

向上一指
朱昶全 个展
展期:2021.11.6-12.31
地点:上海莫干山路50号4号楼A座204室
Vanguard 画廊
Omnipresence
Solo exhibition of Zhu Changquan
Duration: 2021.11.6-12.31
Venue: Vanguard Gallery, Rm 204, Bldg. 4A, 50 Moganshan Rd, Shanghai
展览现场
Exhibition View



部分作品
Exhibited Works

深到暗 Dark, Beyond Deep
数字模拟影像,双通道,双声道
Digital simulation video, dual screen, dual channel
1920x1080px2 | 17’40’’ | Ed. 5+2 AP | 2019-2020

算法 Symmetry | 数字模拟图像,三明治UV打印
Digital simulation image, UV print
27 × 45 cm | Ed. 3+1 AP | 2021

卡农 Canon | 数字模拟图像,三明治UV打印
Digital simulation image, UV print
86 × 60 cm | Ed. 3+1 AP | 2021

环形路径上 On the Circular Path
锡铋合金 Tin-bismuth alloy
31.5x20cm*24 | Ed. 1+1AP | 2021

是我来访 I’m the Visitor
雕塑,5个/组 Sculpture, 5 pieces/group
锡铋合金,尺寸可变 Tin-bismuth alloy, dimension varies
Ed. 5+1AP | 2021

我伪装起来了,就在你⾯前
I’m Disguised, Right in front of You
影像,双声道 Video, dual channel
3840x2160p HD | 10’ | Ed. 5+1 AP | 2021
关于朱昶全
About Zhu Changquan
朱昶全从分析人的日常生活来介入艺术活动。他想通过分析影响人的日常行为中种种潜在因素来揭示当下日常生活的规律。他认为影像的效力并非源于自身承载的意义,而是缘于它们的潜在力量,能够释放观者自身积累的经验,并能在这巨大的社会机器运作之中更加自觉。他认为事情的发展绝非单线性的,“全因素叙事”是艺术家对影像创作的理解,把影像与空间中的日常物品通过戏剧、动画、装置、绘画等各种形态生成新的叙事关系。
朱昶全1989 年生于山东,2014 年毕业于中国美术学院跨媒体艺术学院,获学士学位,2017 年获得第五届年华宇青年艺术奖评委会特别奖,现生活、工作于杭州和上海。他的近期个展包括:“狂草狂草”,浙江美术馆,杭州,中国(2020 年);“朱昶全:一个动作的历史,2019”,美狮美高梅世博广场,澳门(2019 年);“一个动作的历史”,OCAT 上海馆,中国(2018 年);“有头无脑”,Vanguard画廊,上海,中国(2017 年)。此外他近期参加的群展包括:“影集 Durational”,Vanguard画廊,上海,中国(2021);“音画障”,PPPP 空间,北京,中国(2019 年);中国当代艺术年鉴展,北京民生现代美术馆,北京,中国(2019年);“后南宋王朝”,金杜艺术中心,北京,中国(2018 年);“中国新影像—2010 年以来的新态度”,成都,中国(2018年);“怜悯派对”,睡眠中心,纽约,中国(2018 年);“一个历史的动作”,OCAT 上海馆,中国(2017 年);“室内宇宙”:2017 华青年奖入围艺术家群展,华宇艺术中心,三亚,中国(2017 年);“例外状态:中国境况与艺术考察 2017”,尤伦斯当代艺术中心,北京(2017 年)。
Zhu Changquan’s creation came from the analysis of people’s daily lives. He wants to analyze the influence of a variety of potential factors in daily behaviors to reveal the rules underneath. He believes that the effectiveness of image does not originate from its significance carried, but due to their potential strength, which can release the audiences’ own experience. Also, it can work more consciously in this big social machine. He thinks development of anything is not single linear, “full-factor narrative” is the artist’s understanding of image creation, which is to generate a new narrative form with images and everyday objects in the space through drama, animation, installations and painting.
Zhu Changquan was born in Shandong in 1989. He graduated from the Experimental Image Studio, School of Inter-media Art, China Art Academy in 2014. He won the Special Award of the 5th Huayu Youth Award in 2017. Zhu currently lives and works in Hangzhou and Shanghai. His recent solo exhibitions include: “WILD CURSIVE”, Zhejiang Art Museum, Hangzhou, China (2020); “Zhu Changquan: A History of an Action, 2019”, Avenida da Nave Desportiva, Cotai, Macau (2019); “A History of an Action”, OCAT Shanghai, Shanghai, China (2018); “A Head without a Brain”, Vanguard Gallery, Shanghai, China (2017). The recent group exhibitions he attende include: “Durational”, Vanguard Gallery, Shanghai, China (2021); “Audiovisual Obstructions”, PPPP Space, Beijing, China (2019); “The exhibition of annual of contemporary art of China 2018”, Minsheng Art Museum, Beijing, China (2019); “New Video in China—New Attitude since 2010”, Chengdu, China (2018); “The Post Southern Song Dyansty”, KWM Art Center, Beijing, China (2018); “PITY PARTY”, Sleepcenter, New York, USA (2018); The 5th Huayu Youth Award, Huayu Art Center, Sanya, China (2017); “The New Normal: China, Art, and 2017”, UCCA, Beijing, China (2017).
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