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【空间站】3月8日开幕：母亲—— 郭桢&胡戎双人展

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【空间站】3月8日开幕：母亲—— 郭桢&胡戎双人展郭桢胡戎双人展空间站母亲亲Mothering Exhibition Curator 付晓东 Xiao 崇真艺客

母亲

Mothering Strength

2022.03.08——04.18

郭桢 & 胡戎双人展

Guo Zhen & Hu Rong Double Exhibition

策展人 | Curator

付晓东 | Fu Xiaodong

地点 | Venue

空间站 | Spacestation

空间站很荣幸的邀请到为母三十余年的女性艺术家胡戎和美籍华人郭桢举办题为“母亲”的双人展。在解救拐卖妇女、代孕不合法、生育率大幅下跌的今天，女性子宫被物性化、商品化，还是人性化？在网络社交媒体上发酵，被大规模讨论，反思。“伟大的母性”作为“牺牲”的代名词，无私的爱和全面的付出，也使这个概念成为一个崇高却又习惯性被忽略的存在。小梅花脖子上的锁链显而易见，可是更多的母亲那根来自于男权社会、父权家庭、婚姻财产的那根无形的锁链却更加隐蔽，无可逃遁。

千百年来，母亲都以宽广博大和柔情似水的精神之爱，辛勤之劳，包容、浇灌、维系着家庭的系统。母亲甚至成为一个丧失主体性的形象，她的主体即是对孩子和家庭之爱。胡戎和郭桢的作品呈现了这个问题的两个面向，胡戎的作品有很多是在养育女儿的过程中完成，并通过对女儿儿童画的“以爱之眼”的观注和对话之中产生，强调无知之知，生命直觉，回到自然通感的生命母体的本初。郭桢则是在三十年的海外旅居的经验中，通过破除“假爱之名”男权式家庭男女剥削关系模式的经历，走上自我意识觉醒的反思之路。生命时间渡过的方法，即是最好的以人的生命作为材料的作品。物质上留下痕迹作为外显的作品，都是生命火花绽放时留下的痕迹。这些生命轨迹中的作品无一不展现出两位女性艺术家在不同的时空中所遭遇的身体、情感和思想上的波动。

郭桢：重量级拳击运动员的训练⼯具——沙袋，承载着女性艺术主题

在这里我采⽤了女性⾝身体中，最能够体现女性特征的乳房形象。⼀个⼈人可能会没有妻⼦和女儿，但一定会有母亲，世界上所有的⼈都有母亲。⼀个女⼈人的乳房除了了哺乳以外还有许多功能，她对之骄傲⽽又隐密，是人性中最为纯情⽽又亲近的⼀面，也承受着最为痛楚无奈的割舍和枯萎。在這裏我用這些柔软的乳房，就像软体动物一般，缝在⽪皮⾰革和帆布沙袋上;沙袋在重量级拳击⼿地击打之下，乳房对受创⾯进⾏了修复，在忍受打击的同时带着创伤继续⽣长。但是这些沙袋在承受拳击手们粗鲁的撞击的同时也会使对⽅关节错位，双⼿剧痛。原本用于承受这种⼒量的粗帆布沙袋现在被各种颜⾊的乳房所代替。这是一个拒绝乳房的地方。女⼈能够在這充满歧視的世界中⽣存，靠的是能屈能伸的毅力。这里的一切都是这种气质的印记。

【空间站】3月8日开幕：母亲—— 郭桢&胡戎双人展郭桢胡戎双人展空间站母亲亲Mothering Exhibition Curator 付晓东 Xiao 崇真艺客

郭桢，沙袋，多种材料，189cm x 60cm x 60cm， 2013-2022

胡戎：女性艺术的直觉

自由的感觉躲避了观念，封闭保护了神秘。艺术的神秘性质得到解释的同时理解有了观念。那么女性艺术家有没有被理解？她的巫、神、灵，她的能力无意识，没边界，生命的母体，这个无边界的生命体相对认知的局限，是否需要社会的公断？有限的认知简单地批判或道德的内容及观念的意义，更多是社会学范筹，艺术本体看起来呈现着生命的奇迹，好像同社会的历史发生着认知的关联，而人类学家发现，女性艺术一直在自然人的生命系统中孜孜不倦，花拳秀腿，生生不息，制造着艺术符号并世代相传，给女性艺术及女性化艺术留下了自然与历史的神秘数里关系，母系系谱及男权社会的局限。艺术起源对照现代女性艺术，来自生命现象的描述，可以说女性艺术出现了社会碰撞后的景象，当代艺术运动的价值判断，艺术评价体系都出现艺术生态的文明。女性艺术家的直觉力，关爱生命的天职，自然神秘的个性得以开放，对于揭示权力与意识有了结构性解读，一切表现出的形式都是意识形态，理性的都是虚构的，假设成为观念艺术的样式，并以客的生活内容呈现，不存在物质和利益的关系，这样的阐述反复灌输了一种观念，国家制度、法律、政治、媒体的意识形态确实得到了民主的实现，这些梦想照进了生活，社会与人类和平供处。历史完整客观的记载了文化人和自然人的历史，女性艺术家是这样的群落。

【空间站】3月8日开幕：母亲—— 郭桢&胡戎双人展郭桢胡戎双人展空间站母亲亲Mothering Exhibition Curator 付晓东 Xiao 崇真艺客

胡戎，逝去，布面油彩，180x100cmx4,2007

Our space station is honored to invite Hu Rong, a female artist who has been a mother for more than 30 years, and Guo Zhen, a Chinese-American, to hold a double exhibition titled "Mother". Today, while women are rescued from the trafficking and illegal surrogacy, the fertility rate dropping sharply, can the female uterus be materialized, commercialized, or humanized?

It is continued on the social media, under broad debate and deep reflection.As a synonym for "sacrifice", the "Great motherhood" devote their selfless love and giving which also makes them a noble but often being ignored existence.The the little plum flower has obvious chains around neck. But the invisible chains that more mothers have had from patriarchal society, patriarchal families, and marital property are more hidden and there is no escape.

For thousands of years, mothers have given their spiritual love which is vast, extensive, and tender like water. They work hard, tolerated, cared of and maintain a family system. The mother even becomes an image devoid of subjectivity, and her subject being the love for the child and the family. The works of Hu Rong and Guo Zhen present two aspects of this problem. Hu Rong finished many works during the period of raising his daughter, and produced through her observation and dialogue with his daughter's children's painting of "with the eyes of love". She pays more attention to the knowledge, and life intuition, returning to the origin of the life matrix of natural synaesthesia.Guo Zhen, on the other hand, embarked on the road of self-awareness and self-awareness through the experience of breaking the "false love" patriarchal family's exploitative relationship between men and women in his 30 years of overseas experience.The way of passing time in life is the best work that uses human life as the material.The works that leave traces on the material are the traces left when the spark of life blooms.The works in these life track all show the physical, emotional and mental fluctuations encountered by the two female artists in different time and space.

Guo Zhen: A heavyweight boxer's training tool—— the punching bag, carrying the theme of female art.

Here, I use the breast image that best reflects the female characteristics. A person may not have a wife and daughter, but he must have a mother, and all people in the world have their mothers. A woman's breasts have many functions besides breastfeeding. She is proud and secretive about them, which is the most innocent and intimate side of human nature, and also suffers the most painful and helpless abandonment and withering. Here I sewn these soft breasts, like mollusks, on the leather and canvas punching bags; If the heavy boxers hit the punching bags, the breasts repaired the surface of the wound, and continue to grow with trauma while enduring the blow. But the punching bags may also dislocate the boxers' joints and cause them severe pain in the hands while they are rudely punching. The rough canvas bags originally used to bear this force are now replaced by breasts of various colors. This is a place where breasts are rejected. The perseverance the women rely on is the reason why they can survive in this world full of discrimination. Everything here is an imprint of the temperament.

Hu Rong: The Intuition of Feminine Art

The feeling of freedom eludes the idea,while the closure protects the mystery.The mystery of art is known at the same time as the understanding has concepts. So are female artists understood?Her sorcerer, god, and spirit, and her abilities are unconscious, without boundaries. The matrix of life, the relative cognitive limitations of this boundless being, does it need the social judgment? The limited cognition, simple critique or moral content and the meaning of ideas are more of a sociological paradigm.The art noumenon seems to show the miracle of life, as if there is a cognitive relationship with the history of society. However the anthropologist found that the female art has been tirelessly, and endlessly making art symbols and passing on from generation to generation in the life system of natural people, which leaves women's art and feminized art the mysterious relationship between the nature and history, as well as the limitations of the matriarchal genealogy and patriarchal society. The origin of art is compared with the modern female art, which is the description of life phenomena. It can be said that the female art has presented the scene after social collision.The value judgment of the modern art movement and the art evaluation system are all showing the civilization of art ecology.The intuition of female artists, the duty of caring for life, and their natural and mysterious personalities are shown. They have a structural interpretation for revealing the power and consciousness. All the manifested forms are ideologies, the rational ones are fictional, and assumption becomes the form of conceptual art, shown as the visitors’ lives, no relationship between the material and interests. The elaboration inculcates a notion that the ideology of the state system, law, politics, and media has indeed been democratically realized. These dreams shine into our lives, and human beings coexist with the society peacefully. The history records the history of cultural and natural persons in a complete and objective manner. And the female artists are such a group.

艺术家介绍

【空间站】3月8日开幕：母亲—— 郭桢&胡戎双人展郭桢胡戎双人展空间站母亲亲Mothering Exhibition Curator 付晓东 Xiao 崇真艺客

艺术家，策展人。出生于中国山东日照， 1976 毕业于山东艺术学校美术系，1982年毕业于中国美术学院国画系并留校执教于中国画系，是改革开放后水墨艺术最早的探索者之一。1986赴美国旧金山艺术学院留学，1987年赴加拿大约克大学艺术学院访问学者，1988年在纽约设立郭桢工作室，是活跃在国际艺术界的女性水墨艺术家，美国亚裔当代女性水墨艺术开拓者，参加过多个国际艺术展，并长期致力于国际当代女性艺术的研究和探索。苏富比等国际大拍卖公司多次推动其作品。近几年先后策划和参加了：中国长沙的“存在”国际女性艺术展、美国莫纳当代美术馆的“请触摸，身体边界”大型展览。韩国全北道立美術館“亚洲女性艺术家展览”等。并经常在国内外大学做学术讲座。现为北美艺术家协会会员，美国职业艺术家协会会员，中国美术家协会会员，多座美术大学的客座教授。

artist, curator. Born in Rizhao, Shandong, China, graduated from the Fine Arts Department of Shandong Art School in 1976, and graduated from the China Academy of Art in 1982 and taught at the Chinese Painting Department in China Academy of Art. 1986, she went to study in San Francisco Art College in the United States. In 1987, she visited as a scholar at York University College of Art in Canada. In 1988, she set up Zhen Guo Art Studio in New York. She is a female ink artist active in the international art world and a pioneer of American Asian contemporary female ink art. Participated in many international art exhibitions, and has long been committed to the research and exploration of international contemporary female art. International auction companies such as Sotheby’s have repeatedly promoted their works. In recent years, she has curated and participated in: the “Existence” International Women's Art Exhibition in Changsha, China, and the “Please Touch, Body Boundary” large-scale exhibition at the Mona Museum of Contemporary Art in the United States. "Exhibition of Asian Female Artists", Jeonbukdo Museum of Art, Korea, etc.

【空间站】3月8日开幕：母亲—— 郭桢&胡戎双人展郭桢胡戎双人展空间站母亲亲Mothering Exhibition Curator 付晓东 Xiao 崇真艺客

胡戎（胡蓉）1956年出生于辽宁省大连巿，祖籍安微。1980年考入鲁迅美术学院。1989年中央美术学院民间美术系助教班。2002年考入鲁迅美术油画系大型艺术研究生班，2008年清华大学美术学院中国画高研班，2009年清华大学美术学院访问学者。2011年文化部艺术与科学研究所研究员,中国油画学会会员。

主要艺术活动实践：参加系列国际女性艺术交流展，参加比界女性艺术家国际艺术展。发声关于“女性及女性化”的艺评，出版关于新表现主义艺术家个案分析，撰写东北民间萨满信仰中的女性文化研究。主张人道主义的独立学者.

Rong Hu was born in Dalian, Liaoning Province in 1956, her family’s ancestral home is Anwei.In 1980, she was admitted to the Lu Xun Academy of Fine Arts.In 1989, she attended teaching assistant study in the Folk Art Department of the Central Academy of Fine Arts.In 2002, she was admitted to the large-scale art graduate class of the Lu Xun Fine Arts Oil Painting Department.In 2008, she studied at the Advanced Research Class of Chinese Painting, Academy of Arts and Design, Tsinghua University,In 2009, she was a visiting scholar at the Academy of Fine Arts of Tsinghua University. In 2011 she was a Researcher of Institute of Arts and Sciences and Ministry of Culture.She is a member of China Oil Painting Society.

Main artistic activity practices: Participated in a series of international women's art exchange exhibitions curated by Ms. Guo Zhen, and participate in the B territory international Feminist Art Exhibition. She voiced art reviews on "Women and Feminization”, she edited and published case studies on neo-expressionist artists, and wrote about Northeast Chinese folk shamanic beliefs in women's culture. She is an Independent scholar who advocates humanitarianism.

【空间站】3月8日开幕：母亲—— 郭桢&胡戎双人展郭桢胡戎双人展空间站母亲亲Mothering Exhibition Curator 付晓东 Xiao 崇真艺客