代的“当代作品”，也是今天的当代作品，继续鼓舞并激励着我们去揭开宇宙的神秘面纱。

Dante Alighieri was the precursor of European humanism and key pillar of European cultural heritage. Dante’s Divine Comedy, a landmark in Italian literature, is among the greatest works of all medieval European literature and it has been translated into more than 130 languages.

Over the centuries Dante has inspired artists, scientists, philosophers, and writers. The influence and contemporary interpretation of Dante’s Divine Comedy is one of the main focuses of the series of events and it still nowadays raises up the discourse between art and science.

Knowledge, together with virtue, was elevated by the poet from Florence to the rank of main pillar sustaining and directing the human journey through life. In this series of forums we discover, acknowledge and celebrate the complexity of the scientific thought that Dante was able to summarize in the Divine Comedy.

In particular, in this forum, considering how Dante’s Divine Comedy is a continuous source of inspirations for designers, AI experts and musicians, we will deepen the richness of Dante’s weltanschauung, elaborating on the figurative, musical and neuroscientific/ psychoanalytic perspectives of his poetry.

Following the first forum “Italy home of Science”, which emphasised the contribution provided by the Italian civilisation to the birth of modern science, as well as celebrated the 2021 Nobel Prize for physics Giorgio Parisi, the topic of the second forum of the events’ series “Dante ‘700 — contemporary landscape” will be introduced by Zane Mellupe, artist and art curator from Europe based in Shanghai. Francesco D’Arelli, director of the Italian Institute of Culture, will then introduce the audience to the activities planned by the IIC in Shanghai to celebrate Dante Alighieri death anniversary. Francesco Fioretto, director of education at the Istituto Marangoni Shanghai, will the initiate the scientific part of the forum, shedding light on the Divine Comedy from the perspective of the metaverse, emphasising how Dante’s masterwork can be considered the first example of virtual reality. Then Filippo Fabrocini will unveil the link between Dante, Jung and the mind, proposing a journey among AI, poetry and psychoanalysis. Finally, Cai Donghua, director and composer of international expertise, will talk about the musical creative process in a very personal way through the perspective of the Divine Comedy. The discussion among the speakers will be conducted by Antonino Marciano, professor of physics at Fudan University and president of the association of Italian scholars in China (AAIIC), who will finally drive some preliminary conclusions at the end of the forum. Dante’s profound vision of Heaven, Hell and the human voyage through different circles and spheres has left eternal mark on how we think about human life and see it projected on the eternal landscape. In that sense Dante’s works were “contemporary” in his time, and are contemporary still nowadays, continuing to inspire and encourage us to unveil the secret meaning of the Universe.

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主题演讲嘉宾及分享主题介绍

Francesco Fioretto

演讲主题：神曲是虚拟现实的第一例吗？

topic: Is the Divine Comedy the first case of virtual reality?

摘要：神曲是世界文学史上第一个也是最伟大的叙事寓言案例之一，它跨越了小说和历史，同时使用了文字和比喻的表现。但丁在七宗罪以及从地狱到天堂的模式中，阐述了美的观念的演变。这个过程为什么被认为是有关联的？《神曲》向我们展示了如何通过具有代表性的艺术来实现虚拟现实，主要目的是为了将集体智慧与简化的独特的展示方式相结合。尽管如此，正如伯克利等哲学家和蒙德里安等艺术家以及其他超现实主义者所意识到的那样，任何看起来真实的东西都不是真正真实的。这和对于宇宙的理解是相关的，作为一种整体经验，它揭示了一个个人精心设计过的空间，同时，使一个创造性的空间通向创造性的世界观。

Abstract：The Divine Comedy is one of the first and greatest cases of narrative allegory in the history of world literature that crosses fiction and history while using words and figurative representations. The pattern of Dante within the seven deadly sins and from the Inferno to the Paradise, represents the evolution of the concept of Beauty. How can this process be considered as relevant? It shows us how through representative arts virtual reality is mainly the purpose of aligning a collective intelligence to simplified and unique mean of display. Nonetheless, as philosophers as Berkeley and artists like Mondrian and other surrealists realized, nothing that looks real is truly real. This is what is relevant to the comprehension of the Universe, as an experience of totality that discloses a space of personal elaboration and, at the same time, enables a creative space leading toward a creative Weltanschauung.

Francesco Fioretto在米兰政治学院学习设计和视觉传达。自2010年以来，他一直在巴黎为时尚和奢侈品牌担任自由艺术家和创意总监，重新设计他们的产品形象，并将他们的传播策略扩展到数字空间。

自2016年以来，他一直担任《Faux Q》杂志的创意总监，这是一本独立的平面时尚和艺术杂志。他擅长静物叙事摄影和时尚编辑，以及电影和互动电影的拍摄。他重新塑造了Rouchon Paris工作室的品牌形象和他们前卫的iPad互动数字期刊《Hardi》。

Francesco于2014年加入马兰戈尼学院（巴黎），担任平面设计和艺术指导导师，之后担任时尚造型及创意项目负责人。2020年他被任命为马兰戈尼学院（上海）的教育总监，并移居上海。

Francesco Fioretto studied Design and Visual Communication at Politecnico di Milano. Since 2010 he has been working as a freelance artist and creative director for fashion and luxury brands in Paris, redesigning their identity and extending their communication strategies to digital spaces.

Since 2016 he has worked as creative director of Faux Q Magazine, an independent print fashion and art magazine. He is specialised in narrative photography for still life and fashion editorial shooting as well as film and interactive motion pictures. He redesigned the identity of the Studios Rouchon Paris, and their avant-garde digital appzine Hardi Magazine, a fully iPad interactive magazine.

Francesco joined Istituto Marangoni Paris in 2014 as Graphic Design and Art Direction Tutor first, and after as Programme Leader of Fashion Styling & Creative Direction. In 2020 he was appointed Director of Education of Istituto Marangoni Shanghai and relocated to China.

Filippo Fabrocini

演讲主题：“但丁、荣格和心灵，人工智能、诗歌和精神分析之旅” 。

Topic:“Dante, Jung and the mind, a journey among AI, poetry and psychoanalysis.”

摘要：这篇演讲将指出，但丁在《神曲》中所讲述的救赎与卡尔·荣格定义的个性化有着惊人的相似之处。我将根据荣格给出的线索，勾勒出但丁三部曲中的三个相似之处。首先，在《地狱》中，但丁的旅程始于对他个人的分裂的认识，终于荣格所说的轮回。接下来在《炼狱》中，正如荣格所描述的，居住在中间世界的灵魂揭示了但丁对他个人的无意识的认识。最后，当但丁到达天堂的最高点，通过失去使用语言的能力，他分裂的自我被上帝隐喻性地解构了。在旅程结束后，但丁得到了恢复。同样，我们正在构建的人工智能，是我们自己的一面模糊的镜子，是我们自我的投影。正如大量文献显示的那样，人工智能并不总是有益的，使用得越多，其中的问题就会越严重。如果人工智能不能提供最基本的社会服务，那么它的目的是什么？我们需要以人类自我为中心，规划一个健康的人工智能。

The talk will argue that salvation, as narrated by Dante in his Divine Comedy, holds an impressive parallel with the process of individuation as defined by Carl Jung. I will outline three parallels in Dante’s works, one from each book in the trilogy, by using hints coming from Jung. First, in The Inferno, Dante’s journey starts with the recognition of his personal split, with the end of his journey in the Hell appearing as an illustration of a process Jung calls regression. Next, in Purgatorio, the souls that populate this middle realm reveal Dante’s recognition of his personal unconscious, as described by Jung. Finally, when Dante reaches the Empyrean, the highest point in Paradiso, by loosing the use of language, his split self is metaphorically deconstructed in the presence of God. Healing arrives as the conclusion of Dante’s journey. In the same fashion, we are building AI, as an obscure mirror of ourselves, a projection of our ego. AI is not always helping, as a vast literature is starting to show. The more AI is been used by humans, the more the problems exacerbate. What is the purpose of AI if it fails to serve even the slightest social provisions? We need to heal AI from our own anthropocentric projections.

Fabrocini 现任同济⼤学创意设计学院教授，“可持续⼈⼯智能实验室”主任，并且是同济⼤学“⼈⼯智能&艺术实验室”创始⼈之⼀。他感兴趣的主要领域是⼈⼯智能艺术、计算艺术、⼈⼯智能设计、⼈⼯智能伦理和机器学习。此前，他曾任IBM 研究中⼼（意⼤利罗马和美国圣何塞）的⾼级研究员、卡内基梅隆⼤学（美国匹兹堡）计算机科学学院访问研究员、格列⾼利⼤学哲学系教授以及IBM⽶兰/罗马商业创新中⼼总经理。Fabrocini教授曾荣获包括两项IBM杰出技术奖和⼀项IBM客户价值卓越技术成就奖在内的多个奖项。他还获得了意⼤利总理S. Berlusconi先⽣颁发的荣誉奖项，以表彰他对知识管理/⽂本挖掘系统设计的贡献。⽬前，他是意⼤利经济发展部“Task Force China”（⼩组：⼈⼯智能）的成员。他还是⼈⼯智能促进协会（Association for the Advancement of Artificial Intelligence, AAAI）和认知科学学会（Cognitive Science Society, CSS）的成员。在中国，他经常受邀发表以⼈⼯智能为主题的演讲和讲座，其中包括新华社、⼴东电视台等。近期，他是2021 年世界⼈⼯智能⼤会（WAIC 2021）主题演讲者。Fabrocini 教授同时也是30多篇论⽂和三本书的作者。

Prof. Filippo Fabrocini is Full Professor in the College of Design & Innovation, Director of the “Sustainable AI Lab”, and among the founders of the Tongji University “AI & Art Lab”. His main areas of interest are AI Art, Computational Art, AI for Design, Ethical AI, and Machine Learning. Previously he has been Senior Researcher at IBM Research (Rome, Italy/San Jose, USA), Visiting Researcher in the School of Computer Science at Carnegie Mellon University (Pittsburgh, USA), Professor in the Dep. of Philosophy at Gregorian University, and General Manager of the IBM Milan/Rome Business Innova:on Center. Prof. Fabrocini has won multiple awards, including two IBM Outstanding Technology Awards and one IBM Client-Value Outstanding Technical Achievement Award. He also received an Honor Award from the Italian Prime Minister S. Berlusconi in recognition of his contribution to the design of a knowledge management/text mining system. Currently, he is a member of the Italian Ministry of Economic Development "Task Force China" (Group: Artificial Intelligence). He is also a member of the Associa:on for the Advancement of Artificial Intelligence (AAAI) and of the Cognitive Science Society (CSS). In China, he has been o[en invited to deliver speeches and lectures mainly related to AI topics including the Xinhua News Agency and the Guangdong TV Sta:on. Recently he has been a Keynote Speaker at the World Artificial Intelligence Conference 2021 (WAIC 2021). Prof. Fabrocini is the author of more than 35 papers and three books.

蔡东铧

CAI Donghua

演讲主题：《神曲》—我的音乐故事

Topic: “The Divine Comedy” — My Musical Story

摘要：《神曲》--我的音乐故事--通过神曲的视角，以一种非常个人化的方式讲述创作过程。

Abstract：“The Divine Comedy” — My Musical Story — tells the creative process in a very personal way through the perspective of the Divine Comedy.

指挥家、作曲家、戏剧导演，复旦⼤学⼈⽂智慧课堂特聘教授，国家艺术基金大型交响乐、独幕戏剧获得者。蔡氏出生于中国江苏，幼年学习书法美术并学习长笛演奏，1999年师从中央音乐学院指挥系著名指挥家、教育家徐新教授学习交响乐指挥，2003年赴日本学习交响乐指挥与作曲，2010年以访问学者赴奥地利学习指挥作曲。曾获国家文化部第十届艺术节银奖，国家教育部第三届大学生艺术展演二等奖,第二届全国民族管弦乐作曲比赛铜奖、优秀奖，江苏省政府茉莉花作曲奖第一名，江苏省音乐舞蹈节优秀作曲奖，优秀指挥奖（最高奖）江苏省首届文华奖唯一音乐指挥奖等。蔡氏曾以指挥身份赴奥地利、意大利、法国、德国、卢森堡、日本、港、澳、台等地访问演出，在日本应邀与当地乐团合作包括,兵库交响乐团、东京城市乐团、Gunma Interenational music festival orchestra、大阪大学生交响乐团、Gunma symphony orchestra等并与德国肯斯坦兹合奏团、莱比锡室内管弦乐团、上海交响乐团、北京交响乐团、中国电影交响乐团、中国青年交响乐团、中国青年民族乐团、上音青年交响乐团、珠江交响乐团、江苏省乐团、安徽省乐团、昆明交响乐团及国内外多个乐团艺术家合作音乐会。

Conductor, composer, theatre director, Distinguished Professor of Fudan Learning Wisdom Class,Winner of the National Arts Fund Symphony and One Act Drama.Cai was born in Suzhou, Jiangsu province, China. His musical talent was nurtured since early childhood. As a child, he was systematically trained in calligraphy, painting and flute playing. In 1999, Cai studied Symphony Conducting under the supervision of Prof. Xin Xu, renowned conductor, educator and director of Conducting Department of Central Conservatory of Music. Afterward, he has studied Symphony Conducting and Composing in Japan since 2003. In the year of 2010, Cai was awarded as a visiting scholar for his composing career in Austria. His involvement in conducting orchestras as well as China national music won him numerous awards in music composition and conducting - Chinese Ministry of Culture 10th Art Festival Silver Award, Second Prize of Chinese Ministry of Education 3rd University Arts Show, Bronze Award and Recognition Award of China Nationalities Orchestra Composition Prize, Champion of Jiangsu Governmental Jasmine Composition Contest, Excellent Composition Award and Excellent Conductor Award (Top one) of Jiangsu Music and Dance Festival, and Outstanding Unique Conductor Award of Jiangsu 1st Wenhua Award. Cai has been invited to Germany, Austria, France, Luxemburg, Japan, Hongkong, Macau and many other places for performance as a conductor, cooperating with local orchestras such as Hyōgo-ken Symphony Orchestra, Tokyo New City Orchestra, Gunma International music festival orchestra, Gunma Symphony Orchestra in Japan as well as Southwest German Radio Symphony Orchestra, Leipziger Kammerorchester, Shanghai Symphony Orchestra, Beijing Symphony Orchestra, China Youth Symphony Orchestra, China Youth National Orchestra, Zhujiang Symphony Orchestra, Jiangsu Symphony Orchestra, Anhui Orchestra and many other orchestras and musicians for numerous concerts.

论坛策划及主持人介绍

Antonino Marciano

复旦大学终身聘用副教授，意大利大学和研究部的全职教授，意大利核物理研究所（INFN）成员，被任命于弗拉斯卡蒂实验室的理论分部。作为一名理论物理学家，Antonino的科学研究主要集中在多个领域。从量子场论和引力理论，到其邻近的研究领域（包括引力波、宇宙线物理、暗物质模型、暗能量和原初宇宙学，研究黑洞中的信息悖论，以及量子引力和宇宙学，包括圈量子引力和弦论），以及固态物理和人工智能的类似应用。

Antonino Marciano’ is currently Tenured Associate Professor at Fudan University, Full Professor for the Italian Ministry of University and Research, and member of the Italian Institute of Nuclear Physics (INFN), assigned to the theory division of the Frascati laboratories. As a theoretical physicist, Antonino focuses his scientific research on a variety of topics, ranging mainly from quantum field theories and theories of gravity, to their neighboring research areas (including gravitational waves, cosmic rays physics, dark matter models, dark energy and primordial cosmology, the investigation of the information paradox in black holes, and finally quantum gravity and cosmology, including loop quantum gravity and string theory), as well as analogous applications to Solid State Physics and Artificial Intelligence.

Zane Mellupe

Zane是一位来自欧洲，常驻上海的艺术家和策展人。她工作的主要部分是参与社会艺术、城市更新项目以及文献研究。Zane Mellupe是永康路艺术街和WhyWhyArt的创始人，豫园路艺术街概念的开发者和策展人，也是六岛集体艺术机构的共同创始人。EASA - 艺术与科学协会联合创始人。

她的教育背景包括:汉学本科;上海戏剧学院戏剧方向研究;上海师范大学文学学士;伦敦艺术学院文学硕士等。Zane的策展工作可以分为两个部分:个人部分和社交部分，她邀请其他艺术家参与社会主题的研究。在过去的10年里，Zane为画廊、博物馆、节日和艺术博览会策划了100多个展览。在过去的4年里，Zane与上海德国文化部合作共同举办了文化管理系列活动。

Zane Mellupe is an artist and curator from Europe based in Shanghai. An important part of her work is involved in social art, urban regeneration projects and documentary research. Zane Mellupe is the founder of Yongkang Road Art Street and WhyWhyArt, developer and curator of the concept of Yuyuan Road Art Street and co-founder of the Six Paths Collective Art Agency. Co-founder of EASA - The Art and Science Association.Her educational background includes a Bachelor of Arts in Chinese Studies, a research degree in Drama from the Shanghai Theatre Academy, a Bachelor of Arts degree from Shanghai Normal University and a Master of Arts degree from the London College of Art.Zane's curatorial work can be divided into a personal part and a social part, where she invites other artists to participate in research on social themes.In the last 10 years Zane has curated over 100 exhibitions for galleries, museums, festivals and art fairs. For the past 4 years Zane has co-organised the Cultural Management Series in collaboration with the German Ministry of Culture in Shanghai.

特邀嘉宾介绍

Francesco D’Arelli

弗朗西斯科-达雷利（Francesco D'Arelli），东方学博士（那不勒斯东方大学），曾在莱顿汉学研究所和卢万天主教大学学习，在卡福斯卡里大学、罗马教廷乌尔班尼亚大学和安东尼安大学以及罗马国际研究大学任教。他指导意大利非洲和东方研究所的图书馆和出版活动（2002-2011）。他发表了许多论文，特别是关于17和18世纪基督教在中国的传播和存在。他是展览A Oriente. Città, uomini e dei sulle Vie della Seta (Museo Nazionale Romano, Terme di Diocleziano, 21 Oct. 2011 - 26 Feb. 2012)的科学策展人和主任, 展览由意大利外交部、罗马考古遗产特别监管局（文化事务部）、Roma Capitale和商会推动。他同时担任方济会艺术的科学馆长，负责由佛罗伦萨市博物馆历史艺术和民族人类学遗产特别监管局（文化活动和旅游部）和小修士会中国委员会推动的《方济各会艺术：13至15世纪意大利艺术和亚洲土地的杰作》展览（佛罗伦萨，Galleria dell'Accademia，2015年3月30日-10月11日）。自2012年以来，他一直担任Farnesina的文化专员。从2016年到2021年6月，他担任蒙特利尔意大利文化研究所的主任。目前他是意大利驻上海总领事馆文化处总监。

Francesco D'Arelli, Ph.D. in Oriental Studies (Istituto Universitario Orientale, Napoli), studied at the Sinological Institute of Leiden and at the Catholic University of Louvain, taught at Ca’ Foscari, at the Pontifical Urbaniana and Antonianum Universities and at University of International Studies in Rome. He directed the library and the publishing activities of the Italian Institute for Africa and the East (2002-2011). He has published numerous essays, especially on the diffusion and presence of Christianity in China in the 17th and 18th centuries. He was the scientific curator and director of the exhibit A Oriente. Città, uomini e dei sulle Vie della Seta (Museo Nazionale Romano, Terme di Diocleziano, 21 Oct. 2011 – 26 Feb. 2012), promoted by the Italian Foreign Ministry, the Special Superintendency for the Archaeological Heritage of Rome (Cultural Affairs Ministry), Roma Capitale and the Chamber of Commerce, and the scientific curator of the Franciscan Art: Masterpieces of Italian art and Asian lands from the 13th to the 15th centuries exhibit (Florence, Galleria dell’Accademia, 30 Mar.–11 Oct. 2015), promoted by the Special Superintendency for the Historical-artistic and Ethnoanthropological Patrimony of the Polo Museale della Città di Firenze (Ministry for Cultural Activities and Tourism) and by the Commissio Sinica of the Order of Friars Minor. Since 2012 he has been in the Farnesina’s role as a cultural attaché. He served as director of the Italian Cultural Institute in Montreal from 2016 until June 2021. Currently, he is the director of the Italian Cultural Institute in Shanghai, R.P. of China.

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