
Tue Greenfort (b.1973) 是一名丹麦造型艺术家、环保主义者和活动家。Greenfort出生于丹麦霍尔布克郡,在丹麦和柏林生活和工作。自2011年以来,他一直在丹麦欧登塞艺术学院任教。在Greenfort的艺术实践中,他将科学和艺术学科联系起来,在展览和特定场地项目中处理文化和自然、公共和私人、社会和个人的各个方面。他在伦敦南画廊(2011年)、布伦瑞克美术馆(2008年)、维纳美术馆(2007年)和鹿特丹Witte de With美术馆(2006年)等地均举办过展览。Greenfort参加了卡塞尔的Documenta 13(2012年)和Skulpur Projekte Münster(2007年)。本期视频是Greenfort在2022年柏林艺术周《平衡》的展览现场。
——Tue Greenfort
Carp evolution - Revolution, 2006
Rod hoder, bait for fish, 2 fishing rots
196 9/10 × 51 1/5 × 157 1/2 in
500 × 130 × 400 cm
2,5 L BONAQUA (Condensation), 2013
Glass, silicone, BONAQUA™ – drinking water 2,5 L, 1 beverage crate Coca Cola™ (12x 1,5 L)
42 9/10 × 15 7/10 × 11 4/5 in
109 × 40 × 30 cm
Untitled (Leiter über Zaun), 2001
Photograph series
7 9/10 × 11 4/5 in
20 × 30 cm
Biodiversity, 2006
Slide projector, slides, chair
There isn't a Frog, a Foul, a Fish..., 2009
Wood, lamp, seeds
Artificial Tree, 2005
Photography
8 7/10 × 6 3/10 in
22 × 16 cm
Tue Greenfort的跨学科实践既是直接行动,也是社会批判。受丹·彼得曼(Dan Peterman)作品的影响,Greenfort认为艺术某种程度上是批评企业营销实践的道德场所。他说:“艺术有能力在不被贴上这样那样的政治派别标签和分类的情况下,详细阐述和自由讨论各类议题。”
Conservation, 2011
Pine trunk with woodpecker nests, wood boring beetle, wood, glass
14 3/5 in diameter
37 cm diameter
Langsamkeit, 2006
Photography
12 × 17 7/10 in
30.5 × 45 cm
Microscope Urea Crystals Video, 2014
24 glass slides, framed, video: 19:00 min
UREA IV/XII, 2014
C-print
18 9/10 × 12 2/5 × 1 3/5 in
48 × 31.5 × 4 cm
EARTHSCAPE ( COAST III), 2020
Plaster, sand, stones, plant and seaweed, shells
14 × 14 × 2 4/5 in
35.5 × 35.5 × 7 cm
Butterfly bush Buddleja davidii II, 2020-2021
Glazed and burnt clay
39 2/5 × 39 2/5 × 3 in
100 × 100 × 7.5 cm
UREA XII/XII, 2014
C-print
18 9/10 × 12 2/5 × 1 3/5 in
48 × 31.5 × 4 cm
Oyster Shell, 2013
Oyster shell, green glitter, PET pellets, BB gunpellets, acrylic
Cherry Laurel Prunus Laurocerasus, 2020-2021
Glazed and burnt clay
39 2/5 × 39 2/5 × 3 in
100 × 100 × 7.5 cm
Japanese Knotweed (Fallopia japonica), 2021
Cyanotype
46 4/5 × 33 1/10 in
118.9 × 84.1 cm
Japanese Knotweed (Fallopia japonica), 2021
Cyanotype
23 2/5 × 16 1/2 in
59.4 × 42 cm
Tue Greenfort对动物本身的兴趣不及对扩大的生态概念的兴趣。扩大的生态概念涵盖了文化历史、社会政治以及自然资源等等因素,因而更为复杂也更加有趣。Greenfort经常利用源于周围环境的资源,并将注意力吸引到他周围的环境中。他的作品常常起到温和地推动观众对周围世界产生更具反思性理解的作用。
Vegetation, 2005
Photography
9 4/5 × 14 3/5 in
25 × 37 cm
UREA XI/XII, 2014
C-print
18 9/10 × 12 2/5 × 1 3/5 in
48 × 31.5 × 4 cm
'Global fish reveals its dark side' (2011), 2014
Inkjet transfer on metal sheets
51 1/5 × 38 3/5 × 3 1/10 in
130 × 98 × 8 cm
Untitled (Beach Cast I), 2022
Mixed media
19 7/10 × 19 7/10 × 3 9/10 in
50 × 50 × 10 cm
UREA VIII/XII, 2014
C-print
18 9/10 × 12 2/5 × 1 3/5 in
48 × 31.5 × 4 cm
Bio-Wurstwolke - After Dieter Roth 1969, 2007
Acrylic glass, different sorts of bio-sausage slices
18 3/5 × 18 3/5 × 6 1/10 in
47.3 × 47.3 × 15.6 cm
Ohrenqualle, lat. Aurelia Aurita III, 2022
Mouth blown glass, neodymoxid
3 3/10 × 11 1/5 × 11 1/5 in
8.5 × 28.5 × 28.5 cm
UREA X/XII, 2014
C-print, framed
18 9/10 × 12 2/5 × 1 3/5 in
48 × 31.5 × 4 cm
'Production Must rise to banish Hunger' (2010), 2014
Inkjet transfer on metal sheets
34 3/5 × 27 1/5 × 3 1/2 in
88 × 69 × 9 cm
MEDUSA, 2007-2014
Murano glass
20 1/10 × 16 1/2 × 15 7/10 in
51 × 42 × 40 cm
1 Kilo PET, 2021
PET bottles, fused
15 7/10 × 11 4/5 × 11 4/5 in
40 × 30 × 30 cm
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