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【艺术粮仓推介】王昀

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【艺术粮仓推介】王昀 崇真艺客



【艺术粮仓推介】王昀 崇真艺客




王昀


中国艺术家,盲目画派创始人,作品涵盖建筑、雕塑、壁画、油画、空间装置等,第13届威尼斯国际建筑双年展及国内外多项建筑和艺术展参展。出版有《无视觉绘画》、《划痕》、《观念中的几何形》、《聚落平面图中的绘画》、《王昀》等学术著作及个人绘画和建筑设计作品集。在王昀看来,与人有关的艺术活动,其实都是作为艺术家的“我”所留给世界上的一个个“划痕”。 其最新“盲目划痕系列” 所表现出的“感性”和“意识空间系列”所表现出的 “理性”是王昀近期这两种不同系列“划痕”的视觉特征。


WANGYUN

a Chinese artist, Founder of Blind Painting Theory, whose works cover architecture,

sculpture, murals, oil paintings, space installations, etc., participated in the 13th Venice 

International Architecture Biennale and many domestic and foreign architecture and art 

exhibitions. Published " Blind Painting Theory ", "Scratches", " Geometry in Concept ", 

" Painting in the Settlement's Plan ", "Wang Yun" and other academic works, as well as a 

collection of personal paintings and architectural design works. In Wang Yun's view, art 

activities related to people are actually "scratches" left by the "I" as an artist to the world. The 

"sensibility" shown in his latest "Blind Scratch Series" and the "rationality" shown in the "Space in

consciousness Series" are the visual characteristics of Wang Yun's recent two 

different series of "Scratches".







王昀的《方“像”》 与“观念中的几何形”


欧几里德几何学是人观念中的几何学,聚落中的“方”和“圆”是人在建造过程中从观念中投射出来作为最终空间结果所使用的一种几何形。而客观世界有非常多的物质形态,包括蜜蜂的蜂巢、植物的自由的形态等,同时人的学习能力与模仿能力,以及人分析问题和解决问题的能力,使得大量并非属于人类观念的几何形,通过使用观念中的几何形,对其理解、总结和使用成为可能。正因如此,大量在后期所使用的几何形,实际上是试图对自然界中的现象进行描述而使用的,而当试图去描述客观的对象物时,所采用的基本公理又是以观念几何形为基础的。而这也是对于复杂几何形的学习先从欧几里德几何学入手,并将其作为一种基础的原因。


观念中的几何学是道具,是先于经验而存在的公理,是人类的初始设定。而后来建立在公理之上的几何学,是利用人的先验性的道具对对象物进行解释的手段和方法,更是人类初始设定的表达人类精神性的唯一语言。

据此,我们人类找到了自己观念中的几何形,进而也就理解了什么是观念的投射,什么是对象物的模仿。应该说,投射和模仿在空间维度上属于两个不同的层面。

经验性几何学形态,或带来视觉的愉悦,或引发理性思考,而观念性几何学形态带来的是一种直接的精神性感受。

来自不同民族的任何人,其实都是潜在的数学家。他们的头脑中都有数字存在,以及运用数字去计算的本能。这种本能是超越时空而存在的,并且被无意识地使用着。这种客观性就是我们平时所说的理性。
“方”和“圆”这两种几何形是从世界聚落中呈现出的共性,其存在本身从另一个侧面表明了人类共同拥有它的程度。如果单纯地从物体层面进行考察,可能会获得一些感性的经验,但人的共同性,表明人和人彼此之间的观念和经验可以在一个很高的层面上来完成,而且是持续和不可断的一种状态。

这种超越地域和种族的纯粹几何形态,表达了人类的观念,属于人类观念中几何学的一个重要的组成

(上述文字节选于《观念中的几何形》王昀著)







Wang Yun'sSquare" image " and "geometric form in concept"

Euclidean geometry is the geometry in people's concept, and the "square" and "circle" in settlements are the geometry used by people as the final spatial result projected from the concept in construction process. The objective world has a lot of physical forms, such as honeybees' hives and plant morphology. Meanwhile, people's ability to learn and imitate, analyse and solve problems, make it possible to understand, conclude, and apply the non-human conceptual geometry by means of concept of geometry.   As a result, a large number of the geometry used afterwards, is actually designated to describe natural phenomena, and when trying to describe the physical objects, the basic axioms adopted is based on the concept of geometry. This is also the reason why the study of complex geometry starts from Euclidean geometry and takes it as a foundation.

The conceptual geometry is the prop, the axiom of existence prior to experience, the original setting of human beings. Geometry, based on axioms, is a means and method to interpret objects with the transcendental props of human beings, and it is also the only language to present human spirit as a default setting.

In this way, we find the geometry in our own ideas, and thus understand what is the projection of ideas and what is the imitation of objects. It should be said that projection and imitation belong to two different levels in spatial dimension.

Experiential geometry brings either visual pleasure or rational thinking, while conceptual geometry brings a direct spiritual feeling.

The two geometric "square" and "circle" are the commonness in the global settlements. Their existence indicates the degree of common possession by human beings from another aspect. Some perceptual experience may be gained by simply observing from the object level, but the commonality of people indicates that the concepts and experience between people and people can be completed at a rather high level, and it is a continuous and unbreakable state.



This pure geometry, which transcends region and race, expresses the human idea, and is an important part of the conceptual geometry.

(the above text is excerpted from "geometry in concept", written by Wang Yun)








【艺术粮仓推介】王昀 崇真艺客


001.<方“像”>系列,布面+木板油画,20cmX20cm






【艺术粮仓推介】王昀 崇真艺客


003.<方“像”>系列,布面+木板油画,20cmX20cm






【艺术粮仓推介】王昀 崇真艺客


016.<方“像”>系列,布面油画,60cmX60cm,2021






【艺术粮仓推介】王昀 崇真艺客


020.<方“像”>系列,布面+木板油画,20cmX20cm






【艺术粮仓推介】王昀 崇真艺客


022.<方“像”>系列,布面油画,60cmX60cm,2021






【艺术粮仓推介】王昀 崇真艺客


039.<方“像”>系列,布面油画,60cmX60cm,2021







【艺术粮仓推介】王昀 崇真艺客


041.<方“像”>系列,布面油画,60cmX60cm,2021







【艺术粮仓推介】王昀 崇真艺客


053.<方“像”>系列,布面油画,60cmX60cm,2021






【艺术粮仓推介】王昀 崇真艺客


057.<方“像”>系列,布面油画,60cmX60cm,2021







艺术粮仓 Art Granary 

艺术粮仓一直致力于将中国文化艺术—水墨艺术融入当代语境,以严谨的学术态度,联合策展人、评论家共同策划呈现中国当代水墨系列展览及大量学术研讨活动。作为国内前沿的艺术机构,艺术粮仓通过与艺术家的深度合作,系统的呈现了中国当代水墨的当代性、国际性、未来性,力求让世界更好地认识到中国当代艺术的东方气质和艺术价值。同时在多年的艺术运营推广和资源方面积累了丰富的经验,参与策划并执行了诸多公共艺术项目,打磨了一个较为成熟的艺术项目团队。欢迎国际艺术家和艺术机构到中国来展览,与艺术粮仓展开深度密切的合作,期待您的复函!
 
Art Granary has been committed to integrating Chinese culture and art-ink art into the contemporary context. With a rigorous academic attitude, Art Granary jointly plans and presents a series of exhibitions and numerous academic seminars on Chinese contemporary ink and wash with curators and critics. As a cutting-edge art institution in China, Art Granary systematically presents the contemporary, international and future nature of Chinese contemporary ink and wash through in-depth cooperation with artists, striving to let the world better recognize the oriental temperament and artistic value of Chinese contemporary art. At the same time, we have accumulated rich experience in art operation promotion and resources for many years, participated in planning and executing many public art projects, and polished a more mature art project team. We welcome international artists and art institutions to come to China to exhibit and start a deep and close cooperation with Art Granary, and look forward to your reply


【艺术粮仓推介】王昀 崇真艺客


北京市朝阳区草场地100号艺术粮仓

艺术粮仓郵箱:coop@artgranary.cn

聯繫電話:18810289856




【艺术粮仓推介】王昀 崇真艺客





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