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Exhibition | River Pulses, Border Flows

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Exhibition | River Pulses, Border Flows 崇真艺客


River Pulses, Border Flows


 Time  July 2nd - August 28th 2022, 10:00-18:00 Tuesday to Sunday. Closed on Monday, except for national holidays.


 Venue  Guangdong Times Museum

Times Rose Garden III, Huangbian North Road, Baiyun Avenue. Exit C, Huangbian Station, Guangzhou Metro Line 2.


 Admission  Pay as you wish.


 Participating Artists 

Chen Xiaoyi, Cheng Xinhao, Cui Jian, Sharbendu De,  Jittrapon Kaicome, Lim Sokchanlina, QXLHM, MUME DESIGN, Nontawat Numbenchapol, Thao Nguyen Phan, Sawangwongse Yawnghwe, Zhang Shiming,  Zhang Xiaoming, Zi Bai 


 Screening Program 

Chen Lijuan, Chen Xueli, Nicolas Graux, Guo Yuehan, Lee Yong Chao, Ma Zhandong, Nguyen Trinh Thi,  Nontawat Numbenchapol, Apichapong Weerasethakul, Xiaoshuijing Choir, Zaw Lar, Anysay Keola + Sai Naw Kham + Pham Ngoc Lan + Kulikar Sotho + Anocha Suwichakornpong 


 Curators  Chen Hongyu, Zhang Hanlu


 Space Design  MUME DESIGN x YIXUN DESIGN


Organized by Guangdong Times Museum

Special thanks to Times China



 Opening Weekend Program  

 2022.7.

14:00

Nguyen Trinh Thi, screening + Q&A

Letters From Panduranga (2015)

15:30

Cui Jian and Huan Qing, sound performance Reflected Sunlight Penetrates Deep in the Woods of Sound

 2022.7.3 

14:00

Yuehan Guo, screening + Q&A

What Life Holds (2021)

16:00

Nontawat Numbenchapol, screening + Q&A

Soil Without Land (2019)


At the edge of the Himalayas where the Indian and Eurasian tectonic plates meet, four southward rivers emerged, each passing through plateaus, mountains, plains, valleys, and deltas. They cross through multiple geographies as both center and periphery before finally merging into the Indian and Pacific Oceans. Monsoon winds from the oceans intertwine with the diverse terrain on land to form a flourishing and dynamic climate. These four rivers are the Irrawaddy/Dulong, Salween/Nu, Mekong/Lancang, and Red/Yuan. Their seasonal floods are the lungs of the surrounding ecosystem, providing nutrients and conditions for creatures to survive and thrive. The alluvial plains formed by the rise and fall of the rivers over the years are fertile ground for the growth of a rice-based civilization, while the high mountains and valleys weave a mountain civilization that varies from but is mutually-dependent upon the plains. 

 

Between the mountains, valleys, plains and rivers, there are both formal and informal nation state borders overlaid with the many social or ideological borders created by ethnicity, gender, economy, religion, and other factors. Between these dividing lines, diverse modes of mobility, identity, historical context, and social structure interact with one another, creating a vibrant process of cultural interdependence that is closely linked to other regions of the world. 

 

Exhibition | River Pulses, Border Flows 崇真艺客

Sharbendu De, Man with No Road

From the “Imagined Homeland” series, 2018, photography

Image courtesy of the artist 

Exhibition | River Pulses, Border Flows 崇真艺客

Jittrapon Kaicome, from the series Long Road to Resilience

2018-2020, photojournalism

Image courtesy of the artist 

Exhibition | River Pulses, Border Flows 崇真艺客

Thao Nguyen Phan, Becoming Alluvium

2019, single-channel color video, 16 mins 40 secs 

Video still courtesy of the artist


Exhibition | River Pulses, Border Flows 崇真艺客

Lim Sokchanlina, Letter to the Sea

2019, video installation

Video still courtesy of the artist and Sa Sa Art Projects, Phnom Penh

Exhibition | River Pulses, Border Flows 崇真艺客

Nontawat Numbenchapol

The longest way around is the shortest way home

2019-2020, 4-channels video installation

Image courtesy of the artist and Gallery VER, Bangkok

Exhibition | River Pulses, Border Flows 崇真艺客

Sawangwongse Yawnghwe, Salween Crossing

2022, oil on linen, 320 x 200 cm 

Image courtesy of the artist

  << slide to read more >>  



This exhibition brings together creators and researchers from different cultural backgrounds, many of whom are hands-on practitioners of flow — flows of humans, commodities, labor, animals, language, and identity. They have long been concerned with the ecological and cultural contexts where these flows take place, and they are each present from both the inside and the outside, leaping between layers of borders to offer their own observations and reflections of the rivers and shores. Just as the river connects everything like a bloodline, the works of these practitioners are also interconnected by the issues they address: colonial pasts and contemporary wars, environment and development, tradition and migration… 

 

While presenting this region as a site of problems and conflicts, River Pulses, Border Flows also resonates with legends, myths, soundscapes, oral narratives, and rewritten texts. From these expressions that cannot be demarcated or governed, history is scattered across multiple spatio-temporalities like a constellation of winding tributaries. It is our hope, through this exhibition, to get a glimpse of such bifurcated, centerless, and perhaps even fictional views of history.  


Exhibition | River Pulses, Border Flows 崇真艺客

Nguyen Trinh Thi, Letters From Panduranga, 2015

35 mins, screening program

Video still courtesy of the artist

Exhibition | River Pulses, Border Flows 崇真艺客

Chen Lijuan, Homes on the Horseback, 2019 

82 mins, screening program

Video still courtesy of the artist

Exhibition | River Pulses, Border Flows 崇真艺客

Yuehan Guo, What Life Holds, 2021 

85 mins, screening program

Video still courtesy of the artist

  << slide to read more >>  




Poster designed by Kiki Cai

Exhibition | River Pulses, Border Flows 崇真艺客
Exhibition | River Pulses, Border Flows 崇真艺客
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