拾萬北京 | 大厦倾颓的梦：阎洲新作对谈
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Screening | Dream of An Lu-shan放映时间：2022.9.30 19:30-20:00
Screening Time: 19:30-20:00, 30th Sep.2022Conversation | The Dream of a Mansion Falling: On Yan Zhou’s New WorksParticipants: Tang Fei, Su Wei, Yan Zhou对谈时间：2022.9.30 20:00-21:30
Conversation Time: 20:00-21:30, 30th Sep.2022The screening and the talk - Free to the Public
此次对谈围绕阎洲最新的展览《刀子的最后一扭》展开。最近几年，阎洲以今天艺术实践者敏感的现实心绪为出发点，通过引入对中古中国历史和文化的考察，尤其是重新征引考古遗迹、史料和历史笔记小说，展开对历史中的事件与变局的想象，并由此期望对今天紧迫的现实作出某种试探的回应。《刀子的最后一扭》是这一工作的最新一章，以中古中国一位关键反叛者安禄山被诛杀前夜的梦为叙事线索。对谈将涉及我们今天与历史的缠绕中一些始终存在的、喃喃低语的问题，它们深藏于个体肉身的独行之中，也在艺术实践的关键时刻浮现。我们如何调动行动的欲望，在艺术的操演中逼视这些问题？The conversation revolves around Yan Zhou's latest exhibition The Last Twist of the Knife. In recent years, the sensitive minds of today's art practitioners towards the reality of China has been the focus of Yan’s work. He develops an imaginary way of observation on certain historical events and changes of medieval China by re-quoting archaeological remains, historical documentation and literature works. In doing so, he attempts to provide a tentative response to the pressing realities of today’s China. The Last Twist of the Knife is the latest chapter of this practice. It takes the dreams of a key rebel in medieval China, An Lushan, on the night before his execution as its narrative thread. The conversation will address some of the ever-present, murmuring questions in our present-day entanglement with China’s own history. They lie deep within the solitary act of individual corporeality and emerge at critical moments in artistic practice. How can we mobilize our desire to act rather than trapped in the pressing realities of China, and confront these questions in artistic manoeuvres?
阎洲《刀子的最后一扭》展览现场 | Yan Zhou "The Last Twist of the Knife" Exhibition View
阎洲《刀子的最后一扭》展览现场 | Yan Zhou "The Last Twist of the Knife" Exhibition View
关于对谈人 | About Participants
糖匪
糖匪，作家，评论人。上海作协会员。SFWA（美国科幻和奇幻作家协会）正式作家会员。代表作《看云宝地》《奥德赛博》等。出版短篇小说集《奥德赛博》，《看见鲸鱼座的人》，长篇小说《无名盛宴》，数十篇小说在英、美、法、日、意等国家发表，两次入选当年美国最佳科幻年选。《熊猫饲养员》入选Smokelong Quarterly2019年度最佳微小说。同年《无定西行记》获美国最受喜爱推理幻想小说翻译作品奖银奖。《孢子》获中国科幻读者选择奖（引力奖）最佳短篇小说奖。《看云宝地》获2021年上海文学中篇最佳小说奖。评论多发表于《深港书评》《上海文化》。除文学创作外， 也涉足装置、摄影等不同艺术形式。短篇小说集<spore>已被翻译成意大利语，将于10月在意大利出版。Tang Fei, writer and reviewer. She is a member of the Shanghai Writers' Association and a full writer member of SFWA (Science Fiction and Fantasy Writers of America). She is the author of "Watching the Cloud from Treasure Land" and "Odyssey Bo". She has published short stories "Odyssey Bo" and "The Man Who Saw the Whale", and a full-length novel "The Unknown Feast". Dozens of her novels have been published in the UK, the US, France, Japan and Italy, and she has been selected twice for the best science fiction annuals in the US. “The Panda Keeper” was selected as one of Smokelong Quarterly's Best Microfiction of 2019. In the same year, "The Journey to the West of Wu Ding" won the Silver Award for America's Most Loved Foreign Science Fiction. “Spore” won the China Science Fiction Readers' Choice Award (Gravity Award) for Best Short Story. “Watching the Cloud from Treasure Land” won the 2021 Shanghai Literature Award for Best Novel in Middle Grade. Her reviews have been published in the “Shenzhen-Hong Kong Book Review” and “Shanghai Culture”. In addition to literature, she has also been involved in different art forms such as installation and photography.The collection of short stories <spore> has been translated into Italian and will be published in Italy in October.苏伟
Su Wei
苏伟是生活在北京的策展人、艺术史研究者。他最近几年的工作聚焦于对中国当代艺术历史的再叙述和激进想象，探索其全球语境中的合法性和断裂性的根源。这一工作的核心，是重新提取“1949后“当代情境中的艺术生产，描述其衰颓与虚无双重面貌下的限度、情境线索和无意识的能量，从而批判性地展开反制度的实践，重新定义艺术在今天的立场及可能性。Su Wei is a curator and art history researcher living in Beijing. His work in recent years has focused on the re-narrative and radical imagination of the history of Chinese contemporary art, exploring the roots of its legitimacy and rupture in a global context. Central to this work is the re-extraction of artistic production in the contemporary context of the 'post-1949' period, describing the limits, contextual clues and unconscious energies of its dual face of decay and emptiness, in order to critically develop an anti-establishment practice and redefine the position and possibilities of art today.
阎洲，1986年生于西安,目前工作生活于北京。他通过摄影、录像、写作等创作语言与今日文化生态及实践者处境展开观察和对话。他面向当下社会环境的创作更深一层的源自其对历史场所、文物、人物所构成的文化驱动方式、情境的察访与想象。Yan Zhou，born in 1986 in Xi'an, currently works and lives in Beijing. Through the language of photography, video and writing, he observes and dialogues with today's cultural ecology and the situation of practitioners. His works for the current social environment are deeply rooted in his visits to and imagination of the cultural drive and situations constituted by historical places, cultural relics and people.
拾萬空间（北京）于2014年成立于北京草场地艺术区，2018年迁至北京798艺术区，并于2021年年底开设石家庄分馆拾萬当代艺术中心。拾萬空间（北京）作为专业画廊，对常规意义的方盒子展览保持警惕，意欲从当代艺术语言中的语法和语意结构出发并将之延展到更广泛的领域；希望通过持续的展览和项目，激发出当下文化中被忽视的部分，将当代艺术思想的价值生发到你我的身边。拾萬当代艺术中心（石家庄）为艺术综合体，除继续推出专业的艺术展览外，还将提供公教、讲座、艺术工作坊、艺术商品以及餐饮等活动和服务，并依托地缘差异，将艺术、声音融入地理、人文的维度，由而体验与追寻传统与现代、本土与国际、在地与全域、个人与历史以及精神与实体之间的差别与关联，让当代艺术思想进入更多人的生活。
Hunsand Space (Beijing) was established in Caochangdi Art District in 2014, relocated to the 798 Art Zone in 2018. At the end of 2021, Hunsand Center for Contemporary Art (Shijiazhuang) was opened in Shijiazhuang. As a professional gallery, Hunsand Space (Beijing) keeps vigilance in presenting art exhibitions with conventional way in white cubes, aiming to take the semantics and syntax from the language of contemporary art as a point of departure and expand them into a broader field. Through its vigorous programs of exhibitions and projects, Hunsand Space (Beijing) hopes to stimulate the neglected aspects in contemporary culture and brings the values of contemporary art into our lives. In addition to exhibiting contemporary art exhibitions, Hunsand Center for Contemporary Art (Shijiazhuang) as an art complex is dedicated to presenting public programs, lectures, art workshops, art merchandise, catering and many other activities and services. Relying on geographical differences, the Center's mission is to integrate artistic and audible practices into geographical and humanistic dimensions, by which to experience and pursue the differences and connections between being traditional and modern, local and international, on-site and territorial, personal and historical, spiritual and physical, bringing the ideas of contemporary art into more people's lives.
周二-周日 TUE-SUN 10:30-18:30石家庄画廊开放时间 Opening hours ：
周一-周日 MON-SUN 10:00-19:00微信 | WeChat: hunsandspace
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