YITIAO Online Arts & Design Fair参展艺术家 | ARTISTS
Vincent CAZENEUVE 文森·漆(b.1977)LE Trieu Dien 黎潮典 (b.1943)
杜梦堂DUMONTEIL荣幸参展在首届「一条」艺术与设计线上博览会，呈现来自七位海外艺术家的绘画及摄影作品臻选，其中包括文森·漆(Vincent Cazeneuve)以大漆为媒介的创作，苔丝·杜蒙(Tess Dumon)的纸本水粉，鲁本·福恩特斯(Rubén Fuentes)的布面丙烯，黎潮典(Le Trieu Dien)和布鲁诺·加丹纳(Bruno Gadenne)的油画作品，雨果·席德(Ugo Schildge)的雕塑性绘画，以及埃里克·裴欧(Eric Pillot)的系列摄影。
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DUMONTEIL is pleased to participate in the 1st edition Yitiao Online Arts & Design Fair, presenting a selection of seven artist's pictorial creations. The virtual booth will be featuring Vincent Cazeneuve's lacquer creations on panel, gouache on paper by Tess DUMON, acrylic on canvas by Rubén Fuentes, oil on canvas by Le Trieu Dien and Bruno Gadenne, sculptural paintings by Ugo Schildge, and Eric Pillot's photography series.
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文森·漆 (b.1977)
Chinese lacquer, indigo and pomegranate-dyed silk ramie fabric, gold leaf, charcoal, oxidized copper leaf, mounted on wood panel靛蓝及石榴染色丝织苎麻纤维织物，大漆，金箔，炭笔，氧化铜箔，裱于木板Chinese lacquer, pigment, gold leaf, and xuan paper mounted on wood panel123 x 143 cm (含框 with frame)
文森·漆的作品结合了他对中国漆器历史和传统手工艺的长期研究，以及他从日常生活和带有时光印记的物件中所获得的灵感。此次展出的架上作品同样体现了文森作品以“材料入画”的特点，通过苎麻的质感、反复髹涂、打磨呈现的纹理，以及被描金工艺点亮的抽象符号，最终呈现出丰富的层次和抽象的美感。Vincent Cazeneuve's work combines his long-standing research into the history and traditional craftsmanship of Chinese lacquer with the inspiration he draws from everyday life and objects bearing the marks of time. These works on the panel also incorporate his material-composed textures realized by ramie fabric and lacquer painting techniques such as glit-decorating and gold-leafing, resulting in a richly layered texture and an abstract aesthetic.
Tess DUMON
Tess DUMON | 苔丝·杜蒙 (b. 1990)
Metal | 金
122 x 92 cm (含框 with frame)Tess DUMON | 苔丝·杜蒙 (b. 1990)
122 x 92 cm (含框 with frame)
Tess DUMON | 苔丝·杜蒙 (b. 1990)
122 x 92 cm (含框 with frame)
苔丝·杜蒙的作品涵盖了不同的媒介，包括绘画，雕塑，动画和装置等。她善于通过神话式的隐喻和个人的梦想世界，将她生活周遭的悲喜剧故事转化为在作品中深埋的线索，通过制作气场强大的场域，试图将观众置于作品的核心，令其忘却世俗世界。Tess Dumon’s work evolves on different mediums that includes drawing, sculpture, animation and installations. She aims to transform the tragic and dramatic history of the life around her into the hints concealing in her works through mythical metaphors and a personal dream world.
苔丝·杜蒙 TESS DUMON 「美是永恒的喜悦」
苔丝·杜蒙 Tess DUMON | 杜梦堂艺术家
LE Trieu Dien
LE Trieu Dien | 黎潮典
Alluvial 3 | 冲积平原 3
2013
Oil on canvas | 布面油画
100 x 100 cm
LE Trieu Dien | 黎潮典
Delta 2 | 三角洲 2
2013
Oil on canvas | 布面油画
145 x 145 cm
LE Trieu Dien | 黎潮典
Mekong Delta No.7 |湄公河三角洲 No.7
2020
Oil on canvas | 布面油画
170 x 170 cm
LE Trieu Dien | 黎潮典
黎潮典(LE Trieu Dien, 生于1943年)通过描绘湄公河三角洲的沉浮来回忆他生活中的幸福和艰辛的时刻，诉说生命的兴衰。LE Trieu Dien始终在寻求自己最本真的表达方式，其创作也超越了仅对具体事物的写实表现，而是在更深层次的抽象表达中直接地传递情感。
LE Trieu Dien (born in 1943) recalls moments of happiness and hardships in his life through works depicting the landscapes of the Mekong River Delta. However, the real intention of Le Trieu Dien, seeking its own expression, is to transcend the simple representation of the real in order to reach the abstraction of direct emotions.
Rubén FUENTES
Rubén FUENTES | 鲁本·福恩特斯 (b. 1980)
Ecosystem in Flight | 生态之翱翔
oil and acrylic on canvas鲁本·福恩特斯的作品有着连绵的绿意，此间森林涵养万物…野蛮世界征服了文明世界…在这个世界里，大自然重新主宰万物，就像中国和日本景致里的“山水”意境，人体的形态就像一只昆虫那样微小而渺茫…Rubén Fuentes's works have an extending tree, a forest that populates and covers everything... the wild world triumphs over the civilized world... A world in which nature has resumed her role of heroin, and as in the Chinese and Japanese landscapes, the human figure is like a small insect, barely perceptible...
Bruno GADENNE
Bruno GADENNE | 布鲁诺·加丹纳 (b.1990)
布鲁诺·加丹纳用深度考察、实地写生的方式，通过作品引导我们在数字时代下重新思考人与自然的关系，感受自然的神秘力量与神奇之美。加丹纳的绘画对光线的渲染总是耐人寻味。《溪流大阶梯》被笼罩在蓝调的水洗中，这种独特的色调是艺术家别出心裁的利用古典油画中的透明覆色法通过我们的双眼完成的光学游戏，从而成就了作品的“情绪”。Bruno GADENNE invites us to reconsider the relationship between man and nature in the digital age and to experience the mysterious and magical beauty of nature through his research-expedition-based work. The rendering of light in Gadenne's painting is often intriguing. The Large Steps are shrouded in a bluish wash, achieved by the artist's unconventional use of the glazing technique to play with the optics of our eyes, and critical to the 'mood' of each work.
现场 ON-SITE | 跟随布鲁诺·加丹纳的脚步探索「热带不眠夜」| 杜梦堂 上海
「Cc主义」特别报道 | 布鲁诺·加丹纳，孤独旅人的雨林之梦
「艺术阿尔法」特别报道 | 法国新锐艺术家布鲁诺·加丹纳中国首展“热带不眠夜”
Ugo SCHILDGE
Ugo SCHILDGE | 雨果·席德 (b.1987)
Barbary Fig | 梨果仙人掌
2022
Plaster, concrete, pigment, varnish and wood
石膏，混凝土，色粉，木材，清漆
120 x 180 x 5 cm
Ugo SCHILDGE | 雨果·席德 (b.1987)
Sunflower | 向日葵
2022
Plaster, concrete, pigment and wood
石膏，混凝土，色粉，木材
62 x 44 x 5 cm
雨果·席德独特的创作手法以天然色粉、木材、石膏和混凝土等为主要材料，模糊了绘画和雕塑、画布和媒介、控制和自由之前的界限，同时赋予了作品无与伦比的质感和流动性。而这种技术背后的有条不紊、深思熟虑与梦境所呈现的零散、快速而直观的表达形成了对立与碰撞。Using natural pastels, wood, plaster and concrete as his primary materials, Ugo Schildge's unique approach blurs the boundaries between painting and sculpture, canvas and medium, control and freedom, while giving the works an unparalleled texture and fluidity. And the methodical, deliberate thinking behind this technique contradicts and collides with the fragmented, rapid and intuitive expressions presented in the dreamscape.
Eric PILLOT
Eric PILLOT | 埃里克·裴欧 (b. 1968)
Photography, pigment ink on fine-art matte paper, pasted on aluminium
Edition of 8, 104 x 104 cm (含框 with frame)Eric PILLOT | 埃里克·裴欧 (b. 1968)
Black Crowned Crane and Rocks | 黑冠鹤与岩石Photography, pigment ink on fine-art matte paper, pasted on aluminium
Edition of 8, 104 x 104 cm (含框 with frame)
Eric PILLOT | 埃里克·裴欧 (b. 1968)
Turtle, Waves and Door | 石海龟、海浪与门Photography, pigment ink on fine-art matte paper, pasted on aluminium
Edition of 8, 104 x 104 cm (含框 with frame)
Eric PILLOT | 埃里克·裴欧 (b. 1968)
Photography, pigment ink on fine-art matte paper, pasted on aluminium
Edition of 8, 104 x 104 cm (含框 with frame)
“In Situ 此处"是埃里克·裴欧从2010年创作至今的系列摄影作品，描绘了离我们咫尺之遥的动物的孤独，同时创造出一个充满诗意和色彩的世界。2012年，裴欧凭借《此处 In Situ》获得了享有盛名的HSBC（汇丰银行）摄影大奖，后于2014年获法兰西艺术院 Marc Ladreit de Lacharrière奖。
Eric PILLOT | 埃里克·裴欧 (b. 1968)
Photography, pigment ink on fine-art baryta paper, pasted on aluminium
Edition of 8, 129 x 180 cm (含框 with frame)
Eric PILLOT | 埃里克·裴欧 (b. 1968)
Photography, pigment ink on fine-art baryta paper, pasted on aluminium
Edition of 8, 84 x 114 cm (含框 with frame)Eric PILLOT | 埃里克·裴欧 (b. 1968)
Photography, pigment ink on fine-art baryta paper, pasted on aluminium
Edition of 8, 84 x 114 cm (含框 with frame)
“隔墙”是埃里克·裴欧(Eric Pillot)以摄影为媒介创作的最新系列，继“此处”和“地平线”两个系列后，艺术家再次以“隔墙”唤起观众的想象力，用自己融合了建筑、图像和诗学，同时游离于绘画边缘的摄影手法，进一步探索人与风景和空间之间的关联。
"In Situ" is a series of photographs created by Eric Pillot since 2010, using a unique perspective that portrays the solitude of animals just a stone's throw away, while creating a world full of poetry and colour. In 2012, Pillot won the prestigious HSBC Photography Award, and later in 2014, the Marc Ladreit de Lacharrière Prize by the French Academy of Arts.“Parois (Walls)” is Eric Pillot’s most recent photography series. Following the success of the series “In Situ” and “Horizons”, the artist once again evokes the viewer’s imagination with “Parois” through his architectural, pictorial, and poetic approach to the image, and further explores the connection between people, landscape, and space.
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