杜梦堂参展2022年DNA深圳艺术与设计博览会 | 展位 C13

 

藏家预览 | COLLECTOR PREVIEW

9.15   14:00 - 20:00

公众开放日 | PUBLIC OPENING

9.16 - 9.18    11:00 - 18:00

Museum of Contemporary Art and Urban Planning 

参展艺术家 | ARTISTS

尚-马理·费欧理 Jean-Marie FIORI

布鲁诺·加丹纳 Bruno GADENNE

翁纪军 WENG Jijun

杜梦堂欣然参展「2022 DNA深圳艺术与设计博览会」，展位号C13，聚焦呈现尚-马理·费欧理(Jean-Marie Fiori)的功能性雕塑，布鲁诺·加丹纳(Bruno Gadenne)的布面油画，以及翁纪军以大漆为媒介的创作。

同时，尚-马理·费欧理在此次艺博会上的着重亮相是为艺术家10月在上海画廊的重要个展做预热，敬请期待艺术家的更多精彩作品！

Jean-Marie FIORI | 尚·马理·费欧理

Deer Console | 鹿边桌

2021

Bronze, Palm Wood, Deroyaume Foundry, signed

铜雕，棕榈木，Deroyaume铸造厂，艺术家署名

90 x 187 x 60 cm

尚-马理·费欧理(1952年出生)的雕塑作品有着鲜明的个人风格——既拥有神像般的庄严，又透着孩童般的纯真：源自古罗马贵族Triclinium宴会厅的《与梦共枕》，以苏美尔浮雕为灵感的《动物寓言柜》，受中国古代青铜方鼎启发的《大型花器》，见证了古代丝绸之路的《“来通”灯》……古文明对神圣的追求成为支撑其作品的内在力量。

费欧理作品所有的美感和意义都源自他创作的初衷——用最直接的、每个人都能理解的方式触动我们的心灵。在过去近三十年里，费欧理在创作上的才华和全身心的投入为他赢得了众多赞誉和认可，并被纳入世界各地重要的私人收藏。

Solemn and childlike, this uncanny combination characterizes Jean-Marie Fiori's distinctive personal style. “Day Dreaming” from the ancient Rome Triclinium dining room, the “Great Sumer” Cabinet inspired by Sumerian reliefs, the “Great Gardener” inspired by the ancient Chinese ritual bronze vessels, and the “Rhyton” Lamp that witnessed the ancient Silk Road… This pursuit of the sacred has become the inner strength of his work. 

All the beauty and the very meaning of Jean-Marie Fiori's work is held in his simple wish to touch our hearts and sensitivities most straightforwardly, comprehensible to everyone. Over the past thirty years, Fiori's talent and dedication have earned him many admirations and recognitions, and his work has been included in important private collections around the world. 

Bruno GADENNE | 布鲁诺·加丹纳

Bruno GADENNE | 布鲁诺·加丹纳

相关阅读 | READ MORE

WENG Jijun | 翁纪军 

Solar System Planetary Series 2022-3 | 太阳系行星系列 2022-3

2022

Dry lacquer, gold leaves 干漆，金箔

103 x 66 x 6 cm

WENG Jijun | 翁纪军 

Solar System Planetary Series 2022-1 | 太阳系行星系列 2022-1

2022

Dry lacquer, silver leaves 干漆，银箔

103 x 93 x 5 cm

翁纪军以大漆为媒介，从大漆自身特性和传统漆艺中汲取灵感，以见微知著的方式将不同维度的世界相互连结。近年来，翁纪军开始更多地关注人对未知世界探索的渴求，用作品折射出科学棱镜之外宏观与微观世界之间的联系。对漆艺的精通则让他能够将所谓的传统“图案”、“纹样”转化为对生命起源的探寻和宇宙形态的描绘。

Drawing inspiration from lacquer, its characteristics, and its tradition, Weng Jijun provides an alternative for us to re-examine our connection with the world in a way that bridges its different dimensions. 

In recent years, Weng Jijun has begun to focus more on the human desire to explore the unknown, using his works to reflect the connections between the macro and micro worlds beyond the prism of science. His mastery of lacquer art has enabled him to transform the traditional 'patterns' and 'motifs' into a search for the origins of life and a depiction of cosmic forms.