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“贮藏(2022)”展览项目系列推送「艺术家」之(二)谢南星

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「艺术家 | Artists」


我们将于“贮藏(2022)”展览期间,按照作品在画廊展厅的陈列顺序进行参展艺术家系列推送。敬请关注!
During the exhibition, we will do a series of wechat posts of participating artists according to the order in which the works are displayed in the exhibition space. Stay tuned !


“贮藏(2022)”展览项目系列推送「艺术家」之(二)谢南星 崇真艺客

谢南星 Xie Nanxing
某人肖像 | Someone's portrait
2017
布面油画

| oil on canvas
80 × 120 cm


“贮藏(2022)”展览项目系列推送「艺术家」之(二)谢南星 崇真艺客


“贮藏(2022)”展览项目系列推送「艺术家」之(二)谢南星 崇真艺客

“贮藏(2022)”展览现场
麦勒画廊北京,2022

Exhibition view of A Place for Concealment (2022)
Galerie Urs Meile Beijing, 2022






绘画援引的底图是一张名片。名片的版式是麦勒画廊沿用的,“小麦”则是画廊主之一的名字。漂浮着的粉红火焰或波浪遮挡住名片的中心,急促涂抹的笔触暗示出一种不稳定的情绪。谢南星的肖像从具象绘画的初衷滑入难以辨识的幽灵般的身影,支持这一过程的,是观察和制作方法的游戏性和创造性。


The basis for this painting is a business card. The business card uses the Galerie Urs Meile template, and René Meile is one of the partners of the gallery. Floating pink flames or waves cover the center of the business card, while the hastily scrawled brushstrokes allude to unstable emotions. Xie Nanxing’s portraiture has devolved from its original concrete, figurative painting into barely discernible, phantasmic shadows, a process supported by a playful, creative approach to observation and production.






谢南星

Xie Nanxing

“贮藏(2022)”展览项目系列推送「艺术家」之(二)谢南星 崇真艺客

艺 术 家



谢南星,1970年生于重庆,现生活和工作在北京。谢南星是极具变革心的实验派画家,他总是在挑战着艺术教育中的那些传统的、看似已确立的成规。他对心理学颇有兴趣,往往以心理学质疑的方式去质询表面背后的东西,从而达成他的艺术实践路径。

近期主要个展包括:谢南星:副词司令部,Petzel Gallery,美国纽约 (2022);骰子滚滚, 麦勒画廊 北京-卢森,中国北京 (2020);Xie Nanxing: A Gift Like Kung Pao Chicken,Thomas Dane Gallery,英国伦敦 (2019);谢南星:香料,尤伦斯当代艺术中心 (UCCA),中国北京 (2018);无题三种, 麦勒画廊 北京-卢森,中国北京 (2015);谢南星绘画展,Kunstverein Hamburger Bahnhof,德国汉堡 (2005)。重要群展包括:贮藏(2022),麦勒画廊 北京-卢森,中国北京 (2022);川美:新绘画的一代,四川美术学院美术馆,中国重庆 (2021);SNAPSHOT,麦勒画廊 北京-卢森,中国北京 (2021) ;Psychic Wounds: On Art & Trauma,THE WAREHOUSE,美国达拉斯 (2020);中国私语 Chinese Whispers - Recent Art from the Sigg Collection,MAK Museum für Angewandte Kunst,奥地利维也纳(2019);PARADOXA,Museo d’Arte Moderna e Contemporanea - Casa Cavazzini,意大利乌迪内(2017);永远的抽象——消逝的整体与一种现代形式的显现,红砖美术馆,中国北京 (2016);非形象——叙事的运动,上海二十一世纪民生美术馆,中国上海 (2015);China 8,埃森弗柯望博物馆,杜伊斯堡勒姆布鲁克博物馆,盖尔森基兴美术馆,马尔市格拉斯卡腾雕塑博物馆,哈根Osthaus美术馆, 雷克林豪森Kunsthalle,NRW Forum Düsseldorf,德国 (2015);新作展#1,OCT当代艺术中心 (OCAT),中国深圳 (2014);第十二届卡塞尔文献展,德国卡塞尔 (2007);上海双年展,上海美术馆,中国上海 (2000);d’APERTutto, 第48届威尼斯双年展,意大利威尼斯 (1999)。


Xie Nanxing was born in 1970 in Chongqing, Sichuan Province. He currently lives and works in Beijing, China. Xie Nanxing is a revolutionary and experimental painter, who always challenges tradition and the seemingly established rules of art education. He is interested in psychology and also approaches his practice with a psychologist’s line of questioning, inquiring into what is behind the surface.

Recent solo exhibitions include:
Xie Nanxing: Adverb High Command, Petzel Gallery, New York, USA (2022); A Roll of the Dice, Galerie Urs Meile, Beijing, China (2020); Xie Nanxing: A Gift Like Kung Pao Chicken, Thomas Dane Gallery, London, UK (2019); Xie Nanxing: Spices, Ullens Center for Contemporary Art, Beijing, China (2018); untitled: 3 ×, Galerie Urs Meile, Beijing, China (2015); and Xie Nanxing Paintings, Kunstverein Hamburger Bahnhof, Hamburg, Germany (2005). Select group exhibitions include: A Place for Concealment (2022), Galerie Urs Meile, Beijing, China (2022); The Generation of New Painting in SCFAI, Art Museum of Sichuan Fine Arts Institute, Chongqing, China (2021); SNAPSHOT, Galerie Urs Meile, Beijing, China (2021) ; Psychic Wounds: On Art & Trauma, The Warehouse Dallas, Dallas, USA (2020); Chinese Whispers 中国私语—Recent Art from the Sigg Collection, MAK Museum für Angewandte Kunst, Vienna, Austria (2019); PARADOXA, Museo d’Arte Moderna e Contemporanea - Casa Cavazzini, Udine, Italy (2017); Permanent Abstraction: Epiphanies of a Modern Form in Escaped Totalities, Red Brick Art Museum, Beijing, China (2016); Nonfigurative, Shanghai 21st Century Minsheng Art Museum, Shanghai, China (2015); China 8, Museum Folkwang Essen, Lehmbruck Museum Duisburg, Kunstmuseum Gelsenkirchen, Skulpturenmuseum Glaskasten Marl, Osthaus Museum Hagen, Kunsthalle Recklinghausen, NRW Forum Düsseldorf, Germany (2015); New Works #1, OCT Contemporary Art Terminal (OCAT), Shenzhen, China (2014); Documenta XII, Kassel, Germany (2007); Shanghai Biennial, Shanghai Art Museum, Shanghai, China (2000); d’APERTutto, 48th Venice Biennale, Italy (1999).




 相关链接 


“贮藏(2022)”展览项目系列推送「艺术家」之(一)何迟
“贮藏(2022)”系列推送「文章」| 杨紫对谈王光乐:“路过缓慢的货架”
【展讯】麦勒画廊恢复开馆 | 当前展览“贮藏(2022)”已对外开放



“贮藏(2022)”展览项目系列推送「艺术家」之(二)谢南星 崇真艺客


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