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博览会 | Vanguard 画廊参加2022巴塞尔LISTE艺术博览会 | 展位 17

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博览会 | Vanguard 画廊参加2022巴塞尔LISTE艺术博览会 | 展位 17 崇真艺客


博览会 | Vanguard 画廊参加2022巴塞尔LISTE艺术博览会 | 展位 17 崇真艺客

2022 巴塞尔 LISTE 艺术博览会

Liste Art Fair Basel 2022

朴庆根:当老虎还在抽烟的时代

Kelvin Kyung Kun Park:

When Tigers Used to Smoke

展位:

Booth:

17


VIP预览 VIP Preview: 

06/13 11:00-18:00


开幕 Opening: 

06/13 18:00-20:00    


公众开放 Public Days:

06/14-18 12:00-20:00

06/19 11:00-16:00

Vanguard 画廊将于 2022 年巴塞尔 LISTE 艺术博览会 17 号展位呈现朴庆根个人项目"当老虎还在抽烟的时代”。该系列由在当地动物园拍摄的野生动物经数字化处理的影像组成,透露出疏离及异化感,旨在探讨自然与文明之间的界限。


Vanguard Gallery is pleased to present “When Tigers Used to Smoke”, a solo project by Kelvin Kyung Kun Park, at Liste Art Fair Basel 2022, booth No. 17. “When Tigers used to Smoke” consists of digitally processed video images of wild animals shot in the local zoo conveying loneliness and alienation, which aims to examine the threshold between nature and civilization. 

博览会 | Vanguard 画廊参加2022巴塞尔LISTE艺术博览会 | 展位 17 崇真艺客

当老虎还在抽烟的时代

When Tigers Used to Smoke




彩色高清影像 HD video, color

6'50'' | 2021

博览会 | Vanguard 画廊参加2022巴塞尔LISTE艺术博览会 | 展位 17 崇真艺客

运动中的狮子            

The Lion in Motion


彩色高清影像 HD video, color

7'00'' | 2021

文明旨在保护人类免受自然侵害。然而,文明有时却会以剥夺人类与生俱来的动物本能的形式来压迫人。城市语境下的商业图像中,动物借助拟人化技术变得愈发像人类,而人也在欲望及野心驱使下演化成猛兽。在本系列中,朴庆根将当地动物园拍摄的野兽镜头与波形监视器所校准的颜色及光线等信息相叠加,形成了形象与信息所共存的视觉语言,模拟并升级了包括人类在内的哺乳动物间的交流系统;作品“虎狼”则聚焦首尔中心商务区新冠疫情下空无一人的街道,人如困兽般在城市中飘摇行进。“当老虎还在抽烟的时代”使观者得以看到分解的、流动的,甚至错位的行动生命体,并由对他者的认知返身代入为对人类自身的再度想像,从而重新审视人类在城市文明及自然界中的定位。

博览会 | Vanguard 画廊参加2022巴塞尔LISTE艺术博览会 | 展位 17 崇真艺客

虎狼

Tiger Wolf

4K 影像 4K video

7’18’’ | 2022


Civilization was intended to protect people from nature. However civilization sometimes oppresses human being by robbing their own innate animal instincts. Commercial images of animals work within the frame of anthropomorphism to humanize animals, while in the urban context humans also evolve into beasts driven by desire and ambition. In this series the footage of the beats shot in the local zoo is superimposed by graphics of color and light data from a waveform monitor to create a simultaneous vision of impression and information, which simulates and upgrades the communication system among mammals including humans; while in "Tiger Wolf" a figure wanders around the empty streets of the central business district of Seoul during the pandemic, just as a trapped animal. “When Tigers Used to Smoke” allows the viewer to see the dismantled, fluid, and even dislocated living beings in action, thereby to re-imagine humanity in that context, and to re-examine human beings' position in civilization and nature.

线上展厅

SHOWTIME

Vanguard 画廊将于 6 月 8 日起于巴塞尔 LISTE 艺术博览会线上展厅呈现《铁梦》、《军队》及《我是我的镜子》等一系列朴庆根代表作品。


Vanguard Gallery is pleased to present a series of representative works by Kelvin Kyung Kun Park, including "A Dream of Iron", "Army" and "Double Mirror", for Liste Art Fair Basel 2022 "Showtime", from June 8th onwards.


VIP 预览 VIP Preview:

06 / 08-12

公众开放 Public Days:

06 / 13-26

博览会 | Vanguard 画廊参加2022巴塞尔LISTE艺术博览会 | 展位 17 崇真艺客

铁梦

A Dream of Iron

影像装置 Video Installation

100min | 2015


请点击界面底部左下角“阅读原文”进入线上展厅,谢谢。

Access to "Showtime" via "Read More" at the bottom left corner.

博览会 | Vanguard 画廊参加2022巴塞尔LISTE艺术博览会 | 展位 17 崇真艺客

朴庆根

Kelvin Kyung Kun Park

朴庆根的作品主要为影片、录像、摄影及装置。他的作品经常从韩国身份的文化焦虑、神话和叙事中汲取灵感。2010年,他在包括柏林电影节,釜山国际电影节,华沙电影节,洛杉矶电影节,Hot Docs 等多个国际电影节放映了其备受赞誉的第一部长篇电影《清溪川混合曲》。他的视频装置作品已在首尔的Ilmin 艺术博物馆和大邱美术馆,Arko 画廊,Opsis 画廊及2012 年台北双年展上展出。朴庆根随后在柏林国际电影节上首映了其作品《铁梦》。这部于浦项钢铁公司和现代造船厂取景拍摄的影片获得了柏林电影节的亚洲电影评审团奖,随后在纽约现代艺术博物馆和沙迦双年展上展出。2017 年,朴庆根入围韩国艺术家奖,这也是韩国当代艺术领域里最具荣誉的艺术大奖。他的纪录长片《军队》入围2018 年釜山国际电影节,并获得最佳纪录片奖,该影片也在随后入围了2019 年德国莱比锡纪录片与动画电影节。


朴庆根1978年出生于韩国首尔,现工作并居住在韩国首尔。他的近期个展包括:“当老虎还在抽烟的时代”,OCAT上海馆,上海,中国(2022年);“三分熟”,Sahnggup画廊,首尔,韩国(2020年),“我是我的镜子”,上海玻璃博物馆,上海,中国(2019 年);“钢铁之梦”, Sindoh Ricoh 画廊,首尔,韩国(2016 年);“一个下雪的晚上,在树林里停下来”,现代画廊,首尔,韩国(2016 年);“直观的风景”,阿拉里奥画廊,首尔,韩国(2016 年);“ARTSPECTRUM 2016”,三星美术馆,首尔,韩国(2016 年)。部分群展有:“釜山国际双年展”,韩国(2018 年);我们光明的未来—控制论幻想”,白南准艺术中心,首尔,韩国(2017 年);“绝妙的记忆”,首尔北区艺术博物馆,首尔,韩国(2016 年);“韩国解放70周年”,国立现当代艺术博物馆,首尔,韩国(2016 年);“共振三角”,阿拉里奥美术馆,济州,韩国(2016 年);“客体论II :制造”国立现当代艺术博物馆,首尔,韩国(2016 年)等。


Kelvin Kyung Kun Park is an award-winning filmmaker and visual artist from Seoul who works primarily in film and video, photography and installations. His work frequently takes inspiration from the cultural anxieties, myths and narratives that inform South Korea’s identity. He has screened his highly acclaimed first full-length film, Cheonggyecheon Medley (2010), at various international venues, including the Berlin Film Festival, Busan International Film Festival, Warsaw Planet Doc Film Festival, Los Angeles Film Festival, Hot Docs, among others. Park’s video installation works have been shown at the Ilmin Museum of Art in Seoul and Daegu Art Museum, Arko Art Gallery, Opsis Art Gallery, and the 2012 Taipei Biennale. Park followed his debut up with A Dream of Iron, which premiered at the Berlin International Film Festival. The film featuring a series of visual tableaux filmed at the Pohang Steel Company and Hyundai Shipyard, won the NETPAC Award at Berlinale and subsequently played at the Museum of Modern Art in New York and the Sharjah Bienniale. In 2017, he was nominated for “Korea Art Prize”, and won 2018 BIFF Mecenat Award (Documentaries). In 2019, he was nominated for “DOK Leipzig 2019”.


Kelvin Kyung Kun Park was born in 1978 in Seoul, Korea where he currently lives and works. His recent solo exhibitions include: “When Tigers Used to Smoke”, OCAT Shanghai, China (2022); “Medium Rare”, Sahnggup Gallery, Seoul, Korea (2020); “Double Mirror”, Shanghai Museum of Glass, Shanghai, China (2019); “A Dream of Iron”, Sin Ricoh Gallery, Seoul, Korea (2016); “Stopping by Woods on a Snowy Evening”, Gallery Hyundai, Seoul, Korea (2016); ARTSPECTRUM 2016, Leeum Samsung Museum of Art, Seoul, Korea (2016); “Intuitive Landscape”, Arario Gallery, Seoul, Korea (2016). He also attended the following group exhibitions: “Our Bright Future—Cybernetic Fantasy”, Nam June Paik Art Center, Seoul, Korea (2017); Busan Biennale 2018, Korea (2018); “Brilliant Memories”, Buk Seoul Museum of Art, Seoul, Korea (2016); “Korea: 70th Anniversary of Liberation”, National Museum of Modern and Contemporary Art, Seoul, Korea (2016); “Resonating Triangle”, ARARIO Museum, JEJU, Korea (2016); “Obejectology II: Make, National Museum of Modern and Contemporary Art”, Seoul, Korea (2016).

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博览会 | Vanguard 画廊参加2022巴塞尔LISTE艺术博览会 | 展位 17 崇真艺客
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