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艺博会 | 香格纳画廊参展纽约军械库艺术展 | 展位No. 404

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香格纳画廊荣幸宣布于2022年纽约军械库艺术展推出李山个人展览,聚焦他在生物艺术领域的长期研究。1942年在中国黑龙江出生的李山,是中国当代艺术的领军人物之一。他在长达50年的艺术生涯中,多次参与并见证了中国当代艺术史的重要事件,并始终作为重要角色引领中国当代艺术的进程。
本次展览选用了他职业生涯最关键的25年中从未展出过的重要作品。这五件作品作为李山始终坚持思考、不断探索,并通过艺术创作去反思人类和自然的关系的印证。

艺博会 | 香格纳画廊参展纽约军械库艺术展 | 展位No. 404 博文精选 ShanghART 崇真艺客

李山 Li Shan_阅读 8 Reading 8_2008
布上丙烯 Acrylic on canvas_220(H)x600cm

滑动查看作品细节 Slide around for detail

艺博会 | 香格纳画廊参展纽约军械库艺术展 | 展位No. 404 博文精选 ShanghART 崇真艺客

展览效果图 Exhibition rendering


ShanghART Gallery is delighted to announce Li Shan’s solo exhibition at The Armory Show 2022, focusing on his long-term research in the field of Bio Art. Li Shan, born in 1942 in Heilongjiang, China, is one of the leading figures in Chinese contemporary art. Over his fifty-year artistic career, he has been a participant and witness to many important art movements and has played a central role in developing contemporary art in China.

This exhibition selects important and never seen works from 25 critical years of the artist's career. These five works attest to Li Shan’s insistence on contemplation, constant exploration, and reflection on the relationship between human beings and nature through artistic creation. 

艺博会 | 香格纳画廊参展纽约军械库艺术展 | 展位No. 404 博文精选 ShanghART 崇真艺客

李山 Li Shan_阅读系列 Reading Series_1994
布上丙烯 Acrylic on canvas_220(H)x276cm

1993年,受到当时年轻时期的马修·巴尼(Matthew Barney)创作的半人半兽作品《劳顿候选人》(Loughton Candidate)的启发,李山开始起草和实验他的生物艺术作品《阅读系列》(The Reading Series),其中包括一些在分子生物学指导下完成的早期艺术作品。他生物艺术的创作逻辑,是通过基因转录技术,将动物和人类的不同部分组合在一块,作品中充斥了他对生物、人类可能性天马行空的想象。这些长翅膀的异型生物,像细胞一样在画面中有生命地扩散。
涵盖大量李山的手稿和笔记的影像记录会同时在展位展示,让公众更全面地欣赏和了解艺术家在创作和研究生物艺术时的视觉策略和决策过程。

In 1993, inspired by the half-human, half-animal Loughton Candidate, by the young Matthew Barney, Li Shan began to sketch and experiment with his Bio Art, the Reading series, which includes very early artworks completed under the guidance of molecular biology. The logic of his Bio Artworks is to combine different parts of animals and human beings through genetic transcription and technology, filling the picture with his wild imagination of the possibility of creatures and human beings. These often winged, heteromorphic creatures, grow and populate the frames like living cells. 

Documentation of Li Shan’s numerous sketches (presented on a screen) let the public enjoy the artist’s creativity and research and gain insight into the visual strategies and decision-making process for creating Bio Art.

艺博会 | 香格纳画廊参展纽约军械库艺术展 | 展位No. 404 博文精选 ShanghART 崇真艺客

李山于纽约工作室,拍摄于2022年夏
Li Shan at his studio in New York, taken in the summer of 2022 

拍摄 Photographer: 章文君 Wendy Zhang



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2022纽约军械库艺术展
香格纳展位No. 404 
The Armory Show | ShanghART Booth No. 404 

李山个展
Li Shan Solo Exhibition 

藏家预览 | VIP Preview

2022/9/8

公众开放 | Public Days

2022/9/9-9/11


地点 | Location

贾维茨会议中心, 美国
Javits Center, NY, U.S.A


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关于艺术家 

About the artist


艺博会 | 香格纳画廊参展纽约军械库艺术展 | 展位No. 404 博文精选 ShanghART 崇真艺客

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李山,中国当代艺术家,生物艺术的开拓者。1942年出生于黑龙江兰西,1964年就读上海戏剧学院,1968年上海戏剧学院舞台美术设计专业毕业后留本院任教直至2002年退休。上世纪六十年代开始从事当代艺术实验活动。现居住在上海和纽约两地。


李山也是上个世纪八十年代中国美术新潮运动的主要参与者和推动者。1993年,李山将艺术思考转向了与生命科学相关的问题,并于1998年以分子生物学为科学基础,在基因层面上完成了艺术史上第一个生物艺术方案“阅读”,并于2000年发表文章《鱼和蝴蝶的故事》。

主要个展:打开折叠,香格纳画廊,上海(2019);中国当代艺术收藏系列,上海当代艺术博物馆,上海(2017);粉红微笑之后:阅读李山,台北当代艺术馆,台北市(2012);南瓜计划,香格纳画廊,上海(2007);李山个展,上海戏剧学院,上海(1990)。

主要群展:未来与艺术,森美术馆,东京(2019);打开折叠,香格纳画廊,上海(2019);超自然,白兔美术馆,悉尼(2018);世界的舞台,古根海姆博物馆,纽约(2017);中国当代艺术收藏系列,上海当代艺术博物馆,上海(2017);扩延,新加坡当代美术馆,新加坡(2014);粉红微笑之后:阅读李山,台北当代艺术馆,台北市(2012);中国当代艺术三十年,民生现代美术馆,上海(2010);南瓜计划,香格纳画廊,上海(2007);蜕变突破:中国新艺术,亚洲协会美术馆 & P.S.1 当代艺术中心,纽约(1998); 圣保罗双年展(1994);后八九中国新艺术,香港艺术中心(1993);第45届威尼斯国际艺术双年展(1993);李山个展,上海戏剧学院,上海(1990);中国现代艺术展,中国美术馆,北京(1989)。


Li Shan is a Chinese contemporary artist and a pioneer of Bio-Art (shengwu yishu). He was born in Lanxi, Heilongjiang Province in 1942, studied at the Shanghai Theater Academy 1964-68 and later taught there until his retirement in 2002. In the 1960s he started to engage in contemporary art. He lives and works in Shanghai and New York now. 

Li Shan was also one of the main participants in the Chinese '85s New Wave Art Movement. In 1993, Li began investigations on life science through his art. Based on molecular biology, he completed the first-ever genetic Bio-Art project Reading in 1998 and published the article The Story of Fish and Butterfly in 2000. 

Solo exhibitions: Decoding, ShanghART, Shanghai (2019); PSA Collection Series, Power Station of Art, Shanghai (2017); Reading Li Shan, MOCA, Taipei (2012); The Pumpkin Project, ShanghART, Shanghai (2007); Li Shan, Shanghai Theater Academy (1990). 


Group exhibitions: Future of the Arts, Mori Art Museum, Tokyo (2019); Decoding (Solo) ShanghART, Shanghai (2019); Supernatural, White Rabbit Gallery, Sydney (2018); Art and China after 1989: Theater of the World, Solomon R. Guggenheim Museum, New York, U.S.A.(2017); PSA Collection Series (Solo), Power Station of Art, Shanghai(2017); Extension Expansion (Solo), MoCA@Loewen, Singapore(2014); Reading Li Shan (Solo) MOCA, Taipei (2012); Thirty Years of Chinese Contemporary Art, Minsheng Art Museum, Shanghai (2010); The Pumpkin Project (Solo), ShanghART, Shanghai (2007); Inside Out, Asia Society; PS1, New York (1998); Biennial of Sao Paulo (1994); China's New Art, Post 1989, Art Centre, Hong Kong (1993); Venice Biennale (1993); Li Shan (Solo), Shanghai Theater Academy (1990); China/Avant-Garde Art Exhibition, National Art Museum of China, Beijing (1989) .





艺博会 | 香格纳画廊参展纽约军械库艺术展 | 展位No. 404 博文精选 ShanghART 崇真艺客
艺博会 | 香格纳画廊参展纽约军械库艺术展 | 展位No. 404 博文精选 ShanghART 崇真艺客
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