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【OCAT上海馆 | 线上公教】“隐藏计划”圆桌谈

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9月15日起，“生而不同，我就是我”——DAWA国际无障碍文化节在上海举行。40余场丰富多元的艺术活动已陆续展开，包括展览、现场演出、放映、工作坊、电影、讲座、共融体育活动等多种形式。上海观众将有机会看到由国内外残障艺术家创作、聚焦无障碍共融主题的艺术作品，并有机会参与到这个包容性的文化节中。

OCAT上海馆将在DAWA各合作伙伴的支持下，为公众呈现多场不同类型的艺术活动。9月节目单如下：

9月26日（下周一），我们将在线上呈现“隐藏计划”圆桌谈。

“无障碍策展”是一个在国内、甚至东亚地区的视觉艺术领域里都不怎么被关注的新名词，好似一个被“隐藏”起来的概念。

2022年2月，“隐藏计划（The Hidden Project）”发起。这是一个以无障碍策展为主题，专于视觉艺术领域的创意实验室。几个月来，创意实验室已进行了七期闭门工作坊。

借由“生而不同，我就是我”——DAWA国际无障碍文化节，“隐藏计划”将不再隐藏。本次圆桌谈将邀请参加工作坊的导师和中国区策展人面向公众展开分享与讨论，让更多对无障碍策展感兴趣的视觉艺术从业者和普通大众也有机会参与进来，共同思考无障碍策展的内涵。

“隐藏计划”圆桌谈

时间：2022年9月26日（周一）19:00–21:00

嘉宾：李耀寰、玄莲昊、刘毅、韦嘉颐

主持：吴雅琼

语言：中文/英文（配有中文和中国手语同传）

参与形式：Zoom 会议

注册链接：https://goethe-institut.zoom.us/webinar/register/WN_tt5QnlcMRjaulBQ0Gg6koQ

【OCAT上海馆 | 线上公教】“隐藏计划”圆桌谈崇真艺客

关于“隐藏计划”

隐藏计划

点击下方空白进一步了解

“隐藏计划——无障碍策展创意实验室”由德国驻上海总领事馆文化教育处发起，联合OCAT上海馆和歌德学院东亚区多个办公室共同推出。

“隐藏计划”通过公开招募的方式，集结了29位来自东亚区（包括乌兰巴托、上海、香港、台北、首尔和大阪等）的策展人，在国际专业人士凯特·布莱姆博士（Dr. Kate Brehme）和李耀寰（Sean Lee）的带领下，就无障碍策展这一主题的各个方面展开了讨论。

关于圆桌嘉宾

李耀寰 加拿大多伦多 Tangled Art + Disability 机构节目总监

李耀寰（Sean Lee）是一位艺术家和策展人，将残障艺术作为最后的先锋艺术来探索。在“残障视野”（Crip Horizon）观念的指引下，他关注残障社群建设的变革性可能，并且持续自己的无障碍策展实践，以期残障能够颠覆传统策展模式。

李耀寰毕业于多伦多大学，获得艺术管理和实验室艺术学士学位，目前他担任Tangled Art + Disability机构的节目总监。此前，他在2016年担任该机构的创始驻地策展人，后于2017年担任画廊经理。

李耀寰也是一位独立策展人、讲师与顾问，在加拿大、美国等其他国家分享他在残障艺术领域的观点与经验。他还担任多家机构董事会成员，包括多伦多艺术委员会和安大略视觉与媒体艺术家联合会，同时他也是安大略艺术委员会聋人与残障顾问小组的成员，以及多伦多艺术委员会视觉与媒体艺术委员会主席。

玄莲昊 上海纽约大学当代艺术中心馆长/策展人

玄莲昊（Michelle Yeonho Hyun）与艺术家和其他人一起制作展览并组织活动。她阅读，写作，并探讨艺术和艺术之外的事物。她是上海纽约大学当代艺术中心（上纽ICA）的馆长和策展人。她曾是“上海种子”（2016）、光州双年展20周年纪念展览（2014）和加州大学圣地亚哥分校大学艺术馆的策展人（2012-14）。她曾为新美术馆（纽约市）、Creative Time（纽约市）和 What, How & For Whom（WHW）（萨格勒布）组织项目。

刘毅 艺术家、公共艺术策划人

刘毅，既是一位独立艺术家，同时也是一名公共艺术领域的教育者、实践者。“鸟鸣电台”发起人。他通过绘画、雕塑、装置、影像、表演等不同形式的创作来探索身体与空间、精神与物质、个体与公众、文化的在地性与抽离感等议题和关系。同时他对数字媒介、物性材料与创作主题之间的叙事关系发生兴趣，涌现了大量以日常生活和社会现场为语境的平面或空间艺术作品。

韦嘉颐 香港M+美术馆教学与诠释策展人

韦嘉颐（Keri Ryan），香港M+美术馆教学与诠释首席策展人，她负责将视觉文化与所有年龄段的观众相连结，领导策划和诠释工作。对于无障碍的投入是M+的一大核心支柱，因此包容性实践对M+的学习和访客体验策略十分重要。在加入M+之前，韦嘉颐在加拿大多伦多的安大略美术馆工作了12年，担任过一系列职务，包括公共项目和学习部主任。她在多伦多大学取得博物馆研究专业硕士学位。

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“Diverse As We Are” (DAWA),

the International Festival of Inclusive Culture presents:

"Accessible curation" is a new term that is not very well known in the field of visual arts in China or even in East Asia. It is as if it is a "hidden" concept.

The Hidden Project is a creative lab launched in February 2022, dedicated to accessible curation in the field of visual arts.

After seven invite-only workshops, the "Hidden Project" will no longer be hidden and be opened to the public in Shanghai in September. This roundtable talk is an opportunity for visual arts practitioners and the general public to learn more about accessible curation and come together to think critically about accessible curation together.

The Hidden Project will be one of the events in "Diverse As We Are" - International Festival of Inclusive Culture (DAWA) and get support from the Canadian Consulate in Shanghai and the Goethe-Institut. The final goal is to challenge the "compulsive physical and mental integrity", which is common in the traditional visual arts practice, and to encourage an accessible and supportive ecology for artists and curators who identify as disabled.

The Hidden Project Roundtable Talk

Time: September 26, 2022, 19:00-21:00

Guest: Sean Lee, Michelle Yeonho Hyun, Liu Yi, Keri Ryan

Moderator: Wu Yaqiong (Supervisor of Media & Education, OCAT Shanghai)

Language: Chinese, English, Chinese Sign Language

Zoom webinar registration link:

https://goethe-institut.zoom.us/webinar/register/WN_tt5QnlcMRjaulBQ0Gg6koQ

About the event

The Hidden Project started in February 2022, launched by the Department of Culture and Education of the German Consulate General in Shanghai, and supported by OCAT Shanghai and the Goethe-Institut in East Asia.

Through an open call selection, 29 curators from different cities in East Asia, like Ulan Bataar, Shanghai, Hong Kong, Taipei, Seoul, Osaka, etc., participated in various online sessions to discuss concepts of accessibility and learn more about disability movements in the West. The Hidden Project has been supported by international professionals including Dr. Kate Brehme, co-founder of berlinklusion, Network for Accessibility in Arts and Culture in Berlin, Germany, and Sean Lee, the Director of Programming at Tangled Art + Disability in Toronto, Canada.

About the guests

Sean Lee

Director of Programming at Tangled Art + Disability in Toronto, Canada

Sean Lee is an artist and curator exploring the notion of disability art as the last avant-garde. Orienting towards a "crip horizon", he is interested in the transformative possibilities of crip community building and accessible curatorial practices that desire the ways disability can disrupt. Sean holds a B.A. in Arts Management and Studio from University of Toronto Scarborough and is currently the Director of Programming at Tangled Art + Disability. Previously, he was Tangled's inaugural Curator in Residence (2016) and Tangled's Gallery Manager (2017). Sean is also an independent curator, lecturer, and advisor, adding his insights and perspectives to conversations across Canada, the US, and internationally. Sean currently sits on the Toronto Arts Council and CARFAC Ontario board. He is a member of the OAC's Deaf and Disability Advisory Committee and Chair of TAC's Visual and Media Arts Committee.

Michelle Y. Hyun

Curator/Director of Institute of Contemporary Arts at New York University Shanghai

Michelle Yeonho Hyun makes exhibitions and events with artists and others. She reads, writes, and talks about art and other things. She is the director/curator of the Institute of Contemporary Arts (ICA) at NYU Shanghai. She was previously a curator for the Shanghai Project (2016), Gwangju Biennale 20th anniversary exhibition (2014), and the University of California San Diego University Art Gallery (2012-14). She has also organized projects for the New Museum (New York), Creative Time (New York), and What, How & for Whom (WHW) (Zagreb).

Liu Yi

artist and public art curator

Liu Yi, an independent artist, educator and practitioner in the field of public art. Through different forms of creation such as painting, sculpture, installation, video and performance, he explores the issues and relationships between body and space, spirit and matter, individual and public, and the sense of locality and abstraction of culture. He is also interested in the narrative relationship between digital media, physical materials and creative themes, and has produced a large number of graphic or spatial artworks that use everyday life and social scene as a context.

Keri Ryan

Curator of Learning and Interpretation at M+ Art Museum, Hong Kong

Keri Ryan is the Lead Curator for Learning and Interpretation at M+ where she is responsible for leading programming and interpretative engagement that connects visual culture with audiences of all ages. One of the core pillars of M+ is its commitment to accessibility so inclusive practices are core to its learning and visitor experience strategies. Prior to joining M+, Keri spent 12 years at the Art Gallery of Ontario in Toronto, Canada in a range of roles including the Director of Public Programming and Learning. She is a graduate of the University of Toronto's Master of Museum Studies.