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【OCAT上海馆 | 线上公教】奥利弗·拉瑞克与马丁·格尔曼对谈第二场（本周三）

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【OCAT上海馆 | 线上公教】奥利弗·拉瑞克与马丁·格尔曼对谈第二场（本周三）视频资讯 OCAT上海馆崇真艺客

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奥利弗·拉瑞克：外骨骼

奥利弗·拉瑞克与马丁·格尔曼对谈

时间：7月27日（周三）20:00-21:00

主题：艺术家奥利弗·拉瑞克的影像作品

嘉宾：奥利弗·拉瑞克（艺术家），马丁·格尔曼（策展人）

语言：英文（中文同传）

ZOOM会议（中英）：

会议号：938 8266 3934

密码：212121

微信直播（中文）：

*识别二维码关注主播

展览“外骨骼”🔗是奥地利艺术家奥利弗·拉瑞克（Oliver Laric）在中国的首次机构个展，并将首次呈现艺术家在2014年至2021年里创作完成的动画影像三部曲。与影像作品一同展出的是一本艺术家图册和五件雕塑作品，由艺术家对博物馆馆藏雕塑进行3D扫描及摄影测量而创作，强调了拉瑞克一直以来的创作理念，即所谓的“新”通常有关于既存事物的延续过程：就像文化在得到传承的同时，也在持续经历复制、适应和重塑一系列过程，尽管进程也许缓慢，但试图留存的事物不可避免地屈于改变，万事万物处于流动之中。

展览期间，艺术家拉瑞克与策展人马丁将展开两场对谈，围绕此次展览中所展出的作品，回顾拉瑞克的创作历程，探讨作品间的联系和相应的语境。已于四月初进行的第一场对谈着眼于拉瑞克的3D扫描作品；本周三的第二场对谈将聚焦他的影像作品，还将回溯自2000年代初期拉瑞克作为VVORK成员时至今所创作的艺术作品。

关于嘉宾

奥利弗·拉瑞克（Oliver Laric），1981出生于奥地利因斯布鲁克，拉瑞克是当今非常活跃的新媒体艺术家。他的创作往往模糊了“原创品”和“复制品”，“数字”和“现实”的边界。自2008年起，他开始对美术馆内收藏品进行3D扫描，使它们能被更多观众所接触到，且不受版权限制。他将这些扫描下来的复制品上传到他的个人网站threedscans.com，从文艺复兴具象雕塑，到吴哥窟的浅浮雕，数量多达一百个，且都能被访问者不受限制地下载，或在其基础上创作出他们新的版本的作品。他的艺术实践处理了关于图像是如何在若干可能的版本或重复中被占用、解读、转译和再循环的问题。

他的作品在全世界诸多艺术机构和画廊中广泛展出，包括纽约新美术馆、米兰普拉达基金会、维也纳SECESSION美术馆、特拉维夫当代艺术中心、卡塞尔弗里德里希美术馆、巴黎的东京宫当代艺术中心等；且部分被永久收藏于以下公共和私人收藏系列：克利夫兰艺术博物馆、明尼阿波利斯沃克艺术中心、柏林豪布洛克收藏中心。

马丁·格尔曼（Martin Germann），1974年出生于德国赫德克，是一位作家和策展人，目前工作、生活于德国科隆。2021年10月，他被东京森美术馆任命为兼职策展人。同时，他担任了2022年爱知三年展的策展顾问一职。2012-2019年，他作为资深策展人任职于比利时根特市当代艺术博物馆，并在此其间策划了众多的群展和收藏展，并推动了美术馆重大收藏。

在他职业生涯早期，他曾担任汉诺威Kestner Gesellschaft的策展人（2008-2012）。在此之前，他曾参与第三届柏林当代艺术双年展工作（2003-2004），并为第四届柏林当代艺术双年展策划“高古轩画廊，柏林”项目（2005-2006）。他出版了诸本展览目录和专著，其文章散见于032C、Frieze及Mousse等杂志。同时，他也是布鲁塞尔“Etablissement d'en Face”和I-AC Villeurbanne收藏委员会的董事会成员。他策划的展览“Lili Dujourie：时间的褶皱”曾于2015年荣获AICA比利时最佳展览奖。

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Oliver Laric: Exoskeleton

A Conversation between Oliver Laric and Martin Germann

Date: 27 July (Wednesday) 20:00-21:00

Topic: Artist Oliver Laric's Video Works

Guests: Oliver Laric (Artist), Martin Germann (Curator)

Language: English (with Chinese simultaneous interpretation)

ZOOM Meeting (Chinese & English):

Zoom ID: 938 8266 3934

Password: 212121

WeChat Live (Chinese):

* Scan to follow us

For Oliver Laric's exhibition entitled, "Exoskeleton"🔗 at OCAT Shanghai, his first institutional solo show in China, a trilogy of recent animation films completed between 2014 and 2021 will be presented together for the first time. These video works are presented along with an artist’ book as well as a set of five sculptural works, based on 3D-scans and photogrammetry of existing statues from museum collections, to underscore Laric's premise that new is a continuation of what already exists: In the same way as culture is inherited, it is reinvented copied and adapted – a fluid process, in which even what it seeks to preserve is subject to constant change, slow, as that process may be.

The two conversations will discuss Oliver Laric’s artistic trajectory by the example of the works presented in the exhibition and embrace both their connections and contexts. The first conversation held in early April would focus on Laric’s 3D-based work, and the second session on Wednesday is devoted to his films and inaugurate the artist’s book, which will be published with the show. Additionally, both sessions will shine light on further examples of Laric’s work, as it developed from the early 2000s when the artist was a member of the collective VVORK.

ABOUT THE GUESTS

Oliver Laric (b. 1981, Innsbruck, Austria) is one of the most original new media artists working today. Laric’s practice blurs distinctions between original and reproduction, digital and actual. Since 2008 Laric has been 3D scanning objects, primarily from museum collections, and making them publicly available, free of copyright restrictions. He posts the scans on his website threedscans.com, where there are nearly one hundred examples—from Renaissance figurative sculpture to bas-relief from an Angkor Wat temple— that can be downloaded and used to endlessly produce new versions.

Underscoring the impact of digital technology on notions of originality, Laric’s artistic expression occurs in the acts of repetition, versioning, and free distribution, in mediums such as film, sculpture, and other forms. He has exhibited at the New Museum, New York; the Prada Foundation, Milan; the Secession, Vienna; the Center for Contemporary Art, Tel Aviv; the Fridericianum, Kassel; and Palais de Tokyo, Paris. among others. His work has been acquired for the collections of the Cleveland Museum of Art; the Walker Art Center, Minneapolis; and the Haubrok Collection, Berlin.

Martin Germann (b. 1974, Herdecke, Germany) is an author and curator who lives and works in Cologne/Germany. In October 2021 he was appointed Adjunct Curator at Mori Art Museum, Tokyo. He is also a Curatorial Advisor for Aichi Triennale 2022. From 2012 to 2019 he was leading the artistic department of S.M.A.K., the Municipal Museum of Contemporary Art in Ghent, Belgium, where he worked on numerous solo and group and collection exhibitions as well as major acquisitions.

In earlier stages, he was Curator at Kestner Gesellschaft Hanover (2008-2012). Before this, he worked for the 3rd Berlin Biennial for Contemporary Art (2003-2004), and directed the program of ‘Gagosian Gallery, Berlin’ for the 4th Berlin Biennial of Contemporary Art’ (2005-2006). He regularly publishes exhibition catalogues and monographies, and his writing has appeared in magazines such as 032c, Frieze, or Mousse. He is board member of “Etablissement d’en Face” in Brussels and I-AC Villeurbanne’s acquisition committee. For “Lili Dujourie: Folds in time” (2015), he received an AICA award for Belgium’s best exhibition.