艺术家 | 韩梦云于英国华人当代艺术中心驻留线上对谈
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印度斋普尔木版印刷 Traditional woodblock printing in Jaipur, India
©韩梦云工作室 Han Mengyun Studio
香格纳画廊荣幸宣布9月22日韩梦云将与策展人罗辛·英格尔斯比(Roisin Inglesby)以及艺术史学家维韦克·古普塔(Vivek Gupta)，以“作为跨文化实践的手工艺”为题，从其于英国华人当代艺术中心的驻留创作展开一场线上对谈。Join Han Mengyun, curator Roisin Inglesby and art historian Vivek Gupta for a virtual conversation presented by Centre for Chinese Contemporary Art (CFCCA) on craft, its present-day relevance and the history of transculturalism on 22nd September.
本次对谈由华人当代艺术中心策划，届时艺术家会首先介绍其相关创作，随后由嘉宾逐一介绍其研究并进行圆桌讨论，由华人当代艺术中心总监朱晓闻主持，最后以互动问答环节结束。*本次对谈全程英文。
This online event will begin with a talk by the artist, followed by speaker presentations and a roundtable discussion, moderated by CFCCA's director Xiaowen Zhu, before ending with an interactive Q&A. The event is hosted by CFCCA. *The talk will be held in English without translation.
韩梦云在英国华人当代艺术中心的驻留期间主要调研手工艺在当代艺术实践中的重要性，尤其是用于制作书籍和织物的雕版印刷的传统。她将艺术中心的主展厅转变为临时工作室，并面向公众开放展示木版印刷于画布上的工作过程。
驻留现场 Residency on site
During Han Mengyun’s residency at CFCCA, she is conducting research on the importance of craft, specifically the tradition of woodblock printing which purportedly originated in China and developed later in India. She is turning CFCCA’s main gallery into a temporary studio space to display the working process of woodblock printing on canvas.
驻留现场 Residency on site © Rebecca Tutthill韩梦云的近期艺术实践聚焦于艺术史中经常被忽视的“小”传统—手工艺，以及其在跨文化交流历史中的重要作用。韩梦云在其绘画和装置中融合了雕版印刷的传统，借此在当代艺术实践和话语中激活这一传统。对谈嘉宾将会展示他们各自与英国设计师威廉·莫里斯、工艺美术运动以及装饰在手抄本中的作用的相关手工艺主题的研究。
Mengyun's recent art practice pays particular attention to the importance of craft as a facilitator of cultural exchange, to the “little” traditions that have been neglected in the normative Chinese art history, and to the ways in which this craft can be combined in her contemporary art practice, both in her painting and installation. Our guest speakers will present their respective research relevant to the topic of craft in relation to the legacy of William Morris, the Arts and Crafts Movement, as well as the role of ornamentation in the art of illustrated manuscripts.
©韩梦云工作室 Han Mengyun Studio
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韩梦云（1989年生于武汉）是一位跨学科艺术家，其艺术实践包括绘画、装置、雕塑、文本、视频以及它们之间的交汇处。她以多种非西方传统的方法并结合跨文化交融的可能性，探寻绘画的多重语境。她的绘画融合了印度的木板印染等传统工艺，并将建筑的灵感融入装置中。韩梦云多层次的作品以精神的、超越历史的和跨文化的潜台词来演绎被遗忘的叙事和传说。
韩梦云于2012年获美国巴德学院艺术学士学位，之后在京都大学等机构进行梵文研究，2018年获牛津大学美术学硕士，致力于古典印度学和印度美学理论的研究。她曾在大英博物馆和罗格斯大学任职。近期展览包括：“三镜亭”，沙特阿拉伯迪里耶双年展：摸着石头过河，迪里耶，沙特阿拉伯（2021）。
Han Mengyun (b.1989, Wuhan) is an interdisciplinary artist whose practice spans painting, installation, sculpture, text and video, as well as nodes of their intersections. Seeking alternative discourses on painting in various non-Western traditions and the possibility of cross-cultural pollination, her paintings integrate traditional crafts such as Indian woodblock printing on canvas and inhabit installations inspired by religious architectures. Han’s multi-layered work enacts forgotten narratives and mythologies with spiritual, transhistorical and transcultural undertones.
Han received her B.A. in Studio Art from Bard College in the US in 2012 and has pursued the study of Sanskrit and Classical Indian Aesthetics at Kyoto University before she completed her MFA at the University of Oxford with a research focus on Classical Indology and Indian aesthetic theories in 2018. She has worked at the British Museum and has previously taught at Rutgers University. Recent exhibitions include: “The Pavilion of Three Mirrors”, Ad-Diriyah Biennale: Feeling the Stones, Riyadh, Saudi Arabia (2021).
韩梦云 Han Mengyun_洁净与危险 Purity and Danger_2022
布上油画、丙烯 Oil and acrylic on canvas_210(H)x420cm (in 3 pieces)
韩梦云 Han Mengyun_点缀的礼拜 Ornamented Worship_2020
油彩、丙烯绘于布面 Oil and acrylic on canvas _210(H)x150cm
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关于对谈嘉宾
About the speakers
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罗辛·英格尔斯比是伦敦威廉·莫里斯美术馆的策展人，她的工作致力于建立莫里斯在国际上的文化交流。近期展览包括“先锋：威廉莫里斯和包豪斯”（2019）；“遥远的友谊：莫里斯和南亚”（2020）；“年轻的波兰：工艺美术运动”（2021）。罗辛目前正在研究日本民艺运动及其国际联系。罗辛曾就读于牛津大学和巴德学院，并曾在 V&A、伦敦塔和东京都庭园美术馆担任策展职务。
Roisin Inglesby is a curator at London’s William Morris Gallery, where her work is focused on Morris’ international connections. Recent exhibitions have included Pioneers: William Morris and the Bauhaus (2019), Distant Fellowship: Morris and South Asia (2020) and Young Poland: An Arts and Crafts Movement (2021). She is currently researching the Japanese Mingei movement and its international connections. Roisin studied at both the University of Oxford and the Bard Graduate Center and has held curatorial positions at the V&A, Tower of London and Tokyo Metropolitan Teien Art Museum.
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维韦克·古普塔是剑桥大学博士后研究员，教授和研究伊斯兰和南亚艺术与建筑。其专业领域为从中世纪到当代的印度伊斯兰手稿。其他兴趣包括：影响和体验，印度的跨文化和伊斯兰遗产的地位。他是国际网络研讨会“从康坎到科罗曼德：德干遗产、艺术和文化”的共同召集人。维韦克还保持着策展人的身份，并在从大都会艺术博物馆到大英图书馆的一系列机构中担任研究职位。最近，他在剑桥大学的耶稣学院策划了“沙兹亚·西坎德: 无拘无束”的展览。并在一系列领域内评审期刊和面向公众的平台发表文章。他关于印度-伊斯兰艺术奇观的专著即将出版。
Vivek Gupta is Postdoctoral Associate at the University of Cambridge, where he teaches and researches Islamic and South Asian art and architecture. His primary field of expertise is Indo-Islamic manuscripts from the medieval to contemporary periods. Other interests include: affect and experience, transculturation and the status of Islamic heritage in India. He is the co- convener of the international webinar, From Konkan to Coromandel: Deccan Heritage, Art and Culture. Vivek also maintains a curatorial profile and has held research positions at a range of institutions from the Metropolitan Museum of Art to the British Library. Most recently, he curated Shahzia Sikander: Unbound at Jesus College, Cambridge. He has published in a range of peer-reviews journals and public-facing venues and his monograph on wonder in Indo- Islamic art is forthcoming.
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关于英国华人当代艺术中心
About the Centre for Chinese Contemporary Art (CFCCA)
http://cfcca.org.uk
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华人当代艺术中心（CFCCA）是英国一家非营利当代艺术机构，致力于展出与支持中国、东亚及东南亚文化背景的艺术实践。机构位于曼彻斯特市中心一座屡获殊荣的古典建筑内。成立36年来，CFCCA生产了丰富多元的艺术项目，包括展览、公共活动、艺术家驻留、研究及多种形式的社区实践与合作。机构建立在发展创造力、同情心、联动与合作的价值观之上，以促进英国与全球的跨文化交流为己任，通过前瞻性的艺术项目，为海外华侨和亚洲离散社群提供展示和沟通的平台，丰富当地观众及全球社群的文化体验。
The Centre for Chinese Contemporary Art CFCCA) is a non-profit art institution specialising in presenting and supporting contemporary art practices with a focus on those of Chinese, East Asian and Southeast Asian (CEASA) heritage. Situated in an award-winning building in the heart of Manchester, CFCCA has delivered diverse and vibrant public programmes, including exhibitions, events, residencies, research, and other forms of community engagement and partnership projects for over 36 years. CFCCA strives to foster cross-cultural exchanges between Manchester, the UK and the world through forward-thinking visual arts programmes that increase the visibility of underrepresented artistic practices from the diasporic CEASA community and enrich the lives and cultures of local and global audiences. The values that underpin this working vision and mission are creativity, compassion, interconnectedness and collectivity.
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