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Click Ten 新展预告｜金秋野策划「十点睡觉Kids+：家舞台」

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Click Ten 新展预告｜金秋野策划「十点睡觉Kids+：家舞台」崇真艺客

2022年7月30日至9月25日，十点睡觉艺术空间将呈现艺术家金秋野策划的儿童项目“十点睡觉Kids+:家舞台”。

“十点睡觉Kids+:家舞台”特别展览关注“家”——这个特殊的情感归属空间。从蹒跚学步、牙牙学语的那一刻起，家便是每个孩子的舞台，更是孩子的整个世界，在家中，孩子们开始展现出人类的表演本能，释放自我。基于对孩子们玩乐天性的尊重，艺术家金秋野设计的三维立体模块，为孩子们提供了自由组装搭建的“家舞台”，可以让孩子们更自由地展示和表达自我。

中空且有流动感的模块空间，是金秋野从以往的家宅设计中提取的元素，“共轭空间”成为了理解这些元素的关键。受到约瑟夫·阿尔伯斯绘画的影响，画面中两组空间像平面又像轴测，展示出相遇的空间边界纠缠不清，你中有我，我中有你，形成互相套叠的连体空间。

家舞台搭建效果图

这种“彼此交叠但又不互相破坏的情形” 在柯林 · 罗的建筑著作《透明性》中有更深的讨论：将图像假设成新的视觉性质“透明性”，在空间维度上就能解决，两个或多个图形叠合在一起，每一个图形都试图把公共部分据为己有的空间矛盾。除了能互相渗透，拓展空间的秩序，透明性也意味着同时对一系列不同的空间位置进行感知。这样的空间状态，也是理想的家，传达出来的家庭成员关系，儿童与父母辈是个体的相逢，互相渗透各自的经验与视角，却又不完全地侵占破坏彼此的物理性或精神性的私密空间。

在即兴戏剧中，也可见到这样相似的“透明性”原理。表演者们思维的相互碰撞，是互相的成就，而不具备否定性和破坏性。即兴者接纳上一位即兴者给予的情境、人物设定，并且给出新的内容和观点。Yes, And (是的，而且）的规则，消除了即兴者面对不确定性时，否定退缩的本能习惯，从而在表演团队间相互支持。“人人都是天才，一切都是礼物”这个重要的信念，也是“Yes”的延伸，既然每个人都是天才，那在舞台上就没有错误的答案，没有错误的台词、没有错误的方向，没有错误的角色。因此在没有剧本，没有彩排的戏剧中，每一种推进剧情发展的表达都是正确合理的，每一个即兴表演者抛出的设定都是出乎意料的惊喜礼物。

家舞台搭建效果图

空间设计与内容创意本就密不可分，但让空间结构的内在含义与戏剧艺术的内在主旨相结合，成为了这次戏剧内容设计的挑战。本次的戏剧内容跳出了以往对“亲子戏剧”、“儿童戏剧教育”等戏剧类活动的刻板印象，反而从个人出发，策划团队回到了“纯”与“真”的出发点。戏剧的形式本身就像一场游戏，而参与一场戏剧就像经历了一场“梦境”。在内容创意上并没有强调“意义”和“主旨”，而是强调“正在发生”的“感受”，所以将诸多童年的想象元素带入空间中，让它们在“人”的催化下，自然的发生“反应”与“变化”。戏剧导演马岩特别策划的多场即兴戏剧，以儿童对家的情景感受为出发点。涉及情绪、睡眠，家中禁地、动植物家园等一系列主题。在这些情景之下，孩子们会超然地跳脱自我，又将自己的经历化身为养分表演出来，身体与自己搭建的空间充分地融合对话。

整个展览场域可以看作艺术家金秋野所策划的二维三维的多重转换。三维空间是对二维画作所探究的“共轭空间”的实践，并又以更抽象存粹的模块方式，结合即兴戏剧的引导，给予孩子们一个像家一样的舞台，在1:1的尺度上，让他们能够自由搭建自己想象中的王国和家园，在其中自由穿行，欢乐的身体游戏、出乎意料的剧情，将激发儿童的创造力，他们将把自己的情绪、认知、愿望抒发出来，在舞台上即兴表演，把真实的、快乐的自己展示给世界！

From July 30th to September 25th, 2022, the Click Ten Art Space will present the children's project "Click Ten Kids+: Home as Stageplay" by artist Jin Qiuye.

The special exhibition "Click ten Kids+: Home as Stageplay" focuses on home – a special emotional belonging space. When kids toddle and babble, home become their first stage and entire world. Children begin to show their human performance instincts and release themselves at home. To respect children's playful nature, artist Jin Qiuye designed a three-dimensional module to provide children with a "home stage". The "home stage”, that can be freely assembled and built, allows children to display and express themselves freely.

These hollow and flowing modular spaces are the elements that Jin Qiuye extracted from his previous home design. The key to understanding these elements is "Biconjugate space". Influenced by Joseph Albers’s paintings, two groups of spaces in this picture looks like both planes and axonometries. The boundaries of the spaces where they meet are entangled, forming a conjoined space overlapped each other.

家舞台搭建效果图

This "situation of overlapping but not destroying each other" is further discussed in Colin Rowe's architectural book "Transparency": If two or more figures are stacked on top of each other, each figure tries to appropriate the common part. Assuming the image as a new visual property "transparency", then this problem can be solved in the spatial dimension. Not only interpenetrating and expanding the order of space, transparency also means perceiving a series of different spatial positions at same time. This spatial state is an ideal home, the family relationship it conveys: children and their parents are reunited individuals. Their experiences and perspectives interpenetrate without completely invading or destroying each other's physical or mental privacy spaces.

The principle of "transparency" exists in improvised drama. The thinking collision of the performers is a mutual achievement, rather than negation and destruction. The improvisers accept the previous situation and character setting and give new contents and perspectives. The “Yes, and” rule eliminating the improviser's instinctive habit, which denying withdrawal when faced with uncertainty, make different improv teams support each other. The important belief that "everyone is genius, and everything is gift" is also an extension of "Yes". Since everyone is a genius, there is no Incorrect answer, no Incorrect dialogue, no Incorrect direction, no Incorrect roles. Therefore, in a play without a script or rehearsal, every expression that advances the plot is reasonable, and every setting from improvisers is an unexpected gift.

家舞台搭建效果图

Space design and content creation are inseparable. Combining the meaning of structure with the theme of theatrical art is a challenge of this drama. The content of this drama jumped out of the stereotypes of such as "parent-child drama" and "drama education". Instead, it started from the individual, focus on “pure” and “truth”. The form of drama is like a game. Participating in a drama is like experiencing a "dream". In terms of content creation, it does not emphasize "meaning" and "theme", but "feeling" and "happening". Bring elements of childhood imagination into the space, and let them "react" and "change" naturally under the catalysis of "people". Drama director Ma Yan specially planned a number of impromptu plays, starting from children's feelings about home. It involves a series of topics such as emotions, sleep, forbidden places at home, and natural homes. Under these circumstances, children will jump out of themselves and integrate their own experiences into the performance, let their bodies fully integrate with the space they built.

The entire exhibition area can be regarded as the multiple transformations of two-dimensional and three-dimensional curated by artist Jin Qiuye. The three-dimensional space is a practice of the "Biconjugate space" in two-dimensional paintings. This practice uses abstract modular spaces and the guidance of impromptu drama to provide children a home-like stage. The stage is on a 1:1 scale, allowing children to build their own imaginary kingdoms and homes and stroll through them. Joyful physical play and unexpected plots will inspire children's creativity. They will express their emotions, cognitions and wishes on the stage. Impromptu performances on stage to show the real and happy side of children to the world!

Click Ten 新展预告｜金秋野策划「十点睡觉Kids+：家舞台」崇真艺客

金秋野，北京建筑大学教授，建筑师，学者和建筑评论家。“金秋野建筑工作室”创始人。研究领域包括居室与生活空间设计；园林与传统设计语言的现代转译；当代建筑师及作品；复杂城市系统及其活力等。著有《花园里的花园》、《异物感》等学术著作，主持《当代中国建筑思想评论丛书》、《中国建筑与城市评论读本》等系列出版物，也是《光辉城市》、《透明性》等理论专著的译者。与王欣联合主编《乌有园》系列丛书。

Jin Qiuye, professor, Beijing University of Civil Engineering and Architecture (BUCEA); architect, scholar and critic. Host of Jin Architects studio. Research fields include “design of the domestic space”, “translation of the Chinese traditional design language into modern architecture” and “contemporary architectural thoughts and criticism in China”. He is the author of more than 10 academic books and in charge of the editorial work of serial publications such as Arcadia: Painting and Garden and Readers on Chinese Architecture and Criticism. He is also the Chinese translator of more than 30 architectural theory books.