现场 | 关小、崔洁、李泳翔近期展览

关小，1983年生于中国重庆，现工作和生活于北京。

关小以一种嬉趣的方式进行雕塑、影像和装置作品的创作。她从意想不到的材料之间辨识出各不相同的关系，创造出一种突破历史和文化界限的视觉语言。她通常会将实体物件，例如工业制品和文化产品，与遨游台式和笔记本电脑荧幕中那无限宇宙所收获的大量的图像相并置。她将截取自彼此对立、甚至相互冲突的领域中的材料转化为具有凝聚性的肌理，融合了古典与现代、数字与模拟、自然与人造等模式。关小对材料的排布颇具预见性又令人迷惑，她的作品协调着可能性与隐现的危机，批判技术对当下的时刻入侵，并对我们即将来临的、纷乱错杂的未来提供令人难忘的想象。

关小曾在众多国际艺术机构举办过个展，其中包括：波恩艺术协会，波恩，德国（2019）；圣路易斯当代艺术博物馆，密苏里，美国（2019）；温特图尔艺术博物馆，温特图尔，瑞士（2018）；国立网球场现代美术馆，巴黎，法国（2016）；伦敦当代艺术中心，伦敦，英国（2016）等。她近期参与的重要群展包括：“第34届圣保罗双年展：尽管身处黑暗，我仍高歌”，圣保罗，巴西（2021）；“第一届X美术馆三年展：终端>_HOW DO WE BEGIN?”，北京（2020）；“第57届威尼斯双年展主题展：艺术万岁”，威尼斯，意大利（2017）；“第13届里昂当代艺术双年展：现代生活”，里昂，法国（2015）；“新美术馆三年展：围绕观众”，纽约，美国（2015）等。她的作品被永久收藏于：路德维希博物馆，科隆，德国；圣加伦艺术博物馆，圣加仑，瑞士；博罗斯收藏馆，柏林，德国；桑德雷托·雷·雷鲍登戈基金会，都灵，意大利；卡蒂斯特收藏，巴黎，法国 & 旧金山，美国；White Rabbit收藏，悉尼，澳大利亚；M+收藏，香港；K11艺术基金会，香港；龙美术馆，上海；新世纪当代艺术基金会，北京等。

Guan Xiao (b. 1983) lives and works in Beijing. 

Guan takes a playful approach to making sculptures, videos, and installations, identifying disparate relationships between unexpected materials to create a visual language that breaks historical and cultural boundaries alike. She often positions physical objects – such as industrial products and cultural artifacts – alongside images amassed from scrolling through the infinite universe of desktop and laptop screens. Her works generate cohesive textures between binaries sourced from contrasting and even conflicting worlds, and fuse old and modern, digital and analogue, and natural and artificial modes. Attuned to both possibilities and looming hazards, Guan Xiao’s prescient and puzzling arrangements critique the technological thrust of the present moment while providing indelible visions of our dislocated, rapidly approaching future.

Guan Xiao has been the subject of solo exhibitions at institutions worldwide including Bonner Kunstverein, Bonn, Germany (2019); Contemporary Art Museum St. Louis, St. Louis, Missouri, US (2019); Kunsthalle Winterthur, Winterthur, Switzerland (2018); Institute of Contemporary Arts (ICA), London, UK (2016) among others. Recent and notable group exhibitions include: The 34th Bienal de São Paulo: Though It’s Dark, Still I Sing, São Paulo, Brazil (2021); X Museum Triennial 1st Edition: How Do We Begin?, X Museum, Beijing, China (2020); The 57th Venice Biennal: Viva Arte Viva, Venice, Italy (2017); 2015 Triennial: Surround Audience, New Museum, New York, US (2015) among others. Her work is in the permanent collections of institutions, such as the Museum Ludwig, Cologne, Germany; Kunstmuseum St. Gallen, St. Gallen, Switzerland; Boros Collection, Berlin, Germany; Fondazione Sandretto Re Rebaudengo, Turin, Italy; Kadist Collection, Paris, France; San Francisco, US; White Rabbit Collection, Sydney, Australia; M+ Collection, Hong Kong; K11 Art Foundation, Hong Kong; Long Museum, Shanghai, New Century Art Foundation, Beijing and among others.

崔洁（b. 1983，上海）现工作和生活于上海。

现代化、城市景观的发展和当代建筑统一且乏味的风格一直是崔洁城市系列绘画所讨论的核心主题。在崔洁的笔下，过去和现在的景象联结、交织，转化为她对过去的怀念和对未来景观那看似乌托邦式的展望与探索，从而在某种程度上引发观众的群体怀念。

她的作品曾被Phaidon出版社出版的《维他命P3》收录；也被巴黎蓬皮杜艺术中心、纽约现代艺术博物馆、芝加哥艺术博物馆、阿斯楚普费恩利（Astrup Fearnley）现代艺术博物馆、鲁贝尔艺术基金会、Kistefos美术馆、香港M+收藏等机构收藏。

部分个展与双人展：“模范新村”，焦点画廊，埃塞克斯，英国（2022）；“从亭到太空站”，曼彻斯特华人艺术中心，曼彻斯特，英国（2019）；“凌霄阁”，柯芮斯画廊，伦敦，英国（2019）；“造⼀把好椅子”，天线空间，上海（2019）；“偌大空间”（与李杰），OCAT，深圳（2018）；“后来，从前”，Mother’s Tankstation，都柏林，爱尔兰（2016）；“新旧都市方案”，Leo Xu Projects，上海（2014）等。

部分群展：“共同的现场：UCCA 15周年理事收藏展”，UCCA，北京（2022）；“溢流地”，Para Site，香港（2021）；“金木水火土”，佩斯画廊，旧金山，美国（2021）；“L’Invitation au voyage”，Esther Schipper，柏林，德国（2021）；“2021年台北双年展巡回展：你我不住在同一星球上”，蓬皮杜艺术中心-梅茨馆，梅斯，法国（2021）；“第12届台北双年展：你我不住在同一星球上”，台北市立美术馆，台北（2020）“第一届X美术馆三年展：终端>_?”，X美术馆，北京（2020）；“中国非洲”，蓬皮杜艺术中心，巴黎，法国（2020）；“未完成”，四方当代美术馆，南京（2019）；“幽灵维面——电驭叛客在未来之年”，大馆当代美术馆，香港（2019）；“百物曲”，Para Site X 外滩美术馆，上海（2019）；“‘全球都市’国际艺术双年展”，蓬皮杜艺术中心X毛继鸿艺术基金会，成都（2018）；“长征计划：违章建筑三——特区”，广东时代美术馆，广州（2018）；“贝尔格莱德57届十月沙龙”，贝尔格莱德，塞尔维亚（2018）；“前沿国际：克利夫兰当代艺术三年展”，克利夫兰，美国（2018）；“过去的肌理”，现代艺术博物馆MoMA PS1艺术中心，纽约，美国（2017）等。

Cui Jie (b. 1983, Shanghai) currently lives and works in Shanghai. 

The modernization, the development of city landscape and the unified and tedious style of contemporary architecture has always been one of the topics being discussed in Cui Jie’s paintings of cities. Connecting and intertwining visions of the past and the present under her brushstrokes, Cui expresses her nostalgia for the past and a seemingly utopian exploration for the future landscape, and hence evokes the viewer’s collective nostalgia.
 
She has been included in Phaidon Press’s publication Vitamin P3. Her works have been placed into the collections of various institutions such as Centre Pompidou, MoMA, Art Institute of Chicago, Astrup Fearnley Museum, Rubell Family Collection, Kistefos Museum and M+ Collection HK.
 
Selected solo and two-person exhibitions: New Model Village, Focal Point Gallery, Essex, UK (2022); From Pavilion to Space Station, Center for Chinese Contemporary Art, Manchester, UK (2019); The Peak Tower, Pilar Corrias, London, UK (2019); To Make a Good Chair, Antenna Space, Shanghai, China (2019); The Enormous Space (with Lee Kit), OCAT, Shenzhen, China (2018); Latter, Former, Mother’s Tankstation, Dublin, Ireland (2016); Cui Jie: The Proposals for Old and New Urbanism, Leo Xu Projects, Shanghai, China (2014) among others.
 
Selected group exhibitions: Common Ground: UCCA 15th Anniversary Patrons Collection Exhibition, UCCA, Beijing, China (2022); Liquid Ground, Para Site, Hong Kong, China (2021); Metal, Wood, Water, Fire, and Earth, Pace Palo Alto, San Francisco, US (2021); L’Invitation au voyage, Esther Schipper, Berlin, Germany (2021); Taipei Biennial 2020: You and I Don’t Live on the Same Planet, Centre Pompidou, Metz, France (2021); Taipei Fine Arts Museum, Taipei (2020); 1st X Museum Triennial: How Do We Begin?, X Museum, Beijing, China (2020); China Africa, Centre Pompidou, Paris, France (2020); Uncompleted, Sifang Art Museum, Nanjing, China (2019); Phantom Plane, Cyberpunk in the Year of the Future, Tai Kwun Contemporary Art Museum, Hong Kong, China(2019); An Opera for Animals, Para Site, Hong Kong, China (2019); Cosmopolis #1.5: Enlarged Intelligence, Centre Pompidou & Mao Jihong Arts Foundation, Chengdu, China (2018); Long March Project: Building Code Violations III—Special Economic Zone, Guangdong Time Museum, Guangzhou, China (2018); FRONT International: Cleveland Triennial for Contemporary Art: An American City, Cleveland, US (2018); Past Skin, MoMA PS1, New York, US (2017) among others.

李泳翔（b. 1991，长沙）现生活工作于德国法兰克福。2014年，他在中央圣马丁学院获得平面设计与动态影像学士学位。2020年，在Städelschule获得艺术硕士学位。2020年提名第八届华宇青年奖。

李泳翔的艺术实践运用多种媒介，然而，他的兴趣主要集中于绘画、雕塑、音乐和影像之间的跨界交融。受到文化和移居流散经历的相互影响，李泳翔带有目的性地游走于媒体、规范与文化特性之间，挑战主权观念和现有的权力结构。

近期个展：“Inside Job”，LC Queisser，第比利斯，格鲁吉亚（2022）；“姗姗来迟”，Futura，布拉格，捷克共和国（2021）；“Superfluous”，Schwabinggrad，慕尼黑，德国（2021）；“Curl”， Galerie Emanuel Layr，维也纳，奥地利（2020）；“Companion”， Jean Claude Maier，法兰克福，德国（2019）等。

部分群展：“Identity Not Proved: New Acquisitions of the Federal Collection”，联邦艺术博物馆，波恩，德国（2022）；“那里的风景”，Sadie Coles，伦敦，英国（2021）；“隐隐绰绰”，Layr，维也纳，奥地利（2021）；“2020年第八届华宇青年奖入围展：漫长的问候”，UCCA，北京（2020）；“切肤之息”，天线空间，上海（2020）；“L’esprit”，Portikus，法兰克福，德国（2020）；“Rundgang”，Städelschule，法兰克福，德国（2020；2019；2018；2017；2016）；“赤字团”，长征计划，北京（2019）；“涉过每一条小溪”，Galleria Acappella，那不勒斯，意大利（2019）；“悬挂摇摆的果实”，Aedt，杜塞尔多夫，德国（2019）；“雪上加霜”，Root Canal，阿姆斯特丹，荷兰（2019）；“突然地出现”，painnale 2018，清迈，泰国（2018）；“Radio Ufff! at fffriedrich”，法兰克福，德国（2018）；“Back to Them”，Gärtnergasse，维也纳，奥地利（2018）；“Vida de Cão，Münchener Straße 10”，法兰克福，德国（2017）等。

Yong Xiang Li (b. 1991, Changsha) is a Frankfurt-based artist. In 2020, Li completed Meisterschüler at Städelschule, Frankfurt. He was nominated the eighth Huayu Youth Award in 2020.

In his practice, Yong Xiang Li draws on a diversity of media. His main interest, however, lies in the border-crossing intersections between painting, sculpture, music and video. Influenced by a reciprocal understanding of culture and diaspora experience, the artist challenges ideas of sovereignty and existing power-structures by engaging in contaminations that aim at media, formal and cultural specificities.

Recent solo exhibitions: Inside Job, LC Queisser, Tbilisi, Georgia (2022); Late, Futura, Prague, Czech Republic (2021); Superfluous, Schwabinggrad, Munich, Germany (2021); Curl, Galerie Emanuel Layr, Vienna, Austria (2020); Companion, Jean Claude Maier, Frankfurt, Germany (2019) among others.

Selected group exhibitions: Identity Not Proved: New Acquisitions of the Federal Collection, Bundes Kunsthalle, Bonn, Germany (2022); The View from There, Sadie Coles, London, UK (2021); Indistinct Chatter, Layr, Vienna, Austria (2021); The Eighth Huayu Award Finalist Exhibition 2020: A Long Hello, UCCA, Beijing, China (2020); Breathing through Skin, Antenna Space, Shanghai, China (2020); L’esprit, Portikus, Frankfurt, Germany (2020); Rundgang, Städelschule, Frankfurt, Germany(2020; 2019; 2018; 2017; 2016); The Deficit Faction, Long March Project, Beijing, China (2019); Ford Every Streams, Galleria Acappella, Naples, Italy (2019); Fruit Suspended and Swaying, Aedt, Düsseldorf, Germany (2019); Double Trouble, Root Canal, Amsterdam, The Netherlands (2019); Appearing Unannounced, painnale 2018, Chiang Mai, Thailand (2018); Radio Ufff! at fffriedrich, Frankfurt, Germany (2018); Back to Them, Gärtnergasse, Vienna, Austria (2018); Vida de Cão, Münchener Straße 10, Frankfurt, Germany (2017) among others.