博览会 | 天线空间参展巴塞尔艺术博览会（下篇）| 展位：N9

Owen Fu（b.1988，桂林）现工作生活于洛杉矶。2018年，他获得了美国帕萨迪纳艺术中心设计学院艺术硕士学位。2016年，他分别从纽约石溪大学和芝加哥艺术学院获得了哲学和纯艺双学士学位。

近期个展：“Ordinary Things”，O-Town House，洛杉矶，美国（2022）；“下班后”，Balice Hertling，巴黎，法国（2021）；“6 self-portraits and one lamp”，Gallery Platform LA，洛杉矶，美国（2020）；“Bubbly Hills”，Mine Project，香港，中国（2020）；“Small Talk”，O-Town House，洛杉矶，美国（2020）；“No Story”，Art Center Main Gallery，洛杉矶，美国（2018）；“Body Obsession”，Art Center PPR，帕萨迪纳，美国（2018）；“Emoji Expression”，纽约艺术博览会，纽约，美国（2016）等。

部分群展：“晦暗里，身体循光深潜”，北丘当代美术馆，南京，中国（2022）；“The Going Away Present”，Kristina Kite Gallery，洛杉矶，美国（2021）；“Who's Afraid of the Great Indoors”，Redling Fine Art，洛杉矶，美国（2021）；“Pathologically Social”，O-Town House，洛杉矶，美国（2021）；“Winterfest”，阿斯彭艺术博物馆，阿彭斯，美国（2020）；“Gennariello (part II)”，由Daniel Balice策展，Balice Hertling，巴黎，法国（2020）；“About FACE: Cover Me”， Gallery Platform LA，洛杉矶，美国（2020）；“Platform: Los Angeles”，卓纳画廊 X Gallery Platform LA，线上（2020）；“Condo Complex: Lome x Gallery hosting O-town House”，Lomex Gallery，纽约，美国（2019）；“Just Edging 2”，艺术中心设计学院，帕萨迪纳，美国（2018）等。

Owen Fu (b. 1988, Guilin, China) currently lives and works in Los Angeles. In 2018, he completed his MFA at the ArtCenter College of Design. In 2016, he received one BA in Philosophy from the Stony Brook University and the other BA in Fine Art from the School of the Art Institute of Chicago respectively. 

Selected solo exhibitions: Ordinary Things, O-Town House, Los Angeles, US (2022); After Hours, Balice Hertling, Paris, France (2021); 6 self-portraits and one lamp, Gallery Platform LA, Los Angeles, US (2020); Bubbly Hills, Mine Project, Hong Kong, China (2020); Small Talk, O-Town House, Los Angeles, US (2020); No Story, Art Center Main Gallery, Los Angeles, US (2018); Body Obsession, Art Center PPR, Pasadena, US (2018); Emoji Expression, New York Art Expo, New York, US (2016) among others.

Selected group exhibitions: Diving Deep for Light into Darkness, Beiqiu Museum of Contemporary Art, Nanjing, China (2022); The Going Away Present, Kristina Kite Gallery, Los Angeles, US (2021); Who's Afraid of the Great Indoors, Redling Fine Art, Los Angeles, US (2021); Pathologically Social, organized with Mark Verabioff, O-Town House, Los Angeles, US (2021); Winterfest, curated by Saim Demircan, Aspen Art Museum, Aspen, US (2020); Gennariello (part II), curated by Daniele Balice, Balice Hertling, Paris, France (2020); About FACE: Cover Me, Gallery Platform LA, Los Angeles, US (2020); Platform: Los Angeles, David Zwirner X Gallery Platform LA, ONLINE (2020); Condo Complex: Lomex Gallery hosting O-town House, Lomex Gallery, New York, US (2019); Just Edging 2, Art Center college of Design, Pasadena, US (2018); BFA Graduation Show, Sullivan Galleries, Chicago, US (2016) among others.

王伊芙苓韬程（b.1981，成都）现工作和生活于鹿特丹。2006年，她于南京师范大学中国传统艺术系获得学士学位。2012年，她于法兰克福Städelschule美术学院获得硕士学位。

王伊芙苓韬程的作品应当被视作一个整体的“星群”, 它们涵盖了众多既定艺术门类，包括绘画、书法文字、环境装置、录像短片、服装设计和表演。她的作品作为媒介、载体，为她所设定的多种主题服务，例如中国传统与现当代艺术、以及殖民历史、酷儿、女性文化与女性主义运动等，并通过重叠混合，将这些相互独立的概念交融链接。

2012年至2014年，她作为驻地艺术家参与阿姆斯特丹的De Ateliers驻地计划。收藏其作品的机构包括美国芝加哥艺术博物馆，法国巴黎蓬皮杜中心，荷兰阿姆斯特丹ABN AMRO Collection，荷兰阿姆斯特丹市立博物馆，荷兰乌特勒支中央博物馆等。

她的作品曾展出于香港大馆（2021）；德国杜塞尔多夫Kunstverein Düsseldorf（个展，2021）；荷兰海牙Nest（2020）；德国慕逊加柏Museum Abteiberg（个展，2020）；荷兰阿姆斯特丹 Hermitage博物馆（个展，2020）；广东时代美术馆（2020）；比利时布鲁塞尔WIELS（2020）；法国巴黎蓬皮杜中心（2020）；法国FRAC Champagne-Ardenne（个展，2019）；德国柏林Times Arts Center（2019）；英国伦敦卡洛斯/石川（个展，2019，2017）；上海天线空间（2019）；德国柏林 KW当代艺术学院（个展，2018）；荷兰阿姆斯特丹市立博物馆（2018）；美国纽约Company（个展，2018）；英国伦敦ICA（2017）；德国卡塞尔文献展（2017）；荷兰阿姆斯特丹Galerie Fons Welters（个展，2017）；荷兰哈勒姆弗朗斯·哈尔斯博物馆与哈伦哈勒姆博物馆（个展，2017）等。

Evelyn Taocheng Wang (b.1981, Chengdu) currently lives and works in Rotterdam. In 2006, she graduated as a Bachelor of Chinese Traditional Art from Nanjing Normal University. In 2012, she completed her MFA in HBK Städelschule.

Evelyn Taocheng Wang’s work is constituted by a “constellation” of sources that span over various defined categories of art, including painting, calligraphy, installation, video, fashion design and performance. Her work serves as a medium and agency for multiple themes that she has set up: traditional Chinese art, modern and contemporary art, colonial history, queer theory, femininity and feminism. Through overlay and hybridization, the artist arrives at a vocabulary that integrates and interconnects these seemingly autonomous notions.

From 2012 to 2014, Wang completed an independent artist residence program at the De Ateliers in Amsterdam. Her work is in the collections of ABN AMRO Collection, Amsterdam, The Netherlands; Art Institute of Chicago, Chicago, US; Centre Pompidou, Paris, France; Stedelijk Museum Amsterdam, Amsterdam, The Netherlands; Centraal Museum, Utrecht, The Netherlands, among others.

Her work has been featured in Tai Kwun Contemporary, Hong Kong, China (2021); Kunstverein Düsseldorf, Germany (Solo, 2021); Museum Abteiberg, Mönchengladbach, Germany (Solo, 2020); Hermitage Museum with ABN Armo Art Prize, Amsterdam, The Netherlands (Solo, 2020); Guangdong Times Museum, Guangdong, China (2020); WIELS, Brussels, Belgium (2020); Centre Pompidou, Paris, France (2020); FRAC Champagne-Ardenne, Reims, France (Solo, 2019); Times Arts Center, Berlin, Germany (2019); Carlos/Ishikawa, London, UK (Solo, 2019; 2017); Antenna Space, Shanghai, China (2019); KW Institute for Contemporary Art, Berlin, Germany (Solo, 2018); Stedelijk Museum, Amsterdam, The Netherlands (2018); Company, New York, US (Solo, 2018); ICA, London, UK (2017); Documenta, Kassel, Germany (2017); Galerie Fons Welters, Amsterdam, The Netherlands (Solo, 2017); Frans Hals Museum | De Hallen Haarlem, Haarlem, The Netherlands (Solo, 2017) among others.

斯坦尼斯拉娃·科瓦奇科娃（b.1988，捷克斯洛伐克）现生活和工作于杜塞尔多夫。她挽歌式的人物画是对绘画本身的研究，借鉴了古今看待人物的视角，直接参考自艺术史上的各类风格。同样地，科瓦奇科娃的作品运用了东方正教神秘主义的传统。作为对人物形象的探索，她创作中所描绘的个人心理体验总是指涉着更大的维度——一种集体叙事中的原型。科瓦奇科娃在杜塞尔多夫艺术学院的托马·阿布茨（Tomma Abts）和彼得·多伊格（Peter Doig）门下学习，获得了绘画学位。近期个展包括：Peres Projects，柏林，德国（2022）；15orient，纽约，美国（2021）；Open Forum，柏林，德国（2020）；Mamoth，伦敦，英国（2020）等。她还参加了在Kunsthalle Wien，维也纳，奥地利（2021）；Capitain Petzel，柏林，德国（2020）；华沙现代艺术博物馆，华沙，波兰（2019）等机构和画廊的群展。

Stanislava Kovalcikova (b. 1988 in Czechoslovakia) lives and works in Dusseldorf. Her elegiac canvases which depict human figures, are studies of painting itself. Drawing on contemporary and historical perspectives of the human figure, her work directly references art historical styles. Equally, Kovalcikova’s work operates through a tradition of Eastern orthodox mysticism. An exploration of the figure as an icon, the individual psychic experience portrayed in her work is always referential to something larger – an archetype from a collective narrative. Kovalcikova has completed degrees in painting under Tomma Abts and Peter Doig at the Kunstakademie Düsseldorf. Recent solo exhibitions include: Peres Projects, Berlin, Germany (2022); 15orient, New York, US (2021); Open Forum, Berlin, Germany (2020); Mamoth, London, UK (2020) among others. She has also participated in group exhibitions at Kunsthalle Wien, Vienna, Austria (2021); Capitain Petzel, Berlin, Germany (2020); Museum of Modern Art, Warsaw, Poland (2019) among others.

艾丽森·卡茨（b. 1980，蒙特利尔）现生活和工作于伦敦。2002年，她于康考迪亚大学获得艺术学士学位。2008年，她于哥伦比亚大学获得艺术硕士学位。

艾丽森·卡茨的作品反思了当代艺术创作中盘根错节、有时自相矛盾的本质。她将交流的模糊性容纳其中，用戏谑幽默而又刨根问底的手法拓宽了传统意义上的艺术家“标志”。卡茨的作品在若隐若现、半遮半掩的诗意空间中运作，指引着观众去注意绘画表面和绘画主体所构成的多层次意识中。

近期个展：“Artery”， Camden艺术中心，伦敦，英国（2022）；“Allison Katz: Artery”，诺丁汉当代艺术中心，诺丁汉，英国（2021）；“Monograph & Graphics”，Gio Marconi，米兰，意大利（2020）；“Traforati 2019”，Torre Bonomo，斯波莱托，意大利（2019）；“Diary w/o Dates”，奥克维尔画廊，奥克维尔，加拿大（2018）；麻省理工大学List视觉艺术中心，剑桥，英国（2018）；“fig-futures 1/16”，Grundy 艺术画廊，布莱克浦，英国（2018）；“Muse with a Short Fuse”，天线空间，上海（2018）；“Period”，Gio Marconi，米兰，意大利（2018）；“Poster”，Billedrommet，滕斯贝格，挪威（2017）；“AKA”，Gió Marconi，米兰，意大利（2016）；“We boil at different degrees”，The Approach，伦敦，英国（2016）；“All Is On”， 弗莱堡艺术协会，弗莱堡，德国（2015）。

部分群展：“第59届威尼斯双年展：梦想之乳”，贾尔迪尼中央展馆和军械库，威尼斯，意大利（2022）；“Mixing It Up: Painting Today”，海沃德画廊，伦敦，英国（2021）；“众妙之家”，天线空间，上海（2021）；“The Imaginary Sea”，Fondation Carmignac，波克罗勒岛，法国（2021）；“Plus One”，Luhring Augustine，纽约，美国（2021）；“Palama”，MANIFESTA 13，马赛，法国（2020）；“This Corrosion”，现代艺术，伦敦，英国（2020）；“Slow Painting”，由海沃德画廊组织，利兹画廊和莱温斯基画廊等共同呈现，英国（2019-2020）；“MASKULINITATEN”，波恩艺术协会，伯恩，德国（2019）；“以梦为路”，宝龙美术馆，上海 （2019）；“City Prince/sess”，东京宫，巴黎，法国（2019）;“Paint，also known as Blood: Women, Affect and Desire in Contemporary Painting”，现代艺术美术馆，华沙，波兰（2019）；“The Rest”，里森画廊，纽约，美国（2018）；“Splendor Solis”，The Approach，伦敦，英国（2018）；“All Day Breakfast”，雷丁国际，雷丁，英国（2017）；“That Continuous Thing: Artists and the Ceramics Studio, 1920–Today”，泰特街，伊福思街，英国（2017）等。

Allison Katz (b. 1980, Montreal) currently lives and works in London. She received her BFA from the Concordia University in 2002 and her MFA from the Columbia University in 2008.

Allison Katz’s work engages with the complex and at times contradictory nature of contemporary artistic production, embracing the ambiguity of communication with a playful and inquiring touch that expands the conventional notion of an artist’s “signature style.” Katz’s work operates in a poetic space between mirror and mask, between revealing and concealing what is presented, calling attention to the multiple layers of consciousness that reside in a painting’s surface and subject. 

Selected solo exhibitions: Allison Katz – Artery, Camden Art Center, London, UK (2022); Nottingham Contemporary, Nottingham, UK (2021); Monograph & Graphics, Gio Marconi, Milan, Italy (2020); Traforati 2019, Torre Bonomo, Spoleto, Italy (2019); Diary w/o Dates, Oakville Galleries, Oakville, Canada; MIT List Visual Arts Center, Cambridge, UK (2018); fig-futures 1/16, Grundy Art Gallery, Blackpool, UK (2018); Muse with a Short Fuse, Antenna Space, Shanghai, China (2018); Period, Gio Marconi, Milan, Italy (2018); Poster, Billedrommet, Tønsberg, Norway (2017); AKA, Gió Marconi, Milan, Italy (2016); We boil at different degrees, The Approach, London, UK (2016) among others.

Selected group exhibitions: The 59th Venice Biennale: The Milk of Dreams, Giardini della Biennale and the Arsenale, Venice, Italy (2022); Mixing It Up: Painting Today, Hayward Gallery, London, UK (2021); House of Perception, Antenna Space, Shanghai, China (2021); The Imaginary Sea, Fondation Carmignac, Porquerolles, France (2021); Plus One, Luhring Augustine, New York, US (2021); Palama, MANIFESTA 13, Marseille, France (2020); This Corrosion, Modern Art London, London, UK (2020); Slow Painting, organized by Hayward Touring, presented at Leeds Art Gallery and The Levinsky Gallery and among others, UK (2019-2020); MASKULINITATEN, Bonner Kunstverein, Bonn; Kölnischer Kunstverein, Cologne; Kunstverein fürdie Rheinlande und Westfalen, Düsseldorf, Germany (2019); One if By Land, Powerlong Museum, Shanghai, China (2019); City Prince/sess, Palais de Tokyo, Paris, France (2019); Paint, also known as Blood: Women, Affect and Desire in Contemporary Painting, Museum of Modern Art in Warsaw, Warsaw, Poland (2019); The Rest, Lisson Gallery, New York, US (2018); Splendor Solis, The Approach, London, UK (2018); All Day Breakfast, Reading International at Munchees, Reading, UK (2017); That Continuous Thing: Artists and the Ceramics Studio, 1920–Today, Tate St. Ives, St. Ives, UK (2017) among others.