杜梦堂艺术家 | 翁纪军、Vincent CAZENEUVE作品正在厦门TCCA红顶当代艺术中心展出

从大漆出发：当代形态与观念表达

Start From the Lacquer:

The Expression of Contemporary Forms and Concepts

Constellation 2019-20 | 集聚 2019-20

Constellation 2019-22 | 集聚 2019-22

翁纪军以大漆为媒介，从大漆自身特性和传统漆艺中汲取灵感，以见微知著的方式将不同维度的世界相互连结。“集聚”既是艺术家结合当下社会现实、从哲学层面进行思考的出发点，也是其近期在创作层面的关注点。

对漆艺的精通则让他能够将所谓的传统“图案”、“纹样”转化为对生命起源的探寻和宇宙形态的描绘，打破了人们对大漆强调工艺和装饰性的刻板印象。同时，艺术家偏爱以色彩为核心的抽象表达，这有别于布面或纸本的抽象表现方式，色彩之间丰富的层次感既有大漆反复髹涂的厚度，也有层层覆盖打磨的相互穿透：其间集聚的能量、叠置的痕迹、偶然性与主观性并存。

Drawing inspiration from lacquer, its characteristics, and its tradition, Weng Jijun provides an alternative for us to re-examine our connection with the world in a way that bridges its different dimensions. "Constellation" is both the starting point of the artist's philosophical contemplation in today’s social context and his latest development on the creative level. 

Weng's mastery of lacquer has enabled him to transform the traditional "patterns" and "motifs" into a search for the origin of life and a depiction of cosmic forms, breaking the stereotype of lacquer as a craft and decorative art from different aspects. The artist prefers abstract expressions that have color at their core. Unlike the abstract brushwork on canvas and paper, the subtle yet visible complexity — the aggregate of energy and overlapping traces, the intentional and the accidental — are achieved by the interpenetration of accumulated lacquer layers and repeated polishing effects. 

更多艺术家信息 | READ MORE

「安邸AD」特别报道 | 大漆艺术家翁纪军：出世入世，坦然自若

展览现场 ON-SITE | 翁纪军 WENG Jijun「集聚 Constellation」

展览 EXHIBITION | 翁纪军 WENG Jijun「集聚 Constellation」

「集聚」前言 | 翁笑雨：集聚/宇宙

Untitled | 无题

Vincent Cazeneuve gradually developed his narratives and aesthetics in his lacquer creations from both occidental and oriental influences with his deceptively simple and yet complex language while relentlessly exploring non-traditional supports such as old rice bags, jute ropes, bamboo, wool felt, and leather. He also tries to draw on other art forms such as lithography, relief carving, collage, and traditional crafts such as cloth and bamboo weaving, lending his work rich layers and tactile feelings.

This work belongs to Vincent Cazeneuve’s latest creations, inspired by the lacquered leather armour of the Yi people in the Daliang Mountains. With lacquer as the core of his work, the artist is passionate about integrating the unique textures of everyday objects and traditional crafts into his own abstract expressions, bringing a rich visual sense and cultural attributes to his works. This new series provides another possibility for the continuation of this ancient ethnic craft, which is on the verge of being lost.

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