展讯｜明天会更好吗？将于12月12日下午4点开幕Will tomorrow be better？12/12/4:00PM

开幕式OPENING

12/12/4:00PM

追悼会MEMORIAL

12/12/4:30PM

2021/12/12- 2022/1/2

没有人会孤独，我们都是社会的一部分；没有人有权利绝望，我们要使明天更好；10位艺术家作品带来对明天不同的问题——一件件动人的作品，一个个不减的梦想。

展览将在2021年12月12日下午四点钟举行开幕仪式，我们将举行策展人邓婷的追悼仪式，追悼现场请符合疫情防控须知佩戴口罩，严肃出席。谨上。（届时她本人也将出席）。

No one is alone, we are all part of society; no one has the right to despair, we have to make tomorrow better; 10 artists' works bring different questions about tomorrow - a moving work, an undiminished dream.

The exhibition will be opened on 12 December 2021 at 4pm and we will have a memorial service for the curator Deng Ting. Please wear a mask and attend seriously at the memorial service in accordance with the epidemic prevention and control instructions. Please do so. (She will also be present).

死亡是一种回归和返乡吗？

Is death a return and homecoming?

 如何向生活投降？

How to surrender to life?

明天小陈会更好吗？

Will Xiao Chen be better tomorrow?

明天我们会在哪里？

Where will we be tomorrow?

明天太阳会照常升起吗？

Will the sun rise as usual tomorrow?

明天我会在天亮前睡着吗？

Will I fall asleep before dawn tomorrow？

明天我会成为一个伟大的艺术家吗？

Will I be a great artist tomorrow????

妈妈，明天你会忘记这件作品吗？

Mom, will you forget this work tomorrow?

她存在吗？   

Does she exist?

明天我的身边会多一个没有精神疾病的朋友吗？

Who's sick????

2020实际存在吗？

2020?

明天我的作品能被展出吗？

Can my work be exhibited tomorrow?

When I found that the present could not be captured and the past became more unpredictable than the future, I began to turn away from questions of  body and look into the void.《Life After Life》 is the destiny I have built for myself.By holding my effigy, burning paper, calling out my name, and taking the smoke that has turned into nothing as my possession for the afterlife, things and emptiniess are mutual transformed .Are existence and non-existence different between life and death, or between solidity and destruction?Is death a return and a homecoming?

邓婷，b.1994，无空间联合创始人，艺术家，策展人，先后毕业于美国加州大学欧文分校（2014）和英国伦敦皇家艺术学院（2019），并进修于苏富比艺术学院，荣获Lauds & Laurels Award，作品被皇家艺术学院收藏。现工作生活于北京，主要负责无空间在中国的运营。近期策展项目：“IN/OUT 青年艺术100启动展”，2020,“易水三年展驻地计划第一期·田上山水"，2020， “Acousma 声音艺术实验 2020”，“跨身份：肉体、灵魂、和时间，2020”，“葬礼与返乡”，2019”等。

Deng Ting, artist, curator, and co-founder of No Space. Currently working and living in Shanghai and Beijing.  She graduated from the University of California, Irvine (2014) and the Royal College of Art, London (2019), where she won the Lauds & Laurels Award and has her work collected by the Royal College of Art. Her current focus is ancient culture and Pan-Shamanization from the perspective of technology. Curated exhibitions: "Anren Biennale: New Residence Unit", "Yanjiao Biennale: A Dialogue in Winter", "IN/OUT  Art Noval Noval 100", , "Trans-identity: Body, Soul,and Time, 2020", etc.

In the face of the post-epidemic era of the New Crown epidemic, we have begun to rethink the relationship between people and society. We will focus on the mental plight of young people and examine the social issue of alienation from a young perspective. The starting point for the video content is the story of a young man who disappeared in an arson attack, which we have textualised and created. At the same time, we bring ourselves into the image as performers and creators, organising the structure of our images and expressing our own feelings through personal interpretation.

胡璇，99年，女，身高165，体重60公斤。讨厌影像，偶尔听音乐陶演情操，热爱抬杠、烦人、做小丑，日落后开始emo。想睡懒觉又由于生物钟每天九点准时醒来，品行恶劣，经常欺负人。

Hu Xuan, 1999, female, 165 in height and 60 kg in weight. I hate video, occasionally listen to music, show my sentiment, love to be aggressive, annoying and clown, and start emo after sunset. Want to sleep in and wake up on time at 9 o'clock every day because of the biological clock. He has bad conduct and often bullies people.

El imperio en el que Nunca se pone El sol: a land where the sun never sets refers to an Empire where the sun shines on some territories sets and the sun is still high on other territories. In the cycle of sunset, different pieces of information imply that various forces and relationships catch up with each other, and the emergence and disappearance of one after another under modernity. In the whole competition, the only constant is sunlight.

曹文青，生于1999年，中央美术学院本科在读。

最近常用日常物品和行动编排权力结构，2021年曾竞选妇女代表，以失败告终。

Cao Wenqing was born in 1999, is an undergraduate student at the Central Academy of Fine Arts.

Recently commonly choreographing power structures with everyday objects and actions, she ran for women's representation in 2021, which ended in defeat.

The most familiar closed system is the home isolation experience and the boredom of repeated actions of characters in the virtual environment.

２蕶蕶蕶哖绌生于廣鯟堔甽，鉬騚勼dц于↑塰視覺藝ポ泶院。仓リィ乍觀念ィ乍ρìη並γì攝影僞宔婹ぜ某介，cんàηɡγì哆圖層魡祊式萂符號繋統魡應用來處理廣氾魡宔τì。

翻译：

岳云枫、二零零零年出生于广东深圳，目前就读于上海视觉艺术学院。创作观念作品并以摄影为主要媒介，常以多图层的方式和符号系统的应用来处理广泛的主题。

Yue Yunfeng, born in Shenzhen, Guangdong in 2000, is currently studying at Shanghai Institute of visual arts. Creating conceptual works and taking photography as the main medium, it often deals with a wide range of topics in the way of multi-layer and the application of symbol system.

旧媒体艺术家。本科在上嗨氏绝艺术学院，学习了超酷科技，打出来都不认识的技能。它生于九华山，和地藏王关系不错，提供代拜菩萨和逃票服务。生活工作于赛博空间。曾为晋江文学城作者，某动漫协会会长，某不知名idol打投组长。擅于使用“爽文”模版构建作品世界观，用黑色幽默的玩笑向世界提出看待事物新的角度。近期热衷于研究饭圈、赛博空间、黑暗童话小妈文学、中国三四线房价市场。目前不想当一名生物元宇宙NFT理性哲学海归新媒体艺术家。它不是女权主义艺术家，但可以接受被定义女权艺术家，它是女的它不是无性别。它依然是赛博空间独立宣言的拥护者。它喜欢说话只说上半句，

Ziyue is a new media artist who utilizes old media to reflect on net art between Shanghai and Cyberspace. She likes using the technique of "creating an Internet character" to construct the worldview of her works. From the perspective of a "character", it shows the violence of Internet politics towards the marginalized society and reflects on the colonization of the imagination of people by capital. I believe art is an organism, not a "work" created by an artist. Art is a chemical experience that forms interaction and creates a connection between the audience and the artwork. I would like to see myself as a machine that invites and controls the audience to complete my work.