站台中国｜邱瑞祥个人项目“遇见”参展西岸艺术与设计博览会（展位A203）
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西岸艺术与设计博览会 2022
WEST BUND Art & Design 2022
站台中国当代艺术机构 展位 A203
Platform China Contemporary Art Institute
Booth A203
“遇见” | 邱瑞祥
Pursuing | Qiu Ruixiang
2022. 11.10 - 11.13
站台中国当代艺术机构宣布将参展2022西岸艺术与设计博览会（展位：A203），特别呈现邱瑞祥的个人项目 “遇见”，展出艺术家最新完成的十余件作品。
邱瑞祥在画布中为自己创造了一个陌生的空间。他摸索着生命中所曾经历的碎屑与涌动，让它们以迥异于原始形态的色彩样貌在画布上留下印迹，逐渐构建成一个熟悉却从未遇见过的“人”。他观察着、追求着、觅寻着它细枝末节的微妙变化。它身处于此，将身体的细节隐藏于混沌背景的微弱光亮之中，在艺术家日复一日的呼唤中逐渐显露。
邱瑞祥《无题》｜ Qiu Ruixiang, Untitled
纸本油画棒Oil pastel on paper
45.2x32cm，2020-2022
邱瑞祥《覆盖》｜ Qiu Ruixiang, Veiled我们在这些作品中依稀能分辨一些姿势，它们是站立的、倒立的、屈腿而自我支撑的，在一片默然中顽强而执拗的独立于此。即使把时间线拉长到数年间，这些人物也似乎仅仅在缓慢的移动，仿佛肢体的强度限制了轻浮或随意挥舞的可能性，连画面中的球体也似乎在滚动中寻找停止的信号。但这种运动的姿态却是有重量的，它如此平静，我们能明显觉察出重力的牵引。仿佛在力的相互吸引与纠缠中，这些人物在画面中理所当然的出现了。无论面对美学的既定标准，还是在他日复一日的创作与打磨中，与其说邱瑞祥是在画面中无休止的寻找，不如说他步入了宽广和未知，向着无数次注定的“遇见”前行。而当我们面对这些作品摆出重心略微向前的姿势时，在距离的逼近之外，这些色彩浓厚的绘画也似乎在不断应和着追问的一声声异响，在精神世界的估量中愈加靠近心灵。邱瑞祥《倒立》｜ Qiu Ruixiang, Handstand邱瑞祥《无题》｜ Qiu Ruixiang, Untitled纸本油画棒 Oil pastel on paper邱瑞祥《无题》｜ Qiu Ruixiang, Untitled木板上油画棒、丙烯 Acrylic, oil pastel on woodboard“邱瑞祥在创作过程中重视直觉的引导，并借助在实践与失败中积累的经验。他常常会在不知不觉之间踏入实用主义和美学上的雷区。颜料毫无征兆地龟裂，层层累积使得颜料薄厚不匀导致画面会随机出现一块块颜料粉化的现象，作品表面显得斑驳陆离，而艺术家也无意去进行修复。这位艺术家偏爱灰暗色调，有时，他对灰暗色调的执着令其深陷暗漆的深渊，画面中深暗的颜色与自然光线的交织最终将光线吞噬。而同样具有挑战性的是，有时所求之灵魂难以寻到，或者不愿现形。为此，邱瑞祥可能需要花上数年的时间才能找到他追寻的人物；或者，花上同样的时间在画面中构建一个空间让人物恰当的存在于其中。”“In his work, Qiu Ruixiang navigates by instinct and, today, by dint of the experience that has accumulated through his practice and, additionally, through its frustrations and failings. In terms of failed paintings, it is as often practical, as much as aesthetic, mine-fields that catch him unawares. Without warning paint cracks, or successive layers of pigment dry unevenly causing random patches of flat chalky paint to mottle the picture surface; manifestations that are not reparable. At other times, the artist’s preference for a dark tonal range leads him into a quagmire of muddy paint, which refutes all attempts to illuminate form. Equally challenging, there are occasions when the soul sought cannot be found, or refuses to come forth. It can take years for Qiu Ruixiang to locate the figure he seeks, or, equally, to construct a space in which they can comfortably take form.”
邱瑞祥《势》| Qiu Ruixiang, Gesture邱瑞祥《午后》| Qiu Ruixiang, Afternoon
邱瑞祥《无题》| Qiu Ruixiang, Untitled纸本油画棒 Oil pastel on paper
邱瑞祥，1980年出生于陕西，2003年毕业于西安美术学院，现工作生活于西安。邱瑞祥在绘画的“内部”工作，他基于传统绘画的形式语素和历史性机制展开他的想象。其画面题材多来自日常记忆与生活的瞬间，但并非直接转译这些具体底本，而是将不同的图像、符号进行剪裁、变形和重置，构建一个带有某种神秘感和象征性的瓦格纳式的舞台。接触，站台中国当代艺术机构，北京，中国（2021）；深渊，OCAT当代艺术中心西安馆，西安，中国（2018）；兔子、巢穴和谷仓，站台中国当代艺术机构，北京，中国（2017）；邱瑞祥，站台中国当代艺术机构，香港，中国（2015）；自视，站台中国当代艺术机构，北京，中国（2014）；无题，方音空间，北京，中国（2010）。逍遥游，站台中国当代艺术机构，北京，中国（2022）；灵魂猎人，剩余空间，武汉，中国（2022）；图像修辞，仚東堂，北京，中国（2021）；2021迎春画展，站台中国当代艺术机构，北京，中国（2021）；记号，密域，世界中心，千虎瑠ART SPACE，西安，中国（2021）；站台中国十五周年特展，站台中国当代艺术机构，北京，中国（2020）；恶是，蜂巢当代艺术中心，北京，中国（2020）；丛林III——寻常，站台中国当代艺术机构，北京，中国（2017）；单行道——李文栋＆魏业兴收藏展，OCAT当代艺术中心西安馆，西安，中国（2016）; 常青藤计划2015•中国青年艺术家年展, 今日美术馆，北京，中国（2015）; 绘画展——第二部分，Galerie Rudiger Schoettle，慕尼黑，德国（2015）; 与绘画有关，OCAT当代艺术中心西安馆，西安，中国（2014)。Qiu Ruixiang, Born in Shaanxi, China, 1980. Graduated from Xi’an Academy of Fine arts, Oil Painting Department in 2003. Currently living and working in Xi’an, China. Qiu Ruixiang continues to work diligently within the painting, and continues to unfold his imagination within traditional formal linguistic elements and historical mechanisms. Qiu Ruixiang’s subject matter is derived from everyday memories and moments from life. Where Qiu Ruixiang differs is that he does not rely on some specific base image or motif to translate that subject matter onto the canvas. Instead, he relies on a certain awareness or sense to clip, warp and reposition different images and signs into paintings that are perhaps far removed from the original memories or images to construct a Wagnerian stage with a certain mystique and symbolism.Selected solo exhibitions: “Contact”, Platform China Contemporary Art Institute, Beijing, China (2021);“Groping in the dark”, OCAT Contemporary Art Center Museum in Xi'an, Xi'an, China (2018);“Rabbit , Den and Barn”, Platform China Contemporary Art Institute, Beijing, China (2017);“Qiu Ruixiang”, Platform China Contemporary Art Institute, Hongkong, China (2015);“Portrait Of Self”, Platform China Contemporary Art Institute, Beijing, China (2014);“Untitled”, Fun Art Space, Beijing, China (2010)Selected group exhibitions: “Carefree Days”, Platform China Contemporary Art Institute, Beijing, China（2022）；“Soul Hunters”, Surplus Space, Wuhan, China（2022）；“The Rhetoric of the image”, Xian Dong Tang, Beijing, China（2021）；“Spring Fever”, Platform China Contemporary Art Institute, Beijing, China (2021); “Sign, Secret Realm, World Center”, QIANHULIU ART SPACE, Xi'an, China (2021); “15th Anniversary Special Exhibition” , Platform China Contemporary Art Institute, Beijing, China (2020);“Being of Evils”, Hive center for contemporary art, Beijing, China (2020); Jungle III - Common”, Platform China Contemporary Art Institute, Beijing, China (2017);“Each to His Own - Li Wendong & Wei Xingye Collection” , OCAT Contemporary Art Xi’an, Xi'an (2016); “ Ivy Art 2015 Chinese Young Artists Annual Exhibition” , Today Art Museum, Beijing, China (2015);“Painting Show—Part Two”, Galerie Rudiger Schoettle, Munich, Germany (2015);“About Painting ”, OCAT Contemporary Art Center Museum in Xi'an, Xi'an, China (2014)
博览会日程｜Exhibition Schedule
贵宾预览 | Collectors Preview
Hall A, West Bund Art Center, 2555Longteng Avenue, Xuhui District, Shanghai
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