{{sindex}}/{{bigImglist.length}}

新闻｜葛宇路将参加画廊周北京主单元论坛

{{newsData.publisher_name}} {{newsData.update_time}} 浏览：{{newsData.view_count}}

来源 | {{newsData.source}} 作者 | {{newsData.author}}

艺术，作为劳动生产和礼物馈赠

——艺术合作的可能

新势力单元论坛

本场论坛旨在从艺术当中抽取劳动部分，将劳动作为经济交换中的等价物来进行衡量，将无法进行经济价值等价交换的部分视为人类学研究中的作为“礼物”的交换。呼应米开朗基罗-皮斯托莱托（Michelangelo Pistoletto）在1994年所做的艺术论调，探讨当下艺术家是如何通过共享、互助、礼物交换、合作主义以及其一系列的工具和实践，重振对团结、共有与合作主义等的想象。

画廊周北京2022新势力单元论坛与华宇青年奖合作，冯发轫主持，邀请常羽辰、童文敏、李继忠、葛宇路四位青年艺术家从个人创作实践经验出发，青年学者曾毓坤作为回应人，探讨艺术合作在后资本主义与后疫情时代的可能性，对艺术作为劳动生产和礼物馈赠这一方式做出回应。

时间：6月23日 2-3pm

地点：UCCA尤伦斯当代艺术中心报告厅

语言：中文

演讲嘉宾：常羽辰、葛宇路、李继忠、童文敏

回应人：曾毓坤

主持人：冯发轫

主持人

冯发轫

艺术工作者。

Exhibition practicer, art writer.

演讲嘉宾

常羽辰

常羽辰目前生活在纽约。她的工作方式是游离的——如纺织般写作，如翻译般绘画，如梦呓般经商（见：使用价值），也以待客之道去教书。她进出于不同的材料和领域，她在劳动分工的边缘散步。常羽辰是纽约Poetry Project策展基金，华宇青年奖评委会大奖和芝加哥Lumiarts艺术基金的获得者。

Chang Yuchen works in an interdisciplinary manner -- writing as weaving, drawing as translation, teaching as hospitality and commerce as everyday revolution (see Use Value). By constantly entering and exiting each medium, she strolls against the category of things, the labor division among people. Yuchen was a recipient of Poetry Project Curatorial Fellowship, Huayu Youth Award and Lumiarts Fellowship.

葛宇路

葛宇路1990年出生于湖北武汉，2013 年毕业于湖北美术学院影像媒体专业，2018 年于中央美术学院获得实验艺术硕士学位，现工作、生活于环京地带。葛宇路的兴趣多集中于城市公共空间中的趣味表达，试图通过作品调侃生活中隐藏的矛盾。他用自身对公共空间进入介入和协商，企图从中制造新的动态关系。2020年，他在北京公社的同名个展“葛宇路”荣获画廊周北京“最佳展览奖 - 创新奖”。

Ge Yulu (b. 1990, Wuhan) graduated from the Media Art Department of Hubei Institute of Fine Arts in 2013, and received a M.F.A. from the Experimental Art Department at Central Academy of Fine Arts in 2018. He now lives and works on the outskirts of Beijing. Ge Yulu’s interests lie in the witty expressions in public urban space. Through his art, Ge Yulu strives to mock up the hidden paradox in life. By intervening and negotiating with the public space using his body, Ge Yulu aims to create new dynamic relationships. His eponymous solo exhibition “Ge Yulu” won Gallery Weekend Beijing 2020’s “Best Exhibition Award-Innovation Prize”.

李继忠

李继忠的的研究式创作主要关于历史编纂、意识形态与情感的时间超越性。李氏从早年探索档案系统之于历史书写，其后发展以档案学为方法，延伸至研究式创作实践——当中包括出版、空间生产、群众参与及创建档案库。李氏编著《档案（库）的可能与不可能：亚洲理论与经验》（2022）；最期展览包括 “Sharjah Biennial 15: Thinking Historically in the Present” (2023)。2022年，李氏获得由哈佛大学皮博迪考古与民族学博物馆颁发的“The Robert Gardner Fellowship in Photography”。

LEE Kai-chung performs artistic research on historiography, ideology and time-transcendence of emotion. From his early explorations of archival systems for historiography, Lee has developed an archival methodology that extends to research-based creative practices - including publishing, spatial production, public engagement and the archives-making. Lee is the co-editor of The (Im)Possibility of Archives: Theory and Experience in/from Asia (2022); his upcoming exhibition includes “Sharjah Biennial 15: Thinking Historically in the Present” (2023). In 2022, he is awarded The Robert Gardner Fellowship in Photography from Peabody Museum of Archaeology and Ethnology of Harvard University.

童文敏

童文敏，1989年生于中国重庆。2012年毕业于四川美术学院油画系。童文敏的创作常常聚焦于外部环境与个体感知的交叉地带，通过看似背反逻辑的行为，激发微妙且具启发性的行动及其视觉诗意。通过时常简化的或具规律性的动作，在语义丰富的情境中提示身体与行动的寓言性品格。

TONG Wenmin (b. 1989, Chongqing, China) received her BFA at Sichuan Fine Arts Institute in 2012. TONG Wenmin's work often focuses on the intersection between individual perception and the external environment, stimulating visual poetry and inspiring action through behaviors that at first seem counter-intuitive. Through often simplified or regulated movements, her work hints at the allegorical character of the body and action within a semantically rich ”context.

回应人

曾毓坤

芝加哥大学人类学博士候选人，关心语言、价值理论、和知识生产与行动联结。

Zeng Yukun is a PhD candidate in anthropology at the University of Chicago, concerned with language, value theory, and knowledge production/knowledge-praxis liaisons.

请扫描下方二维码预约参与线下论坛⬇️