
M50上海当代艺术周是M50创意园发起的一年一度的大型城市文化活动,旨在为国内外的艺术家、设计师、收藏家,以及广大的艺术爱好者提供一个开放、积极、多元化的创意生活平台,引领大众感知艺术,探索并创造美好艺术生活。
厘米空间CM space位于m50创意园5号楼101,我们致力于传播美的文化与艺术,将定期举办不同风格的艺术家展览与文化沙龙。我们一起感受美好,传播美好,最后成为美好。每天进步一厘米,足以。
▲ 《春天·阳光》2021 年
布面丙烯 / 120 x 80 cm
目光所及 皆是美好
——杨文文
题记:绚美的色彩、个性的服饰、生动的形态、独特的气质和恬静的氛围,这些都存在于狗的身上,会迸发出怎样的花火?
Gorgeous colors, individual costumes, vivid shapes, unique temperament and quiet atmosphere, all these exist in the dog's body, what kind of fireworks will burst out?

▲《过着快乐的生活》2021 年
布面丙烯 / 40 x 40 cm
当狗的形象被赋予了人的情感色彩和意识形态,狗不再是记忆程式中温顺、忠诚、喜乐,摆尾示好地存在,而是作为当代艺术所蕴含的社会情境的表现,是传递内心与他人、家庭以及公共生活的情绪演绎,各类品种、各种形态的狗狗社会群像的刻画,从艺术、情感以及人性的角度出发,得以窥见当下社会百像与时代风情,述说一个人类关系的故事。
When the image of dogs have been given a person's emotional and ideology, dogs are no longer gentle, loyalty, joyful , put tails and shown good of memory, but as a contemporary art by the performance of the social situation, transfer to other people, family and public life within the sentiment deduction, all kinds of varieties, all kinds of dogs in the form of social group, from the perspective of art, emotion and human nature, to get a glimpse of the current society and the customs of the era, tell a story of human relations.

▲《尽在不言中》2021 年
布面丙烯 / 40 x 40 cm唐云辉的作品通过对卡通形象狗的描绘,与人的内心产生美好的亲切感,并驱动心灵促成灵魂的靠近。盎然的童趣、乐观的心境,幽默的表现,温暖的塑造了一种特有的时代文化。用孩童的眼去画画,目光所及之处皆是美好。尽管有的狗表现得困顿迷茫、踌躇不安,但眼神依旧坚定,仍然怀抱梦想。他的作品不仅在传递美好与乐观,让身处疲惫的人们产生共情,治愈心境,更深层次的是,这些作品能触及到内心深处最柔软的部分,并激发出原本被遗忘和忽视的本真。
Through the depiction of the cartoon dog, Tang Yunhui's works create a beautiful feeling of intimacy with people's hearts, and drive the hearts to promote the closeness of souls. Full of childlike innocence, optimistic state of mind, humorous expression, warm shaped a unique culture of the era. Draw with the eyes as a child, everything in sight is beautiful. Although some dogs appear sleepy, confused, and uncertain, their eyes remain fixed and their dreams remain. His works not only convey beauty and optimism, empathize with tired people and heal them, but also, at a deeper level, tap into the softest parts of the heart and evoke truths that have been forgotten and neglected.

▲《我始终在寻觅》2017 年
纸本水彩 / 55 x 54 cm
童趣题材,历来被众多艺术名家趋之若鹜,毕加索、夏加尔和米罗等。遵从于内心真挚的情感,展现自己幻想的世界,坦然纯真。唐云辉着手童趣题材,与他的经历和性格有着千丝万缕的联系。早年连环画、插画、绘本的经历给他童趣系列作品奠定了创作基础。将色彩和情感变成一种快乐和幸福的物质。向往平衡、纯粹和宁静的艺术,拒绝苦涩和伪装,直观且无拘无束。
The theme of children's interest has always been sought after by many famous artists, such as Picasso, Chagall and Miro.Follow the heart of the sincere emotion, show their fantasy world, calm and pure. Tang Yunhui embarked on the theme of childishness, and his experience and character are inextricably linked. His early experience in comic books, illustrations and picture books laid a foundation for his creation of child interest series of works. Get color and emotion into joy and happiness. The art of balance, purity and serenity, rejecting bitterness and camouflage, is intuitive and unrestrained.

▲《用什么样的表情离开》2018 年
纸本水彩 / 60 x 50 cm
他是个被自己内心呵护着的大男孩,具有高阶的幸福感。简单、纯粹、风趣、诙谐,是位有思想的绅士。我们常常被艺术家背后鲜为人知的故事、身份、观念紧紧套牢,而因此忽略了直面艺术本体,现代主义全面侵袭艺术世界以后,我们再也不缺少对观念的把握、身份的指认了,唯独缺少的是直面作品审美批判的能力。
He is a big boy who is protected by his own heart and has a high level of happiness.Simple, pure, funny, witty, a gentleman with a mind. However, we are often caught up in the little-known stories, identities and concepts behind artists, so we neglect to face up to the art noumenon. After modernism comprehensively invaded the art world, we no longer lack the grasp of concepts and identification of identity, but the ability to face up to the aesthetic criticism of works.

▲《仰望天空》2017 年
纸本水彩 / 56 x 36 cm
唐云辉的绘画恰好为我们展现了他在新世纪以来全球化浪潮的当代语境中,在西方当代艺术强势的背景下,如何对于当代艺术的返顾和创新性转换的实践,探索出中国当代艺术的独特品位和格调,同时也为尝试中国传统艺术的当代转化提供具有价值的视野、思路和启发。而这,不仅体现在视觉语言方面,也体现在艺术家一以贯之的个性方面。
Tang Yunhui's painting just shows that in the new century in the context of contemporary globalization, under the background of western contemporary art strength, how to return and innovative transformation of contemporary art practice, explores the unique taste and style of Chinese contemporary art, as well as trying to the contemporary transformation of the traditional Chinese arts provide valuable views, ideas and inspiration.This is reflected not only in visual language, but also in the consistent personality of artists.
▲《我们之间的距离》2017 年
纸本水彩 / 78 x 56 cm
形式的主观构成以及平面装饰趣味无疑给唐云辉的绘画创作带来不少启发。他将物象的造型简约化、拟人化,以现代构成的方式重新组建点线与色块,创造出了令人耳目一新的现代绘画的多样化图式来呈现当今人类生存的状态。在视觉倾向上诠释出一种新的现实和个人主观心理所生成的超现实主义的观念,同时,他有意识地避开艺术史已有的范式,当他的绘画去除所有的似曾相识,剩下的也是唯一存在的便是无限延伸的视觉张力以及他个人的极致主张。重要的是对生活的感受能力,能够站在一个审美的高度去审视宇宙生命,并用某种艺术形式把这种审美感悟、私人经验传达出去,成为人类的公共经验。
The subjective composition of form and the interest of plane decoration undoubtedly brought Tang Yunhui a lot of inspiration to his painting creation. He simplified and personified the modeling of the object image, reconstructed the points, lines and color blocks in the way of modern composition, and created a refreshing diversified pattern of modern painting. It shows the state of human existence. Tendency on the vision to build a new reality and subjective psychological generated surrealism idea, at the same time, he consciously avoid the art history of the existing paradigm, when his paintings to remove all the familiar, the rest and the only existing is the unlimited extension of visual tension and the acme of his claim. What is important is the ability to feel life, to view the life of the universe from an aesthetic perspective, and to convey this aesthetic perception and private experience in some form of art, so as to become the public experience of mankind.

▲《哪里都是你》2018 年
纸本水彩 / 35 x 28 cm
唐云辉的作品无疑极具表现性,而这种表现性正是建立在对物象细致冷静观察的基础上。他笔下的狗,变化万般,穿耳环、戴戒指,拎时髦的包包,着高定的服饰,每一处细节,每一件配饰都经过不断地揣摩、酝酿、塑形,狗的一个眼神,胡须的一个弧度,衣服的一角褶皱,尾巴的一丝狗毛,都是他情绪最直白的表述。在背景处理方面,丰富的色彩、经典的图式和卡通符号,有水彩的灵动、有水墨的肌理、有油画的厚重,平面化的艺术语言运用,繁复有序的图案设计被融入到特定情境中,与具象的唯妙唯肖的狗狗巧妙地搭配,和谐的存在,精彩呈现的亦或就是人类生存的状态。
There is no doubt that Tang Yunhui's works are very expressive, and this performance is based on the careful and calm observation of the object. His dog, change so, wear earrings, rings, carrying a fashionable bag, with high set of clothes, every detail, every accessory after constantly ponder, brewing, shaping, a look from the dog, a curve of the beard, a fold of clothing, a trace of dog hair on the tail, all are the most straightforward expression of his emotion. In terms of background processing, rich color, classic and cartoon symbols, watercolor is clever, ink painting skin texture, thick oil painting, the art of complanation, language use heavy and complicated and orderly pattern design is integrated into the specific scenarios, and representational very wonderful shaw dog ably collocation, the existence of harmony, exciting show or is the state of human existence.

▲《昨天成为记忆》2017年
纸本水彩 / 80x 200cm
画面的构成以及色彩元素传递的是一种精神信息,抽象画是如此,具象画亦如此。我们看到,在如今到处充塞着图像的社会,人们已经无需绘画来增添描头绘脚的具象,却要从绘画里得到一般的图像中未必能有的东西,那就是画家通过画面的色彩和物象去捕捉一个时代的精神密码,捕捉得越准,作品就越上乘。
The composition of the picture and color elements convey a kind of spiritual information, which is the case in abstract painting, as well as in concrete painting. We see that in today's image-filled society, it is no longer necessary for people to add a painting to depict their feet, but they want to get something from painting that may not exist in ordinary images. Painters try to capture the spiritual code of an era through the colors and images of the picture. The more accurate they are, the better their works will be.

▲《希望之光抚慰你、告诉你》2021 年
布面丙烯 / 40 x 40 cm
艺术家精心营造也许更多的是一种过于强烈主观自我意识的呈现,“有我之境,以我观物,故物皆着我之色彩”,艺术风格的标识越明显,有我之境则更凸显,纵观古今中外的大家无不如是,唐云辉的绘画恰恰也给人以毫无心机、一派天真,目畅于心。
The artist carefully constructed perhaps more of an overly subjective self-conscious presentation, "There is a place for me to view things, and the old objects are all my colors." The more obvious the artistic style is, the more prominent the place of my presence is. Throughout the past and present, the same is true of all Chinese and foreign people. Tang Yunhui's paintings just give people no scheming, naive, eyes in the heart.

▲《暖风迎面而来》2021 年
布面丙烯 / 40 x 40 cm
从架上绘画到雕塑,是唐云辉近几年对于自己艺术主张尝试的新的探索,在他多元的艺术创作的实践中,他所处的物理空间已然被虚化,被飘浮,不再是画画的意识,但画笔会尽由思想行走,乐此不疲,安顿心灵。
From easel painting to sculpture, Tang Yunhui has been trying to explore his artistic ideas in recent years. In his practice of diversified artistic creation, the physical space he is in has been blurred and floated, and he is no longer the consciousness of painting, but the paintbrush will always walk with his thoughts and be happy to settle his mind.
▲《狗狗系列雕塑》2018 年
瓷质高温釉 / 高430mm
人生如画,一笔可以带过,但填上颜色的终究是自己那丰富的人生经历。
Life is picturesque, a brushstroke can be taken, but fill in the color is ultimately their own rich life experience.
艺术家介绍
艺术家简历
国家一级美术师
展览及获奖情况
美术作品《在我身上画》入选1994年第八届全国美术作品展(上海地区);
《春意》入选第三届全国风景·风情“人物”油画展(2008);
《老虎和青蛙》在2008年中国华东地区书籍装帧艺术双年展获得插图一等奖;
《镜子中的山谷》入选2009上海美术大展;
《游鱼》入选上海水彩画2011年度展;
《晨曲》入选2013上海美术大展;
水彩作品《天使降临》入选2014年第12届全国美术作品展·上海选拔展;
作品多次入选全国及上海展览;
并多次获得专业刊物奖项……






已展示全部
更多功能等你开启...