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“贮藏（2022）”展览项目系列推送「艺术家」之（八）闫冰

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「艺术家 | Artists」

我们将于“贮藏（2022）”展览期间，按照作品在画廊展厅的陈列顺序进行参展艺术家系列推送。敬请关注!

During the exhibition, we will do a series of wechat posts of participating artists according to the order in which the works are displayed in the exhibition space. Stay tuned !

“贮藏（2022）”展览项目系列推送「艺术家」之（八）闫冰崇真艺客

闫冰 Yan Bing

蘑菇 32 | Mushroom No. 32

2021

布面油画 | oil on canvas

200 × 320 cm

“贮藏（2022）”展览项目系列推送「艺术家」之（八）闫冰崇真艺客

“贮藏（2022）”展览现场
麦勒画廊北京，2022

Exhibition view of A Place for Concealment (2022)
Galerie Urs Meile Beijing, 2022

蘑菇是常见的、微不足道的食材。闫冰将蘑菇的意象放置于巨大的、阴沉的背景前，将其转换为沉默的不明物体。绘画过程中，画家不曾描摹任何眼前的实物或图像，只是将意识、记忆和感受誊写在画面上，因此，他绘制的对象充盈着生命的活力。

Mushrooms are common, unremarkable foods. Yan Bing places images of mushrooms against a giant, dark backdrop, thereby transforming them into silent, unidentified objects. In the painting process, the painter does not draw from any real object or image, but instead inscribes his awareness, memories, and impressions into the picture. The resulting images are full of vitality.

闫冰

Yan Bing

“贮藏（2022）”展览项目系列推送「艺术家」之（八）闫冰崇真艺客

艺术家

闫冰，1980年生于甘肃天水，2007年毕业于中央美术学院油画系第三工作室，现工作、生活于北京。在闫冰不同媒介的创作中，他通常直接使用平凡甚至是原始的日常物品为素材，并以绘画的方式刺探这些平凡之物的精神维度。在他所描绘的这些日常之物的表象下，隐藏的是艺术家对于生命认知的温度。闫冰的作品中透露出来的情感是复杂的，在简单朴素里渗透着感悟与思辨，疼痛和欣喜。在这些散发着“古意”的作品里，隐藏着闫冰对其个体经验与当下生存世界关系的深刻思考。

近年个展包括：闫冰：梨花白了，广东美术馆，广州（2022）；闫冰：突然，一切清晰了起来，香格纳，上海（2021）；闫冰：起初天气很好，香格纳北京，北京（2019）；闫冰同名个展，上海民生现代美术馆，上海（2016）；长物志No.5，蜂巢当代艺术中心，北京（2013）；农事诗，白盒子艺术馆，北京（2012）；我的劳动，杨画廊，北京（2011）；51平米：14#闫冰，泰康空间，北京（2010）；由刘小东策划：闫冰/温度，尤伦斯当代艺术中心，北京（2009）。他同时还参加了中央美术学院美术馆、民生现代美术馆、美国俄亥俄州立大学城市艺术中心、美国纽约RH当代艺术中心、西安美术馆、泰康空间、关山月美术馆、金鹰当代艺术中心等机构举办的群展。

Yan Bing was born in 1980 in Tianshui, Gansu Province, China and graduated from Central Academy of Fine Arts in 2007, 3rd Studio of the Oil Painting Department. He lives and works in Beijing. Yan Bing directly uses ordinary or even primitive everyday objects as materials in his creation of different mediums, and probes their spiritual dimension through painting. Hidden behind the prosaic items of daily life he despicts is his own perception of life. The emotions revealed in Yan Bing's works are complex, while the simplicity is permeated with his sentiment and speculation, pain and joy. These works exuding an ancient quality reflect the artist’s profound thinking about the relationship between his personal experience and the current living world.

Recent solo exhibitions include: Yan Bing: Pear Blossom Turns White, Guangdong Museum of Art, Guangzhou (2022); Yan Bing: Suddenly, Everything Became Clear, ShanghART, Shanghai (2021); Yan Bing: At First the Weather Was Fine, ShanghART Beijing, Beijing (2019); YAN Bing, Shanghai Minsheng Art Museum, Shanghai (2016); Superfluous Things, No. 5, Hive Center for Contemporary Art, Beijing (2013); Farming Poems, White Box Museum of Art, Beijing (2012); My Labour, Gallery Yang, Beijing (2011); 51㎡ 14#, Taikang Space, Beijing (2010); Temperature - curated by Liu Xiaodong, UCCA, Beijing (2009). He also participated in numerous group exhibitions held by institutions including CAFA Museum, Beijing; Minsheng Art Museum, Beijing; Urban Arts Space, Ohio State University, U.S.A.; RH Contemporary Art, New York, U.S.A.; Xi'an Art Museum, Xi'an; Taikang Space, Beijing; Guanshanyue Art Museum, Shenzhen; and G • ART, Nanjing.

相关链接

“贮藏（2022）”展览项目系列推送「艺术家」之（七）王兴伟

“贮藏（2022）”展览项目系列推送「艺术家」之（六）曾浩
“贮藏（2022）”展览项目系列推送「艺术家」之（五）魏晓光
“贮藏（2022）”展览项目系列推送「艺术家」之（四）赵要

“贮藏（2022）”展览项目系列推送「艺术家」之（三）蔡坚

“贮藏（2022）”展览项目系列推送「艺术家」之（二）谢南星

“贮藏（2022）”展览项目系列推送「艺术家」之（一）何迟
 “贮藏（2022）”展览项目系列推送「文章」| 杨紫：贮藏，以及枝形挂灯的案例

“贮藏（2022）”系列推送「文章」| 杨紫对谈王光乐：“路过缓慢的货架”
【展讯】麦勒画廊恢复开馆 | 当前展览“贮藏（2022）”已对外开放

“贮藏（2022）”展览项目系列推送「艺术家」之（八）闫冰崇真艺客