馆藏中国：美国圣路易斯美术馆藏中国造像
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馆藏中国是“南山供秀”平台根据平时收集的各博物馆官网资料而整理的专题内容，主要以分享为主，对内容新老不做辨伪。
本期分享圣路易斯艺术博物馆(Saint Louis Art Museum, Saint Louis, MO)收藏的部分造像。圣路易斯艺术博物馆成立于1879年，位于美国密苏里州圣路易斯市的森林公园，是座百年前为圣路易斯世博会而修建的艺术博物馆。这座博物馆的综合藏品见证了其创办人渴望实现的鼓舞人心和教育目标，以及他信奉的道德和民主要求。最初是各种各样的石膏模型、电铸复制品和各种媒体上的其他优秀设计范例的集合，很快被跨越五千年和六大洲的各种各样的原创艺术作品的集合所取代。今天，博物馆藏品的质量和广度使其成为同类最佳机构中的一员。藏品包括跨越 5,000 年历史和文化的 34,000 多件物品。其收藏的中国艺术品数量和质量都可排在美国前列。不论青铜器，瓷器，佛像都很精美。属于收藏中国文物最多最好的美国博物馆前15之列。还有欧州印象派画家凡高，莫奈，雷诺阿等名家名作，是美国主要的艺术博物馆之一。
Grace Taylor Broughton Sculpture Garden, Saint Louis Art Museum以下信息介绍来源于博物馆官网，部分信息有误，因本篇内容只做收集分享，所以对真伪不做讨论。故下列藏品信息及断代不代表本平台观点。
http://emuseum.slam.org/objects/14738/standing-sakyamuni-buddhaStanding Sâkyamuni BuddhaNorthern Qi dynasty, 550–577height from bottom of pedestal insert to top of head: 74 in. (188 cm)height from bottom of feet to top of head: 63 3/4 in. (161.9 cm)width: 18 1/2 in. (47 cm)weight (estimated): 750 lb. (340.2 kg)Notes:The serene, introspective gaze of this Buddha is enhanced by the figure’s formal stance and the white, cool character of the marble. Traces of old pigment indicate that this sculpture was originally painted to show the richly embroidered, colorful patchwork silks of a priest’s robe. There are two rare features depicted in this work. The first, just under the left shoulder, is an inverted fan shape that represents the gathering of cloth in a clasp. The second, nestled between the ankles, is a fruit-like motif interpreted as a lotus bud or a wish-granting pearl (cintamani), both symbols of purity.Based on stylistic analysis and other comparable works, this statue may have been made either during the final years of the Northern Qi dynasty or the early years of the Sui dynasty. This standing statue would have been supported on a lotus pedestal that surmounted a square base, carved from the same marble.Yasaburô Itô & Co., Tokyo, JapanSaint Louis Art Museum, purchased from Yasaburô Itô & Co., through William K. Bixby [1][1] William K. Bixby purchased this work from Yasaburô Itô & Co. on behalf of the Museum; it was shipped to the Museum via Yamanaka & Co., Kyoto, Japan [correspondence and invoices between Bixby, the Museum, and Yamanaka & Co., dated July and October 1919]. Minutes of the Administrative Board of Control of the City Art Museum, May 2, 1919.Title: Treasures from the East: Asian Art from the CollectionDate: September 25–November 14, 1982Title: Reflections of the BuddhaDate: September 9, 2011 – March 10, 2012Title: The Saint Louis Art Museum Handbook of the CollectionsTitle: Saint Louis Art Museum: Handbook of the CollectionTitle: Images of Enlightenment, in Masterpieces of Chinese Sculpture from a Private CollectionPeriodical Title: Christie's New YorkTitle: Reflections of the BuddhaTitle: Pulitzer Foundation WorkshopPeriodical Title: Archives of Asian ArtTitle: New Galleries for Asian Collection UnveiledPeriodical Title: Saint Louis Art Museum MagazineTitle: Haiwai yizhen: Foxiang xu (Hai-wai yi-chen: Chinese Art in Overseas Collections: Buddhist Sculpture II)Title: Buddhist SculpturePeriodical Title: Bulletin of the City Art Museum of St. LouisTitle: See for Yourself: Myths and StoriesPeriodical Title: A Gallery Guide for The Saint Louis Art MuseumTitle: Treasures of the BuddhaPeriodical Title: St. Louis Post DispatchTitle: Ancient Artifacts: At the Intersection of OppositesPeriodical Title: The Wall Street JournalTitle: A Celebration of Reflections at the PulitzerPeriodical Title: West End WordTitle: The St. Louis Art Museum: Handbook of the Collections
http://emuseum.slam.org/objects/33892/votive-stela-of-sakyamuni-buddha-and-attendant-bodhisattvasVotive Stela of Sâkyamuni Buddha and Attendant BodhisattvasNorthern Wei dynasty, 386–53474 x 28 1/2 x 10 1/8 in. (188 x 72.4 x 25.7 cm)weight: 1946 lb. (882.7 kg)China, Henan province, Xinxiang, WeihuiTitle: Origins of Modern SculptureDate: March 30, 1946 - May 1, 1946Venue: The Detroit Institute of ArtsVenue: City Art Museum of Saint LouisTitle: Forty Masterpieces from the Collections of the City Art Museum of Saint LouisVenue: City Art Museum of Saint LouisTitle: Treasures from the East: Asian Art from the CollectionDate: September 25–November 14, 1982Title: L'Art De L'Ancienne ChineTitle: Handbook of the Collections: The City Art Museum of Saint LouisTitle: Haiwai ji Gang Tai cang lidai foxiang: Zhenpin jinian tujianTitle: The St. Louis Art Museum: Handbook of the CollectionsTitle: Origins of Modern SculptureTitle: Forty Masterpieces from the Collections of the City Art Museum of Saint LouisPeriodical Title: Bulletin of the City Art Museum of Saint LouisTitle: Handbook of the Collections: The City Art Museum of Saint Louis
http://emuseum.slam.org/objects/36928/seated-bodhisattva--avalokitesvara-guanyinSeated Bodhisattva Avalokiteśvara (Guanyin)Northern Song dynasty, 960–1127or Jin dynasty, 1115–1234Notes:One of the most revered Buddhist deities, the Bodhisattva Avalokitesvara (known as Guanyin in Chinese) is an enlightened being who remains in the material world to aid in the salvation of all mortals. Here he is portrayed as a princely figure wearing a tiered crown bedecked with jewels. In addition, he is richly clothed in light, diaphanous silks.The relaxed pose, known as “royal ease” (lalitasana in Sanskrit), is derived from pre-Buddhist Indian royalty. The bodhisattva leans on one arm, his knee raised to rest his long, extended arm with sensitively rendered hand and fingers. The figure, also known as the Compassionate and Merciful One, is still and composed, but there is a sense of flowing movement amid swirls of silk and soft scarves that appear to ruffle and sway.C. T. Loo & Co. [C. T. Loo (1880–1957)], Paris, France and New York, NY, USA [1]Saint Louis Art Museum, purchased from C. T. Loo [2][1] Invoice from C. T. Loo & Co. dated June 6, 1947 [SLAM document files].[2] Minutes of the Administrative Board of Control of the City Art Museum, June 4, 1947.Title: Treasures from the East: Asian Art from the CollectionDate: September 25–November 14, 1982Title: Art Walk: A Moving ExperienceDate: November 14, 1991 - January 5, 1992Title: Sources of Japanese Buddhist ArtDate: April 29 – June 11, 1978Venue: Nara National MuseumTitle: Forty Masterpieces from the Collections of the City Art Museum of Saint LouisVenue: City Art Museum of Saint LouisTitle: People at the Art MuseumDate: July 7- September 9, 2001Title: Sources of Japanese Buddhist ArtTitle: L'Art De L'Ancienne ChineTitle: Favorites from Our CollectionPeriodical Title: The Saint Louis Art Museum MagazineTitle: Chinese wood sculptures of the 11th to 13th centuries : images of water-moon Guanyin in northern Chinese temples and Western collectionsTitle: Kuan Yin, The MercifulPeriodical Title: City Art Museum o f St. LouisTitle: Forty Masterpieces from the Collections of the City Art Museum of Saint LouisPeriodical Title: Bulletin of the City Art Museum of Saint LouisTitle: The Art of BuddhismTitle: A New Image in Chinese Buddist Sculpture of the Tenth to Thirteenth CenturyPeriodical Title: Transactions of the Oriental Ceramic Society 1982-1983Title: Chugoku no bijutsuTitle: Handbook of the Collections: The City Art Museum of Saint LouisTitle: The St. Louis Art Museum: Handbook of the CollectionsTitle: The Eleventh-Century Chinese Buddhist SculpturesPeriodical Title: Honolulu Academy of Arts JournalTitle: Art Walk: A Moving ExperienceTitle: The Saint Louis Art Museum Handbook of the CollectionsTitle: Saint Louis Art Museum: Handbook of the CollectionPeriodical Title: City Art MuseumTitle: Spotlight Shines on Asian ArtsPeriodical Title: St. Louis Post-DispatchTitle: A Statue of Kuan-Yin: A Problem in Sung SculpturePeriodical Title: Record of the Art Museum, Princeton UniversityTitle: The Art and Architecture of ChinaTitle: Kuan Yin, The MercifulPeriodical Title: Bulletin of the City Art Museum of Saint LouisTitle: The Art and Architecture of ChinaTitle: See for Yourself: The Human FigurePeriodical Title: A Gallery Guide for The Saint Louis Art Museumhttp://emuseum.slam.org/objects/51867/seated-arhat-luohan-on-a-pedestalSeated Arhat (luohan) on a Pedestalor Ming dynasty, 1368–164422 1/4 in. × 10 3/4 in. × 6 in. (56.5 × 27.3 × 15.2 cm)Spink Asian Art Collection, Bequest of Edith J. and C. C. Johnson Spink
http://emuseum.slam.org/objects/2367/seated-sakyamuni-buddha-in-meditationSeated Sakyamuni Buddha in MeditationDate: late 4th–early 5th centurySixteen Kingdoms period, 304–439or Northern Wei dynasty, 386–5343 1/2 x 1 7/8 x 1 in. (8.9 x 4.8 x 2.5 cm)Gift of J. Lionberger Davis
http://emuseum.slam.org/objects/33747/Seated Bodhisattva Avalokiteśvara (Guanyin)height: 10 3/4 in. (27.3 cm)width: 5 3/4 in. (14.6 cm)depth: 3 5/8 in. (9.2 cm)weight: 3 lb. 7 oz. (1.6 kg)Notes:This bodhisattva is depicted with a sympathetic demeanor expressed in the slight tilt of the head and the relaxed posture of “royal ease” (lalitsana). A bodhisattva is an enlightened being able to assist others in this world to attain enlightenment as well. Here, the bodhisattva wears an elaborate, flowing robe and a string of jewels. His right hand, in the gesture of charity, holds one of several ribbon-like scarves, while the left hand points downward.With a fullness of bodily form borrowed from classic Indian sculptural art of the Gupta period (AD 320–550), this object exemplifies the artistic ideal of high Tang style.Dr. Otto Burchard, Germany [1]Wells Objects of Art, Inc. (C. Edward Wells), New York, NY, USASaint Louis Art Museum, purchased from Wells Objects of Art, Inc. [2][1] According to a handwritten letter from Langdon Warner (of the Fogg Art Museum, Harvard University) to C. Edward Wells, dated August 1 (without specifying the year), the object (36:1933) had been sent by Dr. Otto Burchard to the Fogg Art Museum (evidently for consideration for acquisition by the Fogg Art Museum or the William Rockhill Nelson Gallery in Kansas City, Missouri). In his letter, Mr. Warner noted that "neither Kansas City nor the Fogg can consider it." [SLAM document files][2] Minutes of the Administrative Board of Control of the City Art Museum, December 14, 1933.Title: Reflections of the BuddhaDate: September 9, 2011 – March 10, 2012Title: Chinese Gold & Silver in American Collections: Tang Dynasty (A. D. 618–907)Date: November 10, 1984 – September 22, 1985Venue: Dayton Art InstituteVenue: Cooper-Hewitt, National Design MuseumVenue: George Walter Vincent Smith Art MuseumVenue: Birmingham Museum of ArtTitle: Treasures from the East: Asian Art from the CollectionDate: September 25–November 14, 1982Title: The Arts of the T'ang Dynasty, A Loan exhibition organized by the Los Angeles County Museum from Collections in America, the OriDate: January 8 – February 17, 1957Title: Chinese Buddhist Bronzes: a loan exhibition under the joint auspices of the Department of Fine Arts, Freer Fund, Museum of ArtDate: April 13 – May 7, 1950Venue: University of Michigan, Museum of ArtTitle: The Art of the Tang Dynasty: The 8th Annual Exhibition of the Chinese Art Society of AmericaDate: February 20 – March 31, 1953Venue: Chinese Art Society of AmericaTitle: Masterpieces of World Art from American Museums: From Ancient Egyptian to Contemporary ArtDate: September 11 – December 5, 1976Venue: The National Museum of Western Art, TokyoVenue: Kyoto National MusuemTitle: Reflections of the BuddhaTitle: The Arts of the T'ang Dynasty: A Loan Exhibition Organized by the Los Angeles County Museum from Collections in America, the Orient and EuropeTitle: Museums and Exhibitions: Chinese Gold and Silver from the Tang Dynasty (A.D. 618-907) in American CollectionsPeriodical Title: Oriental ArtTitle: L'Art De L'Ancienne ChineTitle: Haiwai ji Gang Tai cang lidai foxiang: Zhenpin jinian tujianTitle: Masterpieces of World Art from American Museums from Ancient Egyptian to Contemporary ArtPeriodical Title: Bulletin of the City Art Museum of St. LouisTitle: Saint Louis Art Museum: Handbook of the CollectionTitle: The University Prints: Oriental Art: Series OTitle: Pulitzer Foundation WorkshopPeriodical Title: Archives of Asian ArtTitle: Chinese Buddhist Bronzes: A Loan Exhibition under the Joint Auspices of Department of Fine Arts, Freer Fund, Museum of ArtTitle: The Saint Louis Art Museum Handbook of the CollectionsTitle: Chinese Gold & Silver in American Collections: Tang Dynasty, A.D. 618–907Title: Chinese Buddhist Bronzes of the T'ang PeriodPeriodical Title: Artibus AsiaeTitle: Handbook of the Collections: The City Art Museum of Saint LouisTitle: Oriental Art in America: Recent Accessions in American MuseumsTitle: The St. Louis Art Museum: Handbook of the Collections
http://emuseum.slam.org/objects/36789/seated-bodhisattva-maitreya-mileSeated Bodhisattva Maitreya (Mile)Date: late 6th–7th centuryheight: 5 1/4 in. (13.3 cm)width: 2 5/16 in. (5.9 cm)depth: 1 3/4 in. (4.4 cm)Title: Treasures from the East: Asian Art from the CollectionDate: September 25–November 14, 1982Title: The St. Louis Art Museum: Handbook of the CollectionsTitle: Haiwai ji Gang Tai cang lidai foxiang: Zhenpin jinian tujian
http://emuseum.slam.org/objects/27/standing-bodhisattva--avalokitesvara-guanyinStanding Bodhisattva Avalokiteśvara (Guanyin)height of figure and stand: 10 5/8 in. (27 cm)width of figure and stand: 4 5/8 in. (11.7 cm)depth of figure and stand: 4 1/4 in. (10.8 cm)height of figure from top of lotus pedestal: 7 1/2 in. (19.1 cm)width of figure from top of lotus pedestal: 2 9/16 in. (6.5 cm)depth of figure from top of lotus pedestal: 1 1/2 in. (3.8 cm)height of stand including lotus pedestal: 3 1/4 in. (8.3 cm)width of stand including lotus pedestal: 4 5/8 in. (11.7 cm)depth of stand including lotus pedestal: 4 1/4 in. (10.8 cm)weight: 2 lb. 11.3 oz. (1.2 kg) Gift of J. Lionberger DavisNotes:This gilt bronze object represents the Bodhisattva of Compassion, one of the most important Buddhist deities. In Sanskrit, the original literary and scholarly language of Buddhism, he is known as Avalokitesvara, meaning “the lord who gazes down (at the world).” In Chinese, he is popularly called Guanyin, which is an abbreviation of the name Guanshiyin, meaning “one who observes the sounds (or cries) of the world.”The standing figure holds a flask of holy water in the left hand while the right originally held a willow branch, of which only the lower portion remains. The gilt bronze pedestal may or may not be original to the figure. The presence of holes indicates the places where two attendants would have stood flanking the central figure and other smaller figures (possibly guardian animals), at the front corners.Title: Handbook of the Collections: The City Art Museum of Saint LouisTitle: Additional Bronzes from the J. Lionberger Davis GiftPeriodical Title: Bulletin of the City Art Museum of St. LouisTitle: Additional Bronzes from the J. Lionberger GiftPeriodical Title: Bulletin of the City Art Museum of St. Louis
http://emuseum.slam.org/objects/43362/seated-figure-of-an-arhat-luohanSeated Figure of an Arhat (luohan)or Ming dynasty, 1368–164420 x 12 x 12 13/16 in. (50.8 x 30.5 x 32.5 cm)Notes:Crowned with a diadem and holding a scroll of the Buddhist Law, Buddha is shown gaunt and emaciated. His beard and curly hair are references to his South Asian origins and to the unkempt, ascetic life that he once led. In 14th century Mongol China, a particular sect of worshippers followed Buddha's example and lived an ascetic life to "shake off" earthly passion and desire. Members of the sect held this image sacred to their practices and beliefs.Title: In the Shadow of Dragons: The Robert Kresko Collection of Later Chinese BronzesDate: March 7 – September 9, 2001Venue: The Trammell & Margaret Crow Collection of Asian Art
http://emuseum.slam.org/objects/5446/reliquary-in-the-form-of-a-standing-buddha-on-a-lotus-pedestReliquary in the Form of a Standing Buddha on a Lotus Pedestalheight of figure and stand: 6 1/2 in. (16.5 cm)width of figure and stand: 2 7/8 in. (7.3 cm)depth of figure and stand: 3 in. (7.6 cm)height of figure only: 5 3/4 in. (14.6 cm)width of figure only: 2 7/8 in. (7.3 cm)depth of figure only: 1 7/8 in. (4.8 cm)height of stand only: 7/8 in. (2.2 cm)diameter of top of stand: 2 3/16 in. (5.6 cm)diameter of base of stand: 3 in. (7.6 cm)height of metal pegs on top of stand: 1/8 in. (0.3 cm)Gift of J. Lionberger DavisDate: March 13 - June 24, 1984Title: Demonic and Divine: Tantric Buddhist ArtsDate: August 31, 1991 – February 16, 1992
http://emuseum.slam.org/objects/43363/standing-buddha22 3/4 x 6 5/8 in. (57.8 x 16.8 cm)Title: In the Shadow of Dragons: The Robert Kresko Collection of Later Chinese BronzesDate: March 7 – September 9, 2001Venue: The Trammell & Margaret Crow Collection of Asian Art
http://emuseum.slam.org/objects/43361/
Primordial Sovereign of the Colored Clouds of Dawn (Bixia yuanjun)Southern Song dynasty, 1127–127925 x 7 in. (63.5 x 17.8 cm)Notes:Holding a sacred seal wrapped in silk, this stately, austere figure is a Daoist deity. She is identified by several distinctive elements: her hair is coiffed in a double-roll and decorated with a lotus bud ornament; below her widow's peak is a diamond-shaped mark on her forehead; and a magic fungus motif is shown on her chest. According to Daoist legend, the goddess resides in her Temple of the Azure Cloud at the summit of Mount Taishan, first of the five great, sacred mountains of China. The goddess serves devotees by helping them on the path of wisdom and enlightenment.Title: In the Shadow of Dragons: The Robert Kresko Collection of Later Chinese BronzesDate: March 7 – September 9, 2001Venue: The Trammell & Margaret Crow Collection of Asian Arthttp://emuseum.slam.org/objects/44021/seated-figure-of-a-deity14 3/4 x 8 1/4 x 5 1/4 in. (37.5 x 21 x 13.3 cm)Spink Asian Art Collection, Bequest of Edith J. and C. C. Johnson Spink
http://emuseum.slam.org/objects/44020/standing-figure-of-a-guardian-warriorStanding Figure of a Guardian WarriorDate: 16th–early 17th century15 1/4 x 7 1/4 x 4 3/4 in. (38.7 x 18.4 x 12.1 cm)Spink Asian Art Collection, Bequest of Edith J. and C. C. Johnson Spink
http://emuseum.slam.org/objects/44019/bodhisattva--avalokitesvara-and-attendants-in-a-rocky-landscBodhisattva Avalokiteśvara and Attendants in a Rocky Landscape17 x 16 7/8 x 9 in. (43.2 x 42.9 x 22.9 cm)Spink Asian Art Collection, Bequest of Edith J. and C. C. Johnson Spink
http://emuseum.slam.org/objects/44018/standing-bodhisattva--avalokitesvaraStanding Bodhisattva AvalokiteśvaraDate: c. second quarter 17th centuryArtist: attributed to Shisou, Chinese, active late Ming dynastyChongzhen period, 1628–164422 3/4 x 6 3/4 x 8 1/2 in. (57.8 x 17.1 x 21.6 cm)including base: 26 1/2 x 10 1/2 in. (67.3 x 26.7 cm)Spink Asian Art Collection, Bequest of Edith J. and C. C. Johnson Spinkhttp://emuseum.slam.org/objects/6/virupaDate: late 18th century (probably 1771)Qianlong period, 1736–1795height: 8 1/16 in. (20.5 cm)width: 5 15/16 in. (15.1 cm)depth: 4 1/2 in. (11.4 cm)William K. Bixby Trust for Asian ArtTitle: Demonic and Divine: Tantric Buddhist ArtsDate: August 31, 1991 – February 16, 1992http://emuseum.slam.org/objects/5439/seated-amitayusDate: 18th century or laterQianlong period , or later, 1736–17955 1/16 x 3 1/2 x 2 1/8 in. (12.9 x 8.9 x 5.4 cm)Gift of J. Lionberger DavisNotes:The figure of Amitayus (Measureless Life) holds a vase of amrta, an elixir of immortality that symbolizes the transcendence of birth and death through enlightenment. In this sculpture, Amitayus is depicted with crown and jewels as a sambhogakaya Buddha, revealing the full splendor of enlightenment.This finely crafted example shows the wide-ranging influence of the Pala dynasty of eastern India (8th–12th centuries). Although this bronze was not produced by the Palas, its creators imitated their style of ornamentation and the use of inlaid metals to decorate the form. Ever since the height of the Pala dynasty, Pala-influenced images have been produced in regions ranging from India, Bangladesh, and Nepal to Tibet, China, and Indonesia.Title: Embroidered Textiles from Greece and the Aegean, Sculpture from West and Central Africa, and Sculpture and Paintings of South and Southeast AsiaDate: July 10, 1969 – September 28, 1969Venue: City Art Museum of Saint LouisTitle: Demonic and Divine: Tantric Buddhist ArtsDate: August 31, 1991 – February 16, 1992Title: The St. Louis Art Museum: Handbook of the Collectionshttp://emuseum.slam.org/objects/35900/seated-usnisavijaya
Date: mid- to late 18th centuryQianlong period, 1736–17957 1/8 x 6 3/8 x 3 5/8 in. (18.1 x 16.2 x 9.2 cm)Gift of Mrs. Frances B. Dawson in memory of Mrs. Rosalind DayTitle: Demonic and Divine: Tantric Buddhist ArtsDate: August 31, 1991 – February 16, 1992Title: Himalayan Bronzes: Technology, Style, and Choices
http://emuseum.slam.org/objects/872/vessel-support-in-the-form-of-a-crouching-tigerVessel Support in the Form of a Crouching TigerDate: early 5th century BCEastern Zhou dynasty, 770–221 BCSprings and Autumns period, 770–476 BCor Warring States period, 475–221 BCheight: 3 1/4 in. (8.3 cm)width: 6 3/8 in. (16.2 cm)Gift of J. Lionberger DavisTitle: The Art of Eastern Chou, 772–221 B.C.Date: November 13–December 15, 1962Venue: China Institute in AmericaTitle: Early Chinese Bronzes in the City Art Museum of St. LouisTitle: A New Treasury of Art (Part II)Periodical Title: The City Art Museum of Saint Louis Poster of Eventshttp://emuseum.slam.org/objects/51765/plaque-in-the-form-of-the-dark-warrior-of-the-north-xuanwuPlaque in the Form of the Dark Warrior of the North (Xuanwu)10 5/8 x 15 x 3/4 in. (27 x 38.1 x 1.9 cm)Spink Asian Art Collection, Bequest of Edith J. and C. C. Johnson Spink
http://emuseum.slam.org/objects/51864/covered-censer-in-the-form-of-a-liondog-and-her-cub
Covered Censer in the Form of a Lion-Dog and Her Cub4 in. x 6 3/4 in. x 5 3/4 in. (10.2 x 17.1 x 14.6 cm)Spink Asian Art Collection, Bequest of Edith J. and C. C. Johnson Spink
http://emuseum.slam.org/objects/43364/Covered Censer in the Form of a Lion-Dogor Ming dynasty, 1368–16445 1/4 x 5 5/8 x 6 5/16 in. (13.3 x 14.3 x 16 cm)Title: Chinese Culture Days (2009)Date: April 24, 2009–April 26, 2009Venue: Missouri Botanical GardenTitle: In the Shadow of Dragons: The Robert Kresko Collection of Later Chinese BronzesDate: March 7 – September 9, 2001Venue: The Trammell & Margaret Crow Collection of Asian Art
http://emuseum.slam.org/objects/43379/vessel-in-the-form-of-a-tapir
Vessel in the Form of a TapirDate: 16th–early 17th century8 x 3 15/16 x 8 in. (20.3 x 10 x 20.3 cm)Title: In the Shadow of Dragons: The Robert Kresko Collection of Later Chinese BronzesDate: March 7 – September 9, 2001Venue: The Trammell & Margaret Crow Collection of Asian Art
http://emuseum.slam.org/objects/43984/phoenix-standing-on-a-tortoisePhoenix Standing on a TortoiseWestern Han dynasty, 206 BC–AD 919 5/8 x 8 x 10 3/4 in. (49.8 x 20.3 x 27.3 cm)Spink Asian Art Collection, Bequest of Edith J. and C. C. Johnson Spinkhttp://emuseum.slam.org/objects/43987/horse-and-rider16 1/8 x 13 1/4 x 4 3/4 in. (41 x 33.7 x 12.1 cm)Spink Asian Art Collection, Bequest of Edith J. and C. C. Johnson Spinkhttp://emuseum.slam.org/objects/35735/bactrian-camel34 in. x 26 1/2 in. x 9 in. (86.4 x 67.3 x 22.9 cm)William K. Bixby Trust for Asian ArtNotes:This ceramic two-humped Bactrian camel was likely part of a set of objects placed in the tomb of an important person to signify wealth and position in society. The hollow sculpture was made by pressing thin sheets of earthenware clay into reusable, fired ceramic molds. Before the clay had completely dried, the sections were removed from the molds and details were incised and stamped onto them. Once the clay pieces were dry enough to support their own weight, they were joined together and attached to a flat base. The seams were trimmed, smoothed, and covered over with clay in preparation for glazing.Glazes are a mixture of tiny crystals and ground minerals, which are added to create different colors. Tang dynasty tomb objects often have multicolored lead-fluxed glazes known as “three-color” (sancai) glaze, as in the vivid amber, straw, and green colors covering this camel. To apply the glaze, the object was first covered with a white slip (clay thinned with water). The glazes were then brushed, poured, or splashed over the piece and allowed to drip down before firing. When fired, the glazes melted into a hard, glasslike finish. Tang artists used lead glazes to create rich, smooth surfaces and added coloring oxides to create pure, bright colors.Title: Treasures from the East: Asian Art from the CollectionDate: September 25–November 14, 1982Title: Handbook of the Collections: The City Art Museum of Saint LouisTitle: The St. Louis Art Museum: Handbook of the CollectionsTitle: Handbook of the Collections: The City Art Museum of Saint Louis
http://emuseum.slam.org/objects/43985/standing-figure-of-a-horse-groomStanding Figure of a Horse GroomNorthern Wei dynasty, 386–53420 1/4 x 6 3/4 x 4 in. (51.4 x 17.1 x 10.2 cm)height including stand: 21 3/4 in. (55.2 cm)Spink Asian Art Collection, Bequest of Edith J. and C. C. Johnson Spinkhttp://emuseum.slam.org/objects/54958/figure-of-standing-officialFigure of Standing Officialheight: 13 3/4 in. (35 cm)Spink Asian Art Collection, Bequest of Edith J. and C. C. Johnson Spink
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