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展览｜《入口》香格纳新加坡十周年特展9月24日开幕

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展览｜《入口》香格纳新加坡十周年特展9月24日开幕崇真艺客

香格纳将于2022年9月24日荣幸呈现新加坡空间十周年纪念特展《入口》。展览标题致敬画廊在本地的首次展览：张恩利在个展《局部》（2012）里，将宽敞的画廊空间截断成一个小而精确的现场，并在画廊入口处展示了三件作品。

ShanghART Singapore is delighted to welcome you to "Entrance", a commemorative exhibition for the gallery’s 10th anniversary in Singapore, opening on 24 September. The show title is a nod to the gallery’s inaugural exhibition with Zhang Enli; "Part" (2012) saw the artist truncating the huge space into a small and precise site presenting three works at the gallery’s entrance.

展览｜《入口》香格纳新加坡十周年特展9月24日开幕崇真艺客 “张恩利：局部” 展览现场，香格纳新加坡，2012
Installation view of "Zhang Enli: Part", ShanghART Singapore, 2012

《入口》为观众提供一个回顾过去十年，深入艺术家的思想，以及展望未来的机会；既是对画廊迄今为止的旅程的反映，也是对画廊在新加坡存在的重申。这次，张恩利携手三位东南亚艺术家一并展出，分别为以行为艺术，影像装置，摄影创作著名的麦拉蒂·苏若道默、阿彼察邦·韦拉斯哈古和赵仁辉。

This show provides an occasion to look back at the past decade, into the artists’ minds, and towards the future. “Entrance” is both a reflection of the gallery’s journey thus far and a reaffirmation of its presence in Singapore. This time, Zhang Enli is joined by three Southeast Asia artists known respectively for their practice in performance art, film installations, and photography – Melati Suryodarmo, Apichatpong Weerasethakul, and Robert Zhao Renhui.

展览｜《入口》香格纳新加坡十周年特展9月24日开幕崇真艺客
张恩利 Zhang Enli_浪人 Ronin_2020
布上油画 Oil on canvas_250(H)x270cm

张恩利当年的空间干预如今以虚线的方式划分在地板上，昔日在狮城扎根时含蓄表达的兴奋与憧憬如今已发生了巨大的变化；经过一旬的成长与锐变此次展览大方地展现于画廊的全面积。时至今日，处于相同的空间里的我们还有大环境都已不同以往。我们期待新朋旧友重新踏入画廊时能再次与画廊结识并且重新发现自我。通过一系列作品，展览呈现出多元化的视角，将我们带入每个艺术家心中独特的世界；画廊空间在实体和精神维度都存在着多个入口。

阿彼察邦·韦拉斯哈古 Apichatpong Weerasethakul_渴望之光 The Light of Longing_2021_艺术微喷 Giclée Print_36(H)x36cm(x2pcs)

展览｜《入口》香格纳新加坡十周年特展9月24日开幕崇真艺客

赵仁辉 Robert Zhao Renhui_星果 Pink Star_2022_彩色喷墨打印，
亚光亚克力三明治裱框 Colour inkjet print, Matt diasec in frame_100(H)x150cm

The space intervention by Zhang in 2012 is demarcated on the floor, recalling his aspiration that “[this] leaves the gallery and me room to do more in the future”. Fast forward to 2022, much has changed, the show this time occupies the full expanse of the gallery – growing and morphing physically and metaphorically. Returning to the same space, we hope that old and new friends of the gallery will reacquaint with our gallery, the artists, and their own experiences over the past decade.

Providing multiple entrances, both physically and psychologically, the gallery space presents a spectrum of works that offer a diverse range of perspectives, while simultaneously drawing us into the distinctive worlds within each artist’s psyche.

展览｜《入口》香格纳新加坡十周年特展9月24日开幕崇真艺客

麦拉蒂·苏若道默 Melati Suryodarmo_Eins und Eins_2016

单路视频，行为录像 Single-channel video, performance video

29 minutes 21 seconds_截帧 still

展览｜《入口》香格纳新加坡十周年特展9月24日开幕崇真艺客

作品“Eins und Eins” 展览现场，博尼范登博物馆，2022
Installation view of artwork "Eins und Eins",
Bonnefanten museum, 2022

入口
Entrance

艺术家 | Artists
阿彼察邦·韦拉斯哈古 Apichatpong Weerasethakul
麦拉蒂·苏若道默 Melati Suryodarmo
张恩利 Zhang Enli
赵仁辉 Robert Zhao Renhui

开幕 | Opening
2022/09/24 周六 Sat, 3pm – 8pm

展期 | Duration
2022/09/25 – 11/20
（周三 – 周日 Wed.-Sun. 12pm – 6pm）

地点 | Location
香格纳新加坡，吉门营房LOCK路9号02-22，新加坡
ShanghART Singapore, 9 Lock Road, #02-22, Singapore

关于艺术家
About the artists

阿彼察邦·韦拉斯哈古 | Apichatpong Weerasethakul

阿彼察邦·韦拉斯哈古（生于1970年，曼谷）在泰国东北部的孔敬长大，毕业于美国芝加哥艺术学院，现工作生活于泰国清迈。他在1994年开始制作电影和视频短片，并在2000年完成了他的首部剧情片。他的电影作品擅长抒情，常常充满神秘感，以非线性的方式体现个人与共同记忆。

Apichatpong Weerasethakul (b. 1970, Bangkok) grew up in Khon Kaen in north-eastern Thailand, works and lives in Chiang Mai now, having graduated from School of the Art Institute of Chicago with Masters in Filmmaking. He began making films and video shorts in 1994 and completed his first feature in 2000. Lyrical and often fascinatingly mysterious, his film works are non-linear, dealing with memory and in subtle ways invoking personal and social issues.

麦拉蒂·苏若道默 | Melati Suryodarmo

麦拉蒂·苏若道默的作品来源于肢体动作、自身和世界关系的课题研究，并通过摄影、舞蹈、影片和现场表演等方式铭记和呈现这些概念。她的作品以长时表演著称，受到舞踏、舞蹈和历史因素的影响，苏若道默以精神与身体实体的表演，压缩、提取、概念化与翻译作品中的存在感，诠释人与环境之间不断流动的分界线，传递对文化、社会等层面的关注。

Melati Suryodarmo's work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are enshrined in photography, translated into choreographed dances, enacted in video or executed in live performances. Her work is known for long durational performances, influenced by Butoh, dance, and history, among others. By compiling, extracting, conceptualising and translating some of these factors of presence that she recognises into her work, she intends to tease open the fluid border between the body and its environment, expressing her concerns about the cultural, societal, and political dimensions.

张恩利 | Zhang Enli

张恩利1965年生于吉林。1989年毕业于无锡轻工业大学艺术学院，现生活工作在上海。张恩利的作品一直专注于描绘寻常事物以及日常生命活动的痕迹。他常将勾画出的无以名状的线条与抽象掩映的色块相互转化，使画面获得具体的质感与体量感。他的绘画装置作品通过融合环境、历史与个体经验的体悟，创造性地将观者置于时间与空间叙事的双重虚空之中。张恩利通过描绘常在事物的不同角度，引发观者对“存在”这个命题的不断思考。

Zhang Enli was born in Jilin province in 1965. He graduated from Wuxi Technical University, Arts and Design Institute in 1989. Zhang currently is living and working in Shanghai. Mundane objects and the traces of daily life activities are the dominant depicted subjects in Zhang Enli’s works. The muted tones and loose washes of paint intertwine with the expressive lines and curves that make the objects seem removed as if occupying a liminal reality where only the essence of the object is portrayed on the canvas. In his series of installations, known as Space Paintings, he creates the immersive space that suspends the audience into the void of time and space by incorporating with environment, history, and personal experience. Zhang Enli’s depiction on the prosaic aspects of contemporary life leads viewers to think about the proposition of existence.

赵仁辉 | Robert Zhao Renhui

赵仁辉（b. 1983）是新加坡籍视觉艺术家，他主要以摄影进行创作，同时采用多学科方法将影像与实物并置呈现。他的作品主要探讨人类与大自然的关系、仁义与道德的课题，同时也关注人类的态度和观点如何影响我们对大自然的认知。他在世界各地举办过个展，包括新加坡、中国、日本、澳大利亚和意大利，亦多次参与各地的双年展和摄影节。

Singaporean visual artist Robert Zhao Renhui (b. 1983) works chiefly with photography but often adopts a multi-disciplinary approach, presenting images together with documents and objects in the form of textual and media analysis, video and photography projects. His artistic practice investigates man’s relationship with nature, utilizing convincing narratives to invoke doubts in its audience towards the concept of truth and its portrayal. His works has been exhibited globally, having held solo exhibitions in Singapore, China, Japan, Australia, and Italy, as well as participating in various biennales and photo festivals.

展览｜《入口》香格纳新加坡十周年特展9月24日开幕崇真艺客