
本周六,中间美术馆将举办“希望的原理”艺术家讲座系列第三回。我们将邀请两位参展艺术家黎家齐、张哲熙分享他们的创作与研究。本次讲座由印帅主持,讲座为中文
张哲熙是一位现居伦敦的华裔艺术家,他的工作围绕生态学概念、非官方的经济和公地的历史展开,涉及对知识和技术系统如何塑造政治学和社会欲望的探讨。在展览“希望的原理”中,艺术家所呈现的作品《波亚伊人!》借鉴了 19 世纪最大胆的金融骗局之一:通过虚构和宣传迎合殖民目光的中美洲“乐土”——波亚伊,数百万英镑本不存在的债券被制造并售出以谋取暴利。艺术家展示其收藏的19世纪购买波亚伊股票证书,并通过朗读描绘虚构乐土物产丰富的指南和播放计算机生成的波亚伊风景视频,在展览中留下历史中关于“未来”线索,让真实历史与虚构场景之间不断变化,从而松动已有的叙事和观点。

张哲熙, 《波亚伊人!(%3)》,2021,
波亚伊%3的股票合作证书, 1823
Gary Zhexi Zhang, Poyers!(%3), 2021,
Poyais%3 consolidated stock certificate, 1823
黎家齐同样对于事物的视觉表象和内在实质感兴趣,并尝试将二者间的距离拉开,探索二者的相对独立性和相互转化的可能。视频作品《我们的电视,您的成功》将不同时期、不同厂商的电视广告剪辑在一起,探究作为成功范式的电视机符号和关于电视机的图像在生产、传递、消费中的不同状态,并且在作为图像的电视机和电视机中的图像层叠嵌套中,在屏幕里向观众对可以跳脱出现实的乌托邦愿景进行许诺,以幽默的方式揭示内在于图像中的期盼和欺骗性。

黎家齐,《我们的电视,您的成功》,2020,录像,2'26''
Li Jiaqi, Our TV, Your Success, 2020, video, 2'26''
两位艺术家通过各自的研究和对历史的回望与再解读,让我们有机会与那些不同的性格、文化,不同的世界观和宇宙观在展览中相遇,连接了空间而非时间概念上的“未来”,将某个未来世界的遥远过去呈现在我们面前,构造了一种陌生化的想象,质疑了“唯一”存在的未来,同时提出了另一些想象。
欢迎大家加入我们的线上讨论!
This Saturday, Beijing Inside-Out Art Museum is going to hold the third artists' talk for the exhibition The Principle of Hope. We will invite two participating artists, Li Jiaqi and Gary Zhexi Zhang to talk about their art practices and researches. The event will be in Chinese and will be moderated by Yin Shuai.
Gary Zhexi Zhang is a London-based artist who was born in China and whose work revolves around ecological concepts, unofficial economies, and the history of the commons, involving an exploration of how knowledge and technological systems shape political and social desires. In the exhibition The Principle of Hope, the artist presents the work Poyers! draws on one of the most audacious financial scams of the 19th century: the production and sale of millions of pounds of non-existent bonds for huge profits through the fictionalization and promotion of the Central American "playground", Poyers, which catered to the colonial gaze. The artist presents his collection of 19th century certificates for the purchase of Poyers shares and leaves a historical "future" thread in the exhibition by reading guides depicting the richness of the fictional playground and playing computer-generated videos of Poyers’ landscapes, allowing for a constant shift between real history and fictional scenarios, thereby loosening existing narratives and perspectives.
Li Jiaqi is also interested in the visual appearance and the inner substance of things, and tries to distance the two, exploring their relative independence and the possibility of mutual transformation. His video work Our TV, Your Success edits TV commercials from different periods and manufacturers, exploring the different states of the symbol of TV as a paradigm of success and the images about TV in production, transmission and consumption. In the nesting of the TV as an image and the images in the TV, the viewer is promised a utopian vision that can break out of reality on the screen. He reveals in a humorous way the expectations and deceptions inherent in the images.
Through their respective research and reinterpretation of history, the two artists give us the opportunity to meet with different personalities, cultures, worldviews and cosmologies in the exhibition, connecting the "future" in space rather than time, presenting us with the distant past of a future world, constructing a strange imagination, questioning the "only" future that exists, while proposing other imaginations.
Please feel free to participate in our online discussion!

“希望的原理”艺术家讲座系列三:
黎家齐、张哲熙
The Principle of Hope Artists' Talk no.3:Li Jiaqi, Gary Zhexi Zhang
主讲人:黎家齐、张哲熙
Speakers: Li Jiaqi, Gary Zhexi Zhang
主持人:印帅
Moderator: Yin Shuai
腾讯会议 ID |VooV Meeting ID:
234 955 307
北京 2021.11.27 4:00-5:30pm
会议链接:

直播链接:
https://meeting.tencent.com/l/wUtSB9QNI8Ei
艺术家介绍 Artists' Bio

黎家齐
Li Jiaqi
黎家齐专注于视觉艺术领域,擅长用图像作为媒材创作。他痴迷于带有欺骗意味的图像所呈现出来的荒谬和滑稽感。那些是容易被制造和传播的图像,在日常生活中充当掩饰、伪装和期盼的效用。黎家齐2017年到英国格拉斯哥艺术学院访学,在2019年获得了中央美术学院学士学位之后,2021年以国家公派留学生的身份,从美国芝加哥艺术学院硕士毕业。黎家齐在2017年格拉斯哥的个展中,质疑了艺术家的身份和艺术家在社会中的位置。他还入选了青年艺术100、ASA-XYZ青年艺术家提名展、学院本色、本科生雕塑优秀作品展、芝加哥艺术书展等展览。2020年黎家齐获得芝加哥艺术学院Clay Morrison奖学金。
Li Jiaqi is a visual artist. He uses pictures/images as material to challenge the existed visual experience. He is obsessed with the humor brought by the deception of the image, which is all around us, exists as tricks, camouflage, or ideal vision, and is easy to be produced and circulated. He claims to be a pessimist who pretends to be an optimist, a realist who pretends to be an idealist. After receiving his BFA from China Central Academy of Fine Arts in 2019, and exchanged to Glasgow School of Art (2017), Li earned his MFA degree at School of the Art Institute of Chicago with full scholarship supported by the Chinese Scholarship Council. His first and second solo shows in Glasgow (2017) and Chicago (2020) respectively, questioned the artist's role in society. Li entered the group show “ASA-XYZ Young Artist Award Nomination Exhibition” (2018) and the “2018 Art Nova 100” Opening Exhibition in Guardian Art Center in Beijing as a young artist. In 2020, he received the School of the Art Institute of Chicago's Clay Morrison Scholarship, which encourages graduate students to study art originating from beyond the academic mainstream.
张哲熙
Gary Zhexi Zhang
张哲熙是一名艺术家和研究者,他工作生活于伦敦。他的首个个展 "Cycle 25 "由Arts Catalyst和Bloc Projects共同委托。他最近和即将举行的群展和放映包括道格拉斯-海德画廊(在线), Para Site的“溢流地”, 上海明当代美术馆的“神秘参与”, 威尼斯建筑双年展的“沼泽学校”, “作为城市的互联网”第二届去中心化网络峰会等。作为一名写作者,他定期为Frieze杂志以及麻省理工学院设计与科学杂志、VERGE全球亚洲杂志(当代艺术文献)、ArtReview等杂志和画册提供文章。
张哲熙是合作研究工作室Foreign Objects的创始成员,也是Somerset House工作室的常驻人员。他有时也于帕森斯设计学院担任兼职讲师。
Gary Zhexi Zhang is an artist and researcher based in London. His first solo presentation, Cycle 25, was co-commissioned by Arts Catalyst and Bloc Projects. Recent and upcoming group exhibitions and screenings include Douglas Hyde Gallery (online); Liquid Ground, Para Site; Participation Mystique at Ming Contemporary Art Museum, Shanghai; the Swamp School at the Venice Architecture Biennale; The Internet as a City, 2nd Decentralized Web Summit. As a writer, he contributes regularly to Frieze magazine, along with journals and catalogues such as MIT Journal of Design and Science, VERGE Journal of Global Asias, (Documents on Contemporary Art), ArtReview and others.
Zhang is a founding member of the collaborative research studio Foreign Objects and a resident at Somerset House Studios. He is sometimes an adjunct lecturer at Parsons School of Design.
主持人介绍 Moderator's Bio

印帅
Yin Shuai
印帅(1991)是一位中国策展人,工作生活于米兰与上海。2015至今担任米兰新美术学院视觉艺术与策展专业学术助理,FM当代艺术中心艺术策展助理,2018年起留校任教。其发起项目“AP Project”(艺术家研究出版计划)与德国Archive Books出版社合作,出版艺术家图书与研究。2019年他的项目《幼年与历史》入围OCAT研究性策展方案入围展,2017、2018年他作为策展助理参与了银川双年展、安仁双年展、《四川故事-中国:戏剧与历史》、《白种猎人-非洲当代艺术展》、《《未结盟的现代性》、《超越记录:意大利的70年代》等。其文章及译文曾发表于《Segno》《公共艺术》《L@ft》《Mousse》《画刊》《信睿日报》《艺术新闻》等专业艺术杂志。
Yin Shuai (b.1991) is a curator who lives and works in Milan. He has collaborated with FM Centre for Art Contemporary (Milan) since 2015 and became a lecturer at NABA in 2018. In 2019, he founded AP Project and started their collaboration with the German publishing house Archive Books. His articles and exhibition reviews are published in Segno, Mousse Magazine, Public Art, L@ ft, and other art magazines. His project “Death-Ray on the Coral Island” is selected as Emerging Curators Projects 2021,“Infancy and History”(with Andris Brinkmanis and Paolo Caffoni) is selected as finalist of OCAT research-based exhibition 2019, he has collaborated the exhibitions: The Principle of Hope(Inside-out Art Musuem, 2021) 2nd Yinchuan Biennale Starting from the Desert: Ecologies on the Edge (Yinchuan, 2018), The Szechwan Tale: Theatre and History (Milan, 2018), the 1st Anren Biennale (Anren, 2018), The White Hunter: Memories and African Representations (Milan, 2017), The Great Learning (Milan, 2017), Non-Aligned Modernity (Milan, 2016), The Unarchivable: Italy 1970s (Milan, 2016).
编辑:周博雅
排版:王任
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