“贮藏（2022）”展览项目系列推送「艺术家」之（十五）熊佳翔

近来，熊佳翔贯彻着一套工作流程：将从电脑或手机上获得的图像，通过数码热转印技术印到弹力布料上，绷框导致图像拉扯变形，再将上框的布料在城市空间中展示、拍摄、转印。在《红粉朱楼》中，核心的图像是翻阅沃尔夫冈画册的阅读者和photoshop操作界面，它们分别被放置于化妆柜台和装修柜台的围挡上。顾名思义，《红粉朱楼》在呼应现代生活中对图像普遍的修正和美化，并暗示这一过程潜藏的层次化处理逻辑。

Recently, Xiong Jiaxiang has been following a process of printing images found on his computer or phone onto elastic cloth using thermal-transfer printing, and stretching them onto frames, which stretches and distorts the images, and then presenting the resulting images in urban spaces, which are then photographed and transfer printed again. The core images in Red Powder and Chamber are a person reading a Wolfgang Tillmans catalogue, and the user interface of Photoshop, which have been placed on a countertop and atop a construction barrier. As the title suggests, Red Powder and Chamber echoes the widespread revision and beautification of images in modern life, and alludes to the layered logic embedded in this image manipulation.