正在展出｜北京公社正在展出梁远苇个展 - 北京公社

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梁远苇 Liang Yuanwei

艺术家：梁远苇 Liang Yuanwei

展期：2022年6月24日-2022年8月6日

正在展出｜北京公社正在展出梁远苇个展崇真艺客

在本次于北京公社展出的艺术家同名个展中，梁远苇将呈现她自2018年后深入推进的全新创作脉络。材料与造型成为超然于色彩与结构之上的通道，令囿于绘画过程的感知完整地浮现出来，映照出艺术家在对文明历史和当代语境的体悟中，对自我与其连接关系的不断调整与深入。

2018系列习作之一 _ 2018 _ 亚麻布上油画 _ 40 x 50 cm

正在展出｜北京公社正在展出梁远苇个展崇真艺客

2017系列习作之一 _ 2017 _ 亚麻布上油画 _ 40 x 48 cm

在梁远苇初涉创作之时，中国当代艺术的图景是学院派的现实主义、符号化的宏大主题与个人叙事等多元文化的共生。在各种思潮的较量中，梁远苇作为在全球化语境下开展创作的新一代，将“个体性”和“日常性”放在理论框架中，在具体的、细节的层面展开了表达。她的工作重心不在于绘画的叙事性，而是在“行动即结果”的框架下，深入并辩证地探寻观念与形式间的有机关系。她在实践中回应着对时间性、物质性和个体经验的思考，将绘画的本质根植于思考的逻辑性、连续性和整体性之中。

正在展出｜北京公社正在展出梁远苇个展崇真艺客

2018系列习作之二 _ 2020 _ 亚麻布上油画 _ 40 x 50 cm

将个人放置在历史变迁中进行不断的自我革新，是梁远苇一直以来的工作方法。作为她绘画中常用的主题，“花”往往不是自然界中具象的花，而是在工业生产的布料上被压平的花的图案，是在社会生产中被赋予了多重含义的人造物。在对这一现成品的引用和编辑中，艺术家不断引入个人经验，推演与扩展着主题的表现形式和其语义本身。在其新近开辟的线索中，梁远苇开凿出一套更为果敢而强烈的语言——是身体性的，也是社会性的；是私隐的，也是袒露的。当“花”的单体被放大到纪念碑的尺度，当绘画的材料被减少到极限，当笃定的笔法造型短暂替代了细微的笔触，艺术家揭开层层修饰与幻象，逼迫着自己和观者去直面艺术中更为纯粹与残酷的本质。

正在展出｜北京公社正在展出梁远苇个展崇真艺客

2021系列习作之一 _ 2021 _ 纸上炭精 _ 29.7 x 21 cm

2021系列习作之二 _ 2021 _ 纸上木炭 _ 29.7 x 21 cm

造法 1 _ 2021 _ 纸上木炭 _ 190 x 150 cm

正在展出｜北京公社正在展出梁远苇个展崇真艺客

造法 1（细节）

从自发地认识并使用理论工具来建立自己的工作系统，到自觉地将个体感知从被日益模式化的系统中解放出来，在外部世界的加速变化与混沌中，梁远苇始终在试图抵达更为真实的自我认知，借以映照出复杂的人类世界。对她而言，就像欧洲与中国的文脉从不是刻意碰撞，而是在工作中自然交汇的，人类文明在非线性的时间长河中的每次幽微震颤，都值得被持续观察与质询。

正在展出｜北京公社正在展出梁远苇个展崇真艺客

造法 10 _ 2022 _ 纸上木炭 _ 190 x 150 cm

正在展出｜北京公社正在展出梁远苇个展崇真艺客

造法 9 _ 2022 _ 纸上木炭 _ 190 x 150 cm

In Liang Yuanwei's eponymous exhibition presented at Beijing Commune, she presents her latest artistic trajectory that she has been exploring since 2018. Throughout this journey, materiality and form have gone beyond color and structure, so that, the perceptions hidden within the painting itself could fully emerge. This exhibition reflects not simply how the artist investigates the civilized history and experiences contemporary discourses, but how she constantly positions herself in the relation to the former.

正在展出｜北京公社正在展出梁远苇个展崇真艺客

2017.23 _ 2021 _ 亚麻布上油画 _ 190 x 160 cm

2017.23（细节）

Liang Yuanwei inaugurated her career at a time when a multitudes of cultures that included academic realism, symbolism, and a tendency toward grand narratives that map out the Chinese counterparty art scene was at its peak. Against the backdrop of globalization, Liang Yuanwei became one of this new generation who not only situated everydayness and individualism in the framework but also thrived for more detailed and specific aspects around such topics. It is not the represented narrative but how progress itself becomes the outcome that underlies Liang Yuanwei’s painting trajectory. This has further led her to a more thorough and critical exploration of the dynamics and interrelations between concept and form. Liang Yuanwei repetitively responds to temporality, materiality, and individual experience through her works that are based upon logic, continuity, and integrity.

正在展出｜北京公社正在展出梁远苇个展崇真艺客

造法 3 _ 2021 _ 纸上木炭 _ 190 x 150 cm

造法 3（细节）

To continually adapt to social and historical movements by immersing oneself within them has always been Liang Yuanwei’s priority. As an everyday object often seen in her paintings, the flower is not so much seen as a natural object but rather as the pattern widely printed on fabrics as the products of industrialization and consumerism, and as artificial objects given with multiple layers of social contexts. Throughout the progress of re-appropriating such found objects, Liang Yuanwei constantly practices with and further expands both its original forms and their connotations. In her recently developed path, Liang Yuanwei has applied a much more intuitive and impressive visual language that is both carnal and social, shedding light upon private experiences as well as shared ones. The more the scale of the flower is enlarged, the fewer mediums are utilized, and the fewer modifications Liang Yuanwei applies. As the artist uses brutal and structural brushstrokes to gradually replace the subtle lines, she also unravels the fantasies by encouraging both herself and the spectators to confront the cruelty that lies at the core of art.

正在展出｜北京公社正在展出梁远苇个展崇真艺客

造法 13（细节） _ 2022 _ 纸上木炭 _ 150 x 449 cm

From spontaneously perceiving and instrumentalizing theory to form an independent working system, to consciously emancipating the perceptions from such an increasingly formalized system, Liang Yuanwei aims to reach her true self which is reflected in this complex human world wherein fast-paced conditions take place. For her, as the cultural vessels from Europe and China are not meant to be coinciding but intertwining with one another in the nonlinear river of time, such eventful sparkles arising from the temporal flows in the history of human civilization are worth contemplating and delving deeper into.

正在展出｜北京公社正在展出梁远苇个展崇真艺客

造法 11 _ 2022 _ 纸上木炭 _ 190 x 150 cm

造法 11（细节）

梁远苇毕业于中央美术学院，先后获得学士和硕士学位，现工作和生活于北京。梁远苇是新一代艺术家中重要的绘画实践者之一，作品曾在北京尤伦斯当代艺术中心、北京中央美术学院美术馆、北京民生美术馆、上海民生美术馆、美国坦帕艺术博物馆、美国圣彼得斯堡美术馆、美国橘郡美术馆、荷兰鹿特丹波伊曼斯·范伯宁恩美术馆、美国伯克利美术馆、西班牙米罗博物馆等美术馆展出。2011年其作品入选“威尼斯双年展”中国馆。她的个人展览曾在西安OCAT、意大利Palazzo Pisani - Conservatorio di Musica、佩斯伦敦、北京公社、泰康空间、博而励等机构及画廊举行。个展“金色笔记”曾被权威艺术杂志《ARTFORUM》编入当代绘画研究专题并评为2010年最佳展览之一；个展“弓象之间”被《ARTFORUM》评为2014最值得关注的五个伦敦展览之一。此外，她的作品亦被收录于费顿出版社的《比耶稣年轻》、《Vitamin P2》、《中国艺术》等多个专业出版物中。

Liang Yuanwei graduated from the China Central Academy of Fine Art, where she received her BA and MA degrees. She currently lives and works in Beijing. As one of the most important emerging artists of the generation, Liang has exhibited her art in various spaces including the Ullens Center for Contemporary Art (Beijing), Museum of China Central Academy of Fine Arts (Beijing), Shanghai Minsheng Art Museum (Shanghai), Berkeley Art Museum (Berkeley), and Foundation Joan Miró (Barcelona). She was also one of the participating artists in the China Pavilion at the 54th Venice Biennale (2011). Her solo exhibitions include One Object (Hunan Museum, Changsha, 2019), Behind the Curtain (Palazzo Pisani-Conservatorio de Musica, Venice, 2017), Oval (Xi’an OCAT, 2015), The Tension between a Bow and An Elephant (Pace London, 2014), Pomegranate (Beijing Commune, 2013), Golden Notes (Beijing Commune, 2010), 51m: 15# Liang Yuanwei (Taikang Space, 2010), and BLDG115 RM 1904: Liang Yuanwei’s Solo Show (Boers-Li Gallery, 2008). Golden Note was selected by ARTFORUM magazine as one of the most valuable painting shows in 2010, and The Tension between a Bow and An Elephant was listed in ARTFORUM’s ‘Must See: 5 London Shows Opening This Week’. Her works have been included in publications such as Younger than Jesus (Phaidon, 2009) and Vitamin P2 (Phaidon, 2011).