同行/拼凑的躯体 | B. Ingrid Olson
B. Ingrid Olson (b. 1987) 是一名美国摄影师。她的摄影、表演和雕塑作品探索了身体与空间的边界。Olson常在工作室拍摄自己的身体，用模糊、分割等技术结合印刷在垫板上的图像创造出能够引导观者视线的作品。通过分层的视觉干扰和隐藏的丰富元素，她的作品展现出的身体、姿态、手势等零碎图像使得观众在单一视觉平面中寻找意义或连续性的能力复杂化。除了摄影作品，Olson的浮雕作品也注重放大观者对自身身体和客观存在的感受。
——B. Ingrid Olson
Elastic X, 2018-2021
Equant and Run, with cartilage, 2017-2020
Spark steel or flint, oil, glass, delay, 2017-2020
Inkjet print and UV printed matboard in aluminum frame
11 1/2 × 24 in
Frame and Cinch, 2019
Offset print on paper
11 1/5 × 10 1/5 in
Vest (Muscular Alternative), 2019MDF, PETG plastic, namel paint, PVA size, cotton batting, screws
15 × 15 × 2 1/2 in
B. Ingrid Olson的艺术对“看”和“被看”的含义进行了不懈的探索。她的雕塑和摄影作品是对身体和空间的深刻探索，也是对凝视与被凝视主体之间关系的讨论。Olson的作品中常常出现拼凑于画面中的人体，通过创造划分的方式营造陌生感，对现有针对女性身体、女性身份凝视进行了解构与重塑。
Peeled rind, amended appendage, 2019
Plexiglas, dye sublimination print on aluminum
36 × 28 × 1 in
Split Wedge, Looped Fold, 2019
Eye, Camera, Body, Room, (Vertical), 2019
Column and Rift, body draft, 2019
Small of Back, Velvet Lay Fold, 2018
PVA size, latex paint, MDF, velvet, polyurethane foam
11 4/5 × 6 7/10 × 3 9/10 in
Splayed Corner, endless room, 2018
Whet Grin Waning Crown, 2017
UV printed MDF, PVA size, plexiglas, screws
32 1/2 × 24 1/2 × 6 in
Future Body, Cement, 2017
PVA size, Acrylic, Latex, Vinyl Paint and Sand on Polyurethane Foam
27 × 13 1/4 × 4 in
Felt Angle, box for standing, 2017
UV printed MDF, PVA size, Plexiglass, screws
31 1/2 × 18 1/2 × 6 in
Split Hinge, 2016
To scatter, call them bodies, 2015
Inkjet print and UV printed mat board in aluminum frame
30 × 21 in
If taken, turning, 2015
Flashe paint and PVA on polyurethane foam
19 × 13 × 2 in
Second hand movement, 2015
Inkjet print and UV printed mat board in aluminum frame
27 × 18 1/2 in
Notes for a diagram, 2015
Inkjet print and UV printed mat board in aluminum frame
13 3/4 × 19 in
Splintered Hinge, overlay, 2015
Inkjet print and UV printed mat board in aluminum frame
22 × 20 in
Fountain Contained, Neat Ankled, 2015
Inkjet print and UV printed mat board in aluminum frame
24 × 16 1/2 in
Olson在一次对谈中说：“无论是摄影还是雕塑，我都会说，我的大部分作品都质疑空间中躯体的概念。当我创作的时候，我的脑海里一直都在循环着关于化身、本体感受的想法——比如自我作为一个个体的存在的具体感受以及它与其他事物的关系。此外还有对性别、性的概念以及对平衡的思考。作品中的一些引用目的是明确的，完全是有意为之；而另一些是我自己也无法清晰地感知到的内容，这些内容最终也会潜移默化地转移到我的作品里。”
Touched her hem, biting my own tail, 2015
Inkjet print and UV printed mat board in aluminum frame
18 × 27 in
glove-like socket, 2015
Inkjet print and UV printed mat board in aluminum frame
14 × 20 in
Hinge, tractioned, 2015
Inkjet print and UV printed mat board in aluminum frame
28 × 22 in
Brilliant Slit, 2015
Inkjet print and UV printed mat board in aluminum frame
29 × 19 in
Cloven, 2015
Inkjet print and UV printed mat board in aluminum frame
27 1/2 × 18 in
Deep shell and splitting object, 2015
Inkjet print and UV printed mat board in aluminum frame
25 × 17 1/2 in
A marker of an interior the same, 2015
Inkjet print and UV printed mat board in aluminum frame
17 × 25 in
Spidery ruff, glass bundling, 2015
Toned silver gelatin print and UV printed mat board in aluminum frame
27 × 19 in
A big round room with a high arched roof, 2015
Inkjet print and UV printed mat board in aluminum frame
24 × 17 in
Rhymes with Eye, 2015
Inkjet print and UV printed mat board in aluminum frame
20 × 13 in
| 点击关键词，直达往期精选 |
Doug Aitken Jon Rafman Hans-Peter Feldmann
Alex Israel Maurizio Cattelan 谢德庆
Robert Rauschenberg Erwin Wurm
Anne Imhof Hito Steyerl Wolfgang Tillmans
Vito Acconci Christo and Jeanne-Claude
Roni Horn Mark Leckey Mariko Mori
“同行[háng]”视频系列
是由“徐震公众号”推出的板块
将持续分享由徐震品牌精心甄选编辑的
最精华 最学术 最好玩的艺术家相关视频 *
* 视频来源于网络，本平台仅用于教育、分享
联系邮箱：ouatsub@outlook.com
{{newsData.good_count}}
{{newsData.transfer_count}}
{{item.good_count}}k
已展示全部
{{item.publisher_name}} 发布了 文章
{{item.title}}
更多功能等你开启...
分享