documenta/b系列对话｜十五届卡塞尔文献展在北京
参与方式：请输入zoom会议室编号及密码参与每日活动
Day 1 : 6月18日（周六）
密码: 615365
第九届卡塞尔文献展外围展“群星会”参展艺术家
对话概要：
王友身对官方/民间、职业/业余、艺术/现实等等二元性的分野有着自己独特的理解和介入方式，这让他可以动用两个不同系统的资源，开创和塑造一些认识自己和认识周遭的可能性。他呈现给我们一个艺术家实践的强度、持续性和丰富的层面。这一实践不仅仅体现在简单的作品或者产品层面之上，而是不断重新观看自己的潜力和局限，挖掘艺术与自我和世界对话的可能形态。
菠萝核，《在广州“菠萝核”空间的一天》，彩色木刻版画，2021年；由艺术家惠允
艺术家简介：
BOLOHO由BUBU刘嘉雯与CAT黄婉珊于2019年在广州发起，朱建林、李致恿、冯伟敬陆续加入成为正式成员。BOLOHO最初是BUBU与CAT两位家庭职业女性的创业计划，也是在家之外的一处透气的地方，以整理生活与工作的头绪。经过三年多的时间，创业计划逐渐形成了一个以自律、平等、互助为原则的“公司”平台，在给像她们一样无法只靠艺术谋生的伙伴们提供工作的同时，让大家在一起更好地理解如何共处和共同劳作，也能有机会去思考、辨析和解决大家共同面对的现实议题。
“阅览室” 是一个独立出版项目，由现居广州、香港和深圳的写作者及研究者李筱天、刘菂和谢思堰发起。成立于2019年，“阅览室”旨在用多种语言向更多的朋友介绍出版物和想法。从一个活跃的艺术集体和文化共同体网络出发，他们主要的出版兴趣是替代性经济实践、社会实践、家庭和儿童生活、漫画和各种性别友好的阅读材料。
曹明浩与陈建军
第十五届卡塞文文献展参展艺术家
对话概要：
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Zoom: 966 6237 8916
密码: 886954
对话概要：
“卡塞尔文献展”通常被认为是全球化、多元化、非商业化艺术实践的聚集地。另一方面，六十余年间只有极少数中国艺术家受邀请参与其中。如今的文献展虽已成为国内艺术工作者的朝圣之地，但在2010年前，由于互联网尚未如此发达，信息传播的力度十分缺乏，以及其巨大的规模与复杂性等原因，少有国人对其进行了深入的观察和诠释。
自2012年起，张营营开始关注卡塞尔文献展，并于2016年至今，在微信公众号“多库门塔”上发布了一百三十余条与文献展相关的新闻、观点、艺术家讯息和作品介绍。对于这一项目的长期投入，她的初衷很简单，希望通过观察20至21世纪最为现象级的展览，来理解何为当代艺术。她不单从中研究艺术家和艺术创作，且尝试分析卡塞尔文献展的艺术机制，及其时代与文化语境。当与研究对象保持一定的距离，更全面的观察方才成为可能。在此演讲中，张营营将以历年文献展作为讨论的背景，介绍今年的展览主题，并展开讨论与其相关的热点话题和评述。
“多库门塔”作品目录的公众号页面截图
主讲人简介：
主持人简介：
王紫薇，现工作生活于北京，是一名编辑、写作者、职业译者和当代艺术活动组织者。毕业于伦敦大学国王学院，获得艺术与文化管理硕士学位，有着与各种规模和种类的当代艺术机构合作的丰富经验。她最近的研究兴趣包括中国独立出版以及东亚身份认同和现代化进程。
▷ 16:00 – 17:00
慕尼黑伦巴赫美术馆策展人
对话概要：
1955年，第一届文献展在德国卡塞尔举行。长久以来，这一为期一百天的综合性展览被认为是对当时艺术状况的可靠报告，并对德国的艺术博物馆收藏产生了持久的影响。无论在过去还是在现今，对于作品的讨论、收藏和展览往往都是由卡塞尔文献展引发的。今天，人们对卡塞尔文献展的历史和它的创始神话多少持批判性的看法。它也在很久以前就被剥夺了“西方世界最重要的当代艺术展览 "的地位。在经历了所有的危机后，卡塞尔文献展确立了自己的机构地位，并通过定义新的需求、任务和战略来不断地重塑自己。
在2022年第十五届卡塞尔文献展之际，慕尼黑伦巴赫美术馆将推出展览 “一百天还剩什么——文献展与伦巴赫美术馆”。作为本次展览的策展人之一Dierk Höhne将对文献展结束后的作品情况进行深入研究，并将展示哪些 "来自一百天"的参展作品仍然在博物馆收藏之列。
慕尼黑伦巴赫美术馆展览 "一百天还剩什么——文献展与伦巴赫美术馆"的网站页面截图
卡塞尔文献展出版物的网站页面截图
“documenta/b”坐标北京，从中国观察卡塞尔文献展。与此同时，在卡塞尔文献展的现场，也将进行一系列针对德国青年人该如何借鉴并参考中国自组织的系列对话。该活动隶属于“第十五届卡塞尔文献展——CAMP教育笔记项目”与“无刻度小组”框架下的“坎普度假”项目，将于卡塞尔文献展会场ruruHaus和Hafenstraße 76号发生。Zoom链接详见网站：www.camp-on-vacation.com。
无刻度小组关注艺术系统中的不平等问题，并希望通过协商和制定具体的策略来产生改变。在这一过程中，该团体在现有的等级制度中寻找自己的道路。作为这些既定等级制度的替代，他们与他们的朋友、合作者和支持者形成了一个自主网络。这个关系网络是一个根茎般聚合生长的社会身体，它具有包容性，并提供自下而上的参与。
“坎普度假” 线上对话 由无刻度小组策划
参与方式详情：www.camp-on-vacation.com
17:00 - 18:00 对话 6: Antonie Angerer & 朱文博
19:00 - 20:00 对话 7: Lars Koepsel & 姚瑞中
21:00 - 22:00 对话 8: 颜峻 & Alexander Knorr
▷ 13:00 - 14:00
About Event:
Many past cultural events have been central in defining the avant-garde and its progression within Chinese modernity to contemporary Chinese art in the late 1980s and 1990s. One crucial steppingstone being the presence of Chinese art in an exhibition in parallel with documenta IX in Kassel in 1992. On display were the artists Li Shan, Lu Shengzhong, Ni Hafeng, Sun Liang, Cai Guo-Qiang, Qiu Deshu, and Wang Youshen in the group exhibition "Encountering the Others - Projektgruppe Stoffwechsel" ("Projektgruppe Stoffwechsel" is the name of the curatorial team who aimed to broaden the perspective of documenta which had a North American-Eurocentric artist list.). A year later, Wang Youshen was part of the 45th Venice Biennale (1993) and it was the first time for Chinese artists to be presented in this biennale. From the decade of 1990 to 2000, Wang Youshen participated in international exhibitions almost annually. During this era, when the Internet was not common, the experience of participating in international exhibitions more or less conceptualised the way he thought about art. Wang Youshen will share insights drawn from his personal archive and memory of international exhibitions in the 1990s and the cultural shift in exhibition-making that positioned China on the map of documenta 30 years ago.
Artist’s Bio:
Wang Youshen (b.1964, Beijing), graduated from the Central Academy of Fine Arts in 1988, currently works and lives in Beijing. He has participated in domestically and internationally influential biennials and institutional exhibitions, as well as exhibitions that held important positions in the history of Chinese contemporary art, such as "China / Avant Garde Exhibition", "New Generation Art Exhibition", La Biennale di Venezia, Bienal de São Paulo, Taipei Biennial, Guangzhou Triennial, Shanghai Biennial, etc. He is one of the important participants and witnesses of Chinese contemporary art. At the same time, Wang Youshen has worked in Beijing Youth Daily for 30 years from 1988 to 2018 and served as art editor, art director and other positions. All along, Wang Youshen has dual identities, working between the art world and the media world. He committed to investigating and loosening the rigescent boundaries between art/life, art practice/daily life.
Wang Youshen has his unique way of understanding and intervening in the duality of official/civilian, professional/amateur, art/reality, etc., which allows him to use the resources of two different systems to generate the possibilities of knowing himself and the surroundings. Wang Youshen presents us with the intensity, continuity and richness of an artist's practice. His practice is not only reflected at the level of artworks, but is constantly re-examining one's potential and limitations, and exploring possible forms of dialogues between art and the self, art and the world.
▷ 14:00 - 15:00
BOLOHO (BUBU, CAT, Li Xiaotian, Liu Di, Xie Siyan), participating artists of documenta fifteen
About Event:
In this talk, BOLOHO will speak about their collective work in the framework of documenta fifteen. Their project is called "BOLOHOPE" which consists of the following two parts: they have created a sitcom and anime series that relate to BOLOHO members’ daily enviornment, their body experience, and their dilemmas and visions; they have used the collective practice of sewing, painting, design and textual materials to transform a restaurant in Hübner areal, one of documenta fifteen's exhibition space, into an installation and public space. The members of “BOLOHOPE” include: BUBU, CAT, Fong Waiking, He Cong, Li Xiaotian, Li Zhiyong, Liu Di, Xie Siyan, Zhu Jianlin.
One Day At BOLOHO Space In Guangzhou, color printing from woodcut by BOLOHO, 2021, courtesy BOLOHO
Artists' Bio:
BOLOHO was initiated by CAT and BUBU in 2019, with Zhu Jianlin, Li Zhiyong and Fong Weijing joining as members later. At beginning, BOLOHO was more like a business venture by BUBU and CAT, two home-based working women, and a place to get some air outside of home, where they could sort out their lives and work. After more than three years of work, the project has gradually developed into a "company" platform based on the principles of self-discipline, equality and mutual-aid, providing work for collaborators, friends like them who cannot make a living from art alone, and allowing them to better understand how to live and work together while taking jobs together, as well as providing the opportunity to think, discern and solve some of the real issues that they all face.
Reading Room is an independent publishing project initiated by writers and researchers Li Xiaotian, Liu Di and Xie Siyan, who are based in Guangzhou, Shenzhen and Hong Kong. Founded in 2019, Reading Room aims to introduce publications and ideas to a wider community of friends in multiple languages. Setting out from an active network of art collectives and cultural communities, their main publishing interests are in alternative economy, social practices, family and children’s life, comics and a variety of gender-friendly reading materials.
Cao Minghao & Chen Jianjun, participating artists of documenta fifteen
About Event:
Cao Minghao & Chen Jianjun's artistic practice reflects on the historical changes and contemporary realities of the water system in the Dujiangyan Irrigation System in Sichuan Province. Since early February this year, they have been working intensively on preparing for this exhibition. They believe what has been constructed under this edition goes far beyond a traditional exhibition context. In their talk, they would share insights on what is new about documenta 15.
Cao Minghao & Chen Jianjun, Water System Project, Wen Chuan, 2019, photo: Cao Minghao and Chen Jianjun
Artists' Bio:
Cao Minghao and Chen Jianjun currently work and live in Chengdu. Their art practices are research-based and process-led, highlighting the transactional collaboration between the artists and their partners in ecological and socio-cultural spheres. Dedicated to the dialogical relationship between the realities and the survival of myriad things, their practices grow from a space of entanglement in-between the material ecology of water and the current socio-environmental realities of mankind.
Their work concerns researching villages that have disappeared and allying workers, advancing new methods of communal practices, foregrounding traditional techniques in specific geographies, and constructing Water System Refuge (2019–2021) – an installation for the public space. Practising multiple means of visual narratologies through sustainable art-making, they build up a momentum for alliance among all beings.
Their projects have been shown in the 13th Shanghai Biennale (2020–21); Cosmopolis #2: Repenser l’humain, Centre Pompidou, Paris (2019); and at the screening session of the 11th Taipei Biennale (2018), among others. In 2020, they took part in the residency program at Cité I'internationale des arts, Paris.
Dierk Höhne, curator at Lenbachhaus Munich
About Event:
In 1955 the first documenta took place in Kassel. For a long time, the 100 day exhibition was regarded as a reliable report on the status of the art of the time and has had a lasting influence on the collections of art museums in Germany. What was discussed, collected and exhibited was and is often initiated by the documenta. Today, the history of the documenta and its founding myth are viewed critically. It was also stripped of its status as "the most important exhibition of contemporary art in the western world" a long time ago. Through all the crises, the documenta has established itself as an institution and has constantly reinvented itself by defining new demands, tasks and strategies.
On the occasion of the 15th edition of the documenta 2022, the Lenbachhaus presents the exhibition "What's left of 100 days... - The documenta and the Lenbachhaus". Dierk Hoehne is one of the curators of this exhibition. He will give insight in the research of the afterlife of documenta and will show which works "from 100 days" remained visible in a museum collection.
Speaker's Bio:
How can one look back on the past documenta editions? How can one compare and observe documenta’s historical significance and its transformation every 5 years? While every documenta had to reinvent itself organizationally and conceptually, one object that stays behind are the publications. The body of publications is the ideal medium to revisit the events and has become an archive in itself. At abC Art Book space we will present a selection of the publications from the first documenta in 1955 to the latest edition in 2022.
"documenta/b" is based in Beijing aiming to observe documenta from China. Meanwhile, in the sites of documenta fifteen in Kassel, there will be a series of talks for youth in Germany to learn from Chinese self-organised art groups. The tandem talks are developed under the program "camp ON VACATION" of the "No Measurement Group" in the context of "CAMP notes on education" in the ruruHaus and the Hafenstraße 76. Zoom link will be updated on www.camp-on-vacation.com.
No measurement group attempts to address inequalities in the art system and to develop concrete strategies to negotiate and transform them. As an alternative to these established hierarchies, they form an autonomous network with their friends, collaborators and supporters. The network of relationships is the starting point for a rhizome-like growing social body that includes people and offers participation in the sense of a bottom-up strategy.
"camp ON VACATION" Talk Series
Present by No Measurement Group
21:00 - 22:00 Tandem 8: Yan Jun & Alexander Knorr
Anna-Viktoria Eschbach is a curator and writer based in Beijing. She has been active in China since 2014, developing art and curatorial research projects which stimulate dialogue and experimentation between creative disciplines and cultures. She is the co-founder of the curatorial office I: project space, the Swiss Chinese publishing house tria publishing platform and has initiated various research projects like Beijing22, Feminist South and the Independent Art Spaces festival in Beijing. She is currently writing her doctoral thesis on the role of the Chinese museum boom in China’s soft power strategies.
Huang Wenlong, lives in Beijing, worked as assistant curator at the Beijing Inside-Out Art Museum. She researched the chronology of Beijing-based choreographer Wen Hui. She worked as assistant curator in the major research exhibition "Waves and Echoes: A Process of Re-contemporarization in Chinese Art Circa 1987 Revisited" and "Waves and Echoes: Postmodernism and the Global 1980s". She co-curated "Principle of Hope", "An Impulse to Turn", "Afterall Exhibition Histories and its Worlds","From Art to Yishu, From Yishu to Art", and curated "Wang Huangsheng: Publishing Enables Thinking Out Loud".
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