站台中国｜画册发布：王玉平《盐烤银杏》
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2021年9月4日至10月16日，王玉平个展《盐烤银杏》在站台中国主空间成功举办。
经过数月的细致筹备，我们特别编纂了同名画册，除本次展览30余件不同媒介的绘画外，其另收录了一部分未展出的艺术家近期创作，共50余件作品。同时，还包含由汪民安撰写的《物的柔软记忆》、尹吉男撰写的《平民的诗意》、王将《心与物：“王玉平：盐烤银杏”策展札记》等3篇文章，及展览现场的详细记录，中英双语共139页。
本画册在画廊前台限量发售，也可在站台中国当代艺术机构的官方线上商店购买。
扫描二维码，购买画册
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Editor-in-Chief: Chen Haitao, Shen Ling
Translation: Sun Yixuan, Gao Yumeng
Design: Liu Ruixue, Yu Yufeihong
Edition: First edition in October, 2021
Format: 634mm*965mm one-sixteenthPrinted House: Beijing, Ya Chang Art Printing Co., LTD
就像诗人不能单纯地在诗中生活一样，画家也不能在画里生活。画家在凡俗纷乱而又平常的现实中生活，于是艺术家就要使自己的现实日常生活具有诗意和画意，王玉平就是这样地画家。尽管他很早就已成名,在本科时期曾在中国美术馆举办过个人画展,也参加过颇具影响力的《新生代艺术展》（1991年，北京，中国历史博物馆），成为所谓“新生代”代表画家之一，但从那以后他一直回避各种潮流，极为平静地读书、思考和作画。他和夫人申玲（也是画家）隐居在都市的边缘。王玉平《茶杯、浮世绘》，206x240cm，布面丙烯、油画棒，2021这个在老北京长大成人的画家，性格内向而独立，抵抗时尚和流俗。他的生活平实而简素，他的画作却透著精微而质朴的诗意。我总觉得他是拿著画笔的民间诗人。不滥情，眼光锐利，善于扑捉一闪即逝的普通瞬间。他毫无贵族情结，但有文人情结和平民立场。文人情结和平民立场构成了他艺术的眼光，双重交织的世界在他画笔下呈现。同时又踰越了一般意义上的文人模式和平民趣味。“画家老王”对他是最为准确的称呼（他的夫人申玲称他为“老王头”），叫王教授或王先生都不贴切。他的着装永远是不经意的，大英帝国的白金汉宫估计这辈子他别想进去了。在都市中足具乡土气息。他喜欢散漫的聊天，谈谈文学或是历史，茶酒相伴。他和我一直都是可以彼此平视的朋友。夫妇俩内心的干淨却是艺术圈里少有的。任自然，不做作。当然，王玉平是名副其实的中央美术学院油画系的教授，弟子众多。中央美术学院现在是写实绘画的国际重镇，客观地说，写实艺术在大多数西方国家都衰落了。自北宋以来的士大夫文官政治时代，写意绘画受文人推崇而文脉不绝。当中国的平民政治时代到来时，写实艺术复兴，政治性和平民性共存。改革开放之后，艺术又有一个去政治化的过程。超写实、反写实和抽象艺术在艺术界蔓延，形式语言不断变革翻新。王玉平一如既往地在自己的精神世界裡遐想和实践。他的写实越来越个人化，犹如个人的日常独白，进入了微观的叙事状态。倔强的平民立场和文人情结爲他建构了一个“平实的世界”，一个具有文人理想的平民的桃花源。每张作品都像“自传性”的一页日记。前两年我兼任过中央美术学院的图书馆馆长，提议他画一套他自己喜欢的书籍，在图书馆裡办一个特殊的画展。收藏一些有趣的书是我们的共同爱好。我现在不再兼任图书馆长了，继续专门做我的人文学院的院长。他的画都画成了，可我的承诺却没有兑现。看到他的画，很有感觉，画中之书有生命。我的有些藏书一经他画就更加亲切，不追求，反而有追求。
Just as a poet cannot simply live in poetry, neither can a painter live in a painting. Painters live in chaotic and ordinary reality, so they make their real daily life poetic and picturesque. Wang Yuping is such a painter. He has been avoiding all kinds of trends to concentrate on studying, reflecting and painting very calmly despite his early fame of holding a personal painting exhibition in National Art Museum of China and of participating in the influential New Generation Art Exhibition (Beijing, China History Museum in 1991) during his undergraduate period, which made him become one of the so-called "New Generation" representative painters. He and his wife Shen Ling (also a painter) live in seclusion on the edge of the city.王玉平《我是猫》，60x168cm，布面丙烯、油画棒，2021This painter, who grew up in old Beijing, is introverted and independent, resisting fashion and vulgarity. His life is plain and simple, while his paintings have exquisite and unadorned poetry. I always regard him as a folk poet with a paintbrush. He is not sentimental but good at catching those fleeting moments of ordinariness with his sharp eyes. He has no aristocratic complex, but a literati complex and a commoner standpoint, which have constituted his artistic vision and presented the double intertwined world under his brush. At the same time, it goes beyond the model of general literati and common interests."Painter, Lao Wang" is the most accurate address for him (his wife Shen Ling calls him "Lao Wang head"), and neither Professor Wang nor Mr. Wang is appropriate for him. He always dresses casually. Buckingham Palace in Great Britain may not be the right place for him. He lives in a busy city with a country temperament. He enjoys chatting freely about literature or history, usually accompanied by tea and wine. He and I have always been friends who treat each other on the same footing. It’s rare to find artists like him and his wife who have inward simplicity in the art circles. They lead a pure life, being natural and unaffected.王玉平《世界美术（一）》，40x50cm，纸本水彩，2016Of course, Wang Yuping is a real professor of the Oil Painting Department of the Central Academy of Fine Arts, followed by a large number of students. The Central Academy of Fine Arts is now an international important place for realistic painting. Objectively speaking, realistic art has declined in most western countries, while in ancient China it had been highly praised by scholars and had created various literary schools since the Northern Song Dynasty governed by literati politically. When the era of civilian politics in China came, realistic art has revived, and politics and civilians are coexisting successfully. After the Reform and Opening-up, art has a process of de-politicization. Hyperrealism, anti-realism and abstract art are spreading in the art world, and the formal language is constantly changing and renovating.As always, Wang Yuping reveries and practices in his spiritual world. His realism is becoming more and more personal, just like his daily monologue, entering the micro-narrative state. His stubborn commoner standpoint and literati complex have constructed a "plain world" for him, a paradise for ordinary people with literati ideals.Each work is like an "autobiographical" one-page diary. Two years ago, I served as the librarian of the Central Academy of Fine Arts. I recommended that he draw a set of books he likes and then hold a special painting exhibition in the library. Collecting some interesting books is our common hobby. I am no longer currently the librarian but continue to be the dean of the College of Humanities. His paintings were all done, while my promise has not been kept yet. Seeing his paintings, I feel that the books in the paintings have life. Some of my books look more cordial once they are painted by him. He gets what he is dreaming for when he doesn't pursue it.
王玉平，1962 年生于北京，现任教于中央美术学院油画系第四工作室。1983 年考入中央工艺美术学院陶瓷系，1985 年考入中央美术学院油画系， 1989 年毕业于中央美院油画系。Wang Yuping, born in Beijing in 1962, graduated from the oil painting department, Central Academy of Fine Arts (CAFA) in 1989. Currently works in the No.4 Studio of the Oil Painting Department, School of Fine Art, CAFA.
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