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正在展出｜北京公社正在展出谢墨凛个展《竖线》

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谢墨凛：竖线

Xie Molin: Vertical Lines

展期：2022年9月9日-2022年10月26日

谢墨凛在北京公社的第四次个展《竖线》（Vertical Lines）在北京公社正式开启，展期将持续至10月29日。本次展览呈现谢墨凛在过去三年间的探索成果，这也是艺术家在过去十余年时间中持续在“人与机器协作绘画”这一领域工作的一次深入推进。“竖线”这一主题源于本次展出的所有画作共享的基本结构，一种能带来坚实与稳定感的形式。

正在展出｜北京公社正在展出谢墨凛个展《竖线》崇真艺客

悬刀 · 竖线 2021. 8. 22 _ 2021 _ 布面丙烯 _ 120 x 86.4 cm

具体而言，展览呈现了艺术家基于基本结构之上多条线索的推演：在由单层彩色颜料组成的《彩条》系列中，谢墨凛以突出物质性的方式回应着这一存在于艺术史中的相似结构；在《悬刀》系列中，异形锯刀以不触碰操作台面的方式做直线运动，在铺开的两层或三层的色彩结构上探索或密集或疏朗的节奏关系。

当艺术不再仅是对自然的模仿或是现有图像的形变，对谢墨凛来说，贯穿其路径的一直是与自然造物并行的创造机制。在其间，力量、规律、物质、结构、变量与艺术经验皆在进行更细致的调度与综合，艺术家始终坚持独立自足的艺术形式。凝视这些画作将带我们进入精微多变的动人之境。

悬刀 · 敦煌 2020. 12. 18 _ 2020 _ 布面丙烯 _ 62 x 46.8 cm

Xie Molin’s fourth exhibition at Beijing Commune “Vertical Lines” opens on September 9thand will last until October 29th. This exhibition is presenting Xie Molin’s latest artistic exploration over the past three years. This is also an in-depth demonstration of the artist’s achievement in the field of “human-machine collaboration”, a specific trajectory of painting that he has deeply investigated for the past ten years. To entitle this exhibition “Vertical Lines” not simply highlights the basic infrastructure on which all his works base but reflects on the senses of solidity and stability shared among his paintings.

正在展出｜北京公社正在展出谢墨凛个展《竖线》崇真艺客

Specifically speaking, this show includes a variety of approaches that the artist has taken deriving from the basic form. For the “Color Lines” series, which is comprised of single-layer color, Xie responds to long-term established forms in art history with which he shares similarities, with his focus particularly drawn on materiality. In his “Suspending Blade” series, irregularly shaped saw blades must follow a vertical movement without touching the tabletop. In this sense, variable but logical rhythms, that lead to either dense or sparse layouts spread on double or three-layered color structures are represented.

正在展出｜北京公社正在展出谢墨凛个展《竖线》崇真艺客

彩条 2020. 3. 23 _ 2022 _ 布面油画 _ 140 x 140 cm

When art is not simply about simulation, nor is it the metamorphosis of found images, for the artist, it is precisely the mechanical production, parallel to the natural means of production, that lies at the core of his methodology. Within it, forces, rules, materials, structures, variables, and artistic experiences are altogether undergoing subtle adjustment and synthesis. For Xie, his reciprocal relationship with his self-made machine forms his independent and self-sufficient path which he strives to establish and maintain. The specters are, therefore, invited to this fascinating realm to further explore exquisite variability via contemplation.

正在展出｜北京公社正在展出谢墨凛个展《竖线》崇真艺客

悬刀 · 敦煌 2022. 5. 16 _ 2022 _ 布面丙烯 _ 40 x 30 cm

谢墨凛1979年出生于中国温州，先后毕业于中央美术学院壁画系及英国爱丁堡美术学院绘画专业，现工作生活于北京。从开始亲手改装制作第一台绘画机器开始，谢墨凛逐渐形成了自己在绘画中的独特路径。他对“机器”的拥抱既是源于他对绘画形式感更精确表达的需求，也同时是观念意义上的。“机器” 不仅可以被艺术家用来替代传统工具对绘画这种创作形式做出新的探索，其实践本身也对应著中国当下文化里对技术带来的可能性的多重想象。谢墨凛的作品曾于多个美术馆展出，其中包括泰康中心、尤伦斯当代艺术中心、中央美术学院美术馆、昊美术馆、荷兰波伊曼·凡·布宁根博物馆、美国亥俄州立大学城市艺术中心、明尼苏达州古斯塔夫阿道尔夫学院Hillstrom美术馆、迈阿密卢贝尔家族收藏馆、旧金山亚洲艺术博物馆、宾夕法尼亚州迪金森学院等。

Xie Molin (Wenzhou, b. 1979) graduated from the China Central Academy of Fine Arts (BFA) and Edinburgh College of Art (MFA). He currently lives and works in Beijing. From the beginning of refitting the first painting machine himself, Xie Molin gradually formed his own unique path in painting. His embrace of the "machine" stems not only from his need for a more precise expression of the stylistic quality of painting but also from the conceptual meaning. "Machine" can be used by artists to replace traditional tools to make a new exploration of the creation form, and this practical experience itself also corresponds to the multiple imaginations of the possibilities brought by technology in the current Chinese culture as well. His artworks have been exhibited in Taikang Space, Beijing; How Art Museum, Shanghai; Ullens Center for Contemporary Art, Beijing; the Art Museum of China Central Academy of Fine Arts, Beijing; How Art Museum; Museum Boijmans Van Beuningen, the Netherlands; Urban Arts Space, Ohio State University, U.S.; Hillstrom Museum, Gustavus Adolphus College, U.S.; Rubell Family Collection, Miami, U.S.; Asian Art Museum, San Francisco; Dickinson College, Carlisle, PA, U.S.; and others.