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东画廊 | 香港巴塞尔 | 张如怡

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东画廊 | 香港巴塞尔 | 张如怡崇真艺客

Matte Substance – As The Wind Blows 暗色之物-似风吹过, ZHANG Ruyi 张如怡, 2021. Concrete, rebar, ceramic tiles, wood board, floor drain 混凝土、瓷砖、木板、地漏, 160.5 × 46 × 108.5 cm

《暗色之物》通过再现建筑基建的手段，将空间体验调换，试图让日常局部和城市结构完成会面，保留沉默的瞬间。张如怡的雕塑和装置从日常生活中的物品和材料汲取灵感，参考它们面临着变化的环境表现出的力量和脆弱性。

Matte Substance displaces spatial experience through means of reproducing construction infrastructure materials. The pieces attempt to preserve an instant of silent encounter between the components of daily life and urban structures. ZHANG Ruyi draw on materials and objects from daily life, referencing their simultaneous strength and vulnerability in the face of a changing environment.

东画廊 | 香港巴塞尔 | 张如怡崇真艺客

Decoration(Rubber)-2 装饰物(橡胶)-2, ZHANG Ruyi 张如怡, 2021. Aluminum foil, UV print, clip frame, wood panel, color pencil 铝箔, UV 打印, 编辑框架, 木板, 彩铅, 50 × 40 cm

张如怡在作品中提供了一连串有关跨越与游移的经验以及复杂感受。她针对城市中的建筑、雕塑与场所展开临床分析，通过工业材料进行标本制作，着手公共空间的形态研究。因此，她提取其中的几何结构与节奏表达，同时抓住特定对象的表皮特征，满足装饰的需要。装饰并非独自存在而被强加于其他事物的东西，而是用于自我展现。

ZHANG Ruyi offers a coherent cluster of experiences and mixed feelings about crossing and in-betweeness. She conducts a clinical analysis of architecture, sculpture, and site in the city for the preparation of specimen by industrial materials, commencing on the anatomy of public space. For this reason, she abstracts the geometric construction and rhythmic utterance from within, meanwhile seizing the skin features of specific objects to satisfy the need of ornament. Ornament is not primarily something by itself that is later applied to something else but belongs to self-presentation.

关于艺术家 | Biography

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张如怡（生于1985年）现工作并生活于上海。张如怡的艺术实践以围绕日常逻辑而展开，作品因调和人工制品、工业经验以及城市生活而占据特殊空间。艺术家以在日常材料中涉取灵感，从内在直觉出发，探索个体、物料、场所三者之间的层次调度及相互作用力作为主要叙述途径。创作主要涉及据地装置、雕塑及综合媒介的运用，借“现实”为“样板”，牵引出城市变迁之下，个体的感知瞬间，将其种植于物质之内，赋予物质之外的意义。

张如怡的作品曾在和美术馆（广东，2022年）、上海当代艺术博物馆（上海，2021年）、K11 美术馆（上海，2021年）、佩斯画廊（美国，2021年）、上海油罐艺术中心（上海，2021年）、多伦美术馆（上海，2020年）等机构展出。她的个展包括“现代化石”（星美术馆，上海，2022年）、“以为何处”（东画廊，上海，2019年）、“盆栽”（FrançoisGhebaly画廊，洛杉矶，2019年）、“对面的楼与对面的楼”（东画廊，上海，2016年）等。

ZHANG Ruyi (b.1985) currently lives and works in Shanghai. ZHANG Ruyi’s artistic practice unfolds around everyday logic. Her work occupies a unique space which reconciles artifacts, the industrial experience, and urban life. The artist finds inspiration in everyday materials. In her main narrative approach, she begins with inner intuition and explores the hierarchical interactions between individuals, material, and place. Her work mainly involves installation, sculpture, and integrated media. She uses “reality” as “model” for drawing out moments of individual perception as the city shifts around its inhabitants, planting them within the material to bestow a significance which extends beyond the material.

ZHANG’s work has been shown at He Art Museum (Guangdong, 2022), Power Station of Art (Shanghai, 2021), K11 Art Museum (Shanghai, 2021), Pace Gallery (CA USA, 2021), TANK Shanghai (Shanghai, 2021), Shanghai Doland Museum of Modern Art (Shanghai, 2020), and other institutions. Her solo exhibitions include “Modern Fossil” (SSSSTART, Shanghai, 2022), “Consciousness of Location” (Don Gallery, Shanghai, 2019), “Bonsai” (François Ghebaly Gallery, Los Angeles, 2019), “Building Opposite Building” (Don Gallery, Shanghai, 2016), etc.

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东画廊 | 香港巴塞尔 | 张如怡崇真艺客