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BROWNIE Project 画廊即将开幕 | 群展《身外之躯》：陈孟涵、黄含康、金赞颂、麦海士

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身外之躯

THE BODY OF NON-BODY

—

\ 艺术家 Artists /

陈孟涵 Maggie Menghan Chen

黄含康 Hankang Huang

金赞颂 Chansong Kim

麦海士 Mahesh Singh

\ 展期 Duration /

2022/11/8 - 2023/2/12

\ 开幕 Opening /

11/8 15:00-19:00

\ 地址 Address /

上海市莫干山路50号6号楼105

Rm 105, Bldg 6, 50 Moganshan Rd, Shanghai

金赞颂 Chansong Kim

《匿名场景》 SCENES OF ANONYMITY, 2021

162.2 x 260.6 cm

布面油画 Oil on canvas

BROWNIE Project 于上海艺术月期间欣然呈现 陈孟涵、黄含康、金赞颂、麦海士 四位艺术家的作品。在他们的绘画与雕塑中，身体被用作为达成某种超越的工具，分别化作肉身与实在间离的隐喻、心智与自然的中介、数码造物的历史回应与政治寓言。这些基于身体的表达将身体从其原初的物理属性中解放，将其模糊和延展为精神社会研究与情感的能动——最终指向一种“非身体（non-body）”的可能。四个篇章于画廊空间中穿插，启程一场漫长而内向的身体本能（力比多流）与身体本质（死亡欲望）间的折返。

黄含康 Hankang Huang

《灼热，织网以及光的影子》

BURNING, WEAVING WEBS, AND SHADOWS OF LIGHT, 2022

140 x 100 cm

板上综合媒介 Mixed media on board

“身外之躯” 所聚焦的非身体（non-body）性，衍生自法国人类学家马克·奥吉（Marc Augé）的 “非场所（non-place, non-lieux）”概念：那些难以使人产生认同感与产生人际关系、不具有历史性的空间。身体作为容载器官、机体功能的空间单位，物理上是天然，独属且独立于外部世界的，是与当下状态紧密联系的有机体。与之相对的，非身体是流动的、未完成的、连接其主体的当下与过去，并作为一种情态与身体同时存在且相互作用的。非身体是精神意志的广延，不同于身体外形明了、体积稳定的独立存在，它具备向内、向深处隐匿，却能连接时间与空间的力量。非身体在艺术家们的作品中以身体与其喻体的形象出现，人的骨肉（金赞颂），兽首（陈孟涵），类似人体的山体（麦海士），捆绑与联络众多身体的织网（黄含康）同时向终结的本质蔓生并提出想象：在肉身飘摇甚至消饵的景况中，如何以精神的自由活动去接近重生？

陈孟涵 Maggie Menghan Chen

《新遗迹 II》 NEW RELIC II, 2022

虎头 Tiger Head 18 x 18 x 16 cm

化石 Fossil 30 x 28 x 2 cm x 2

整体尺寸可变 Dimensions variable

木头化石，木头纤维 PLA，稻草

Wood PLA, petrified wood, straw

1+1AP

BROWNIE Project 画廊即将开幕 | 群展《身外之躯》：陈孟涵、黄含康、金赞颂、麦海士崇真艺客

陈孟涵 Maggie Menghan Chen

《新遗迹 I》 NEW RELIC I, 2022

30 x 30 x 5 cm

木头化石，木头纤维 PLA

Wood PLA, petrified wood

1+1AP

BROWNIE Project is pleased to present the works of Maggie Menghan Chen, Hankang Huang, Chansong Kim and Mahesh Singh during Shanghai’s art month. In their paintings and sculptures, the body often presents itself as a tool to attain transcendence, namely, turning into a metaphor for the separation between the flesh and substance, an intermediary between mind and nature, a response to history through digital creation, and a political allegory. These body-based expressions liberate the body from its original physical properties, blurring and extending it into the agency of psychosocial research and emotion, ultimately pointing to the possibility of a “non-body”. The four chapters are interspersed in the gallery space, embarking on an ongoing and introverted journey between bodily instinct (libido flow) and bodily essence (death drive).

The non-body nature in this exhibition is derived from the concept of non-place (non-lieux) coined by the French anthropologist Marc Augé, referring to the spaces of transience that are not relational, not historical and not concerned with identity. The body, as a spatial unit that houses organs and functions, is physically natural, exclusive and independent of the external world, an organism closely related to the current state. In contrast, the non-body is fluid and processive, connecting its subject's present and past while coexisting and interacting with the body as a modality. The non-body is the extension of the spiritual will. It is different from the clear-shaped existence of the body with stable volume. It has the power to hide inward and deep yet acts to connect time and space. The non-body appears in the artist's works in the form of the body and its metaphor, e.g. bones and flesh (Chansong Kim), animal head (Maggie Menghan Chen), human-body-resembled mountain range (Mahesh Singh), the webs that bind and communicate many bodies (Hankang Huang). All of them allude to their essential dispel and propose to imagine: How to approach rebirth with spiritual freedom when the body is ever-decaying?

BROWNIE Project 画廊即将开幕 | 群展《身外之躯》：陈孟涵、黄含康、金赞颂、麦海士崇真艺客

麦海士·辛格 Mahesh Singh

《狂热》 FEVER , 2020

107 x 122 cm

布面丙烯 Acrylic on canvas

关于艺术家

About the Artists

陈孟涵

Maggie Menghan Chen

陈孟涵于（b.1998，北京）现工作和生活于伦敦。她于纽约大学取得艺术史学士学位，硕士毕业于切尔西艺术学院纯艺专业。

陈孟涵以准考古学的方式进行雕塑，装置和纸本的创作。她以作品为证据编织线索，还原遗失或推测性历史，并游走于史实，历史性叙事和幻想文学之间。她常常提取自然中的符号与隐喻，通过数字生成和重塑，与自然拾得物相并置。通过仿制历史语境，她的创作反思社会构建记忆在当今数字时代中的虚实边界。

Maggie Menghan Chen (b. 1998, Beijing) lives and works in London. She obtained her MA degree in Fine Art at Chelsea College of Arts following her BA degree in Art History at New York University.

Chen works across sculpture, installation and print-making in a quasi-archeological approach. Her work serves as evidence, leaving clues for a lost or speculative history, which hovers between facts, historical narratives and fantasy fictions. Chen extracts nature’s symbols and archetypes, digitally restores and transforms them to juxtapose with found objects. Through setting a tone in the past, her practice reflects upon the social construct of memory and its boundaries between reality and stimulation in the digital age.

教育背景

2021 - 2022 切尔西艺术学院，美术硕士

2016 - 2020 纽约大学学院，艺术史学士

展览和项目

2022 出土，个展，Danuser & Ramírez，伦敦，英国

身外之躯，BROWNIE Project，上海，中国

第26届温特图尔国际短片电影节，“运动致死”单元，温特图尔，瑞士

不稳定环境：集体治愈，Crypt Gallery，伦敦，英国

艺术硕士毕业展，切尔西艺术学院，伦敦，英国

回归生活，圣塞维尔教堂，伦敦，英国

2021 踪迹，库克之家，伦敦，英国

扰流板（用途），PADA工作室，里斯本，葡萄牙

2020 深水，X美术馆，北京，中国

当神话跳入经济：生态大水花！，postpost，北京，中国

UCCA夜市：24小时内消失，UCCA美术馆，北京，中国

2019 神力对抗怯懦，盘子空间，北京，中国

2016-至今出版社团S/ash的创始人和总监

野餐艺术节（上海，2021）

东京艺术书展（东京，2019）

abC艺术书展（北京，2018）

委任项目

2020 First Fridays，委任表演作品，当代艺术中心，迈阿密, 美国

报道

2020/12 ”陈孟涵通过她的‘深水’表演潜入梦境，并找到其中的治愈价值“，Aqnb

2020/3 “等待呼气：北京S/ash社团在大隔离期间分享‘塑身运动’与对生活的见解，Aqnb

Education

2016-2020 BA Art History, New York University

2021-2022 MA Fine Art, Chelsea College of Arts

Exhibitions and Projects

2022 Unearthed, solo show, Danuser & Ramírez, London. (Upcoming)

The Body of Non-body, group show, BROWNIE Project, Shanghai, China

“Death by Sports” Unit, 26th Internationale Kurzfilmtage Winterthur, Switzerland

Volatile Milieu: Collective Healing, Crypt Gallery, London.Back to Life, St. Saviour’s Church, London, UK

Postgraduate Fine Art Degree Show, Chelsea College of Arts, London.

Back to Life, group show, St. Saviour’s Church, London.

2021 Traces, Cook House, London, UK

Spoiler (Purpose), PADA Studios, Lisbon, PT

2020 Undercurrents, X Museum, Beijing, CHN

When Mythology Jumps Into Economy: a Big Splash of Ecology!, postpost, Beijing, CHN

“UCCA Night Market: Gone in 24 Hours”, UCCA, Beijing, CHN

2019 Metaforce Against Cowardice”, Plate Space, Beijing, CHN

2016-Now Founder and Director of publishing collective S/ash

Picnic Art Festival (Shanghai, 2021)

Tokyo Art Book Fair (Tokyo, 2019)

abC Art Book Fair (Beijing, 2018)

Commission

2020 “First Fridays” Performance commission, ICA, Miami, US

Press

2020/12 “Maggie Menghan Chen dives into the realm of dreams & finds its restorative value through her ‘深水 Undercurrents’ performance”

2020/3 “Waiting to exhale: Beijing’s S/ash collective share ‘Body Building Exercise’ along with some insight on life under mass quarantine”

黄含康

Hankang Huang

出生于中国苏州， 2006年毕业于法国巴黎塞尔其国家高等艺术学院，现生活和工作于中国上海和法国巴黎。

⻩含康在创作中经常借用和调度具备全球化语境中“共性”的⻆色。取其所自身带有的不同文明背景和历史进程中的作用关系，于转化和关联这些⻆色的位置中产生多方对话，揉杂交汇出的“共处”来获得释放和指向一种新的未知关系，在这种非规则的进程与变异的线索中再次“显影”正在剧变的今日社会、政治以及历史。

他的作品曾受邀展出于各大艺术机构，近期重要个展包括“打开灯”，Bertrand & Gruner画廊，日内瓦，瑞士；“无数冲击的碎片”，Bertrand & Gruner画廊，日内瓦，瑞士；“近期水彩画”，Danese画廊，纽约，美国；群展包括“光的续言”，永福52，上海，中国；“生命中不可承受之蓝”，淮海TX，上海，中国；群展，Sébastien Bertrand画廊，日内瓦，瑞士等。

b. Suzhou, China. Graduated from Ecole Nationale Supérieure d'ARTS Paris-Cergy Paris, France in 2006, now living and working in Shanghai, China and Paris, France.

Hankang Huang often uses and deploys the roles with ''universality'' in the global context, pink their different civilization background and functional relationship in the historical process, to transform and connect those roles' positions. To create multi-conversations, hybridize the ''universality'' to release and point to a new unknown relationship. To manifest the undergoing society, politics and history nowadays in this irregular process and mutated clue.

His works have been invited to various art organizations, recent selected solo exhibitions included‘Turn On The Light’, Galerie Bertrand & Gruner, Geneva, Switzerland;‘Fragment of Numerous Impacts’, Galerie Bertrand & Gruner, Geneva, Switzerlan;‘Recent Watercolors’, Danese Gallery, New York, USA; Group exhibitions included‘The Sequel of Light’,Yongfu 52. Shanghai, China; ‘The Unbearable Blue of Being’,Huaihai TX, Shanghai, China; Group show, Galerie Sébastien Bertrand, Geneva, Switzerland etc.

个展

2012 打开灯，Bertrand & Gruner画廊，日内瓦，瑞士

2009 无数冲击的碎片，Bertrand & Gruner画廊，日内瓦，瑞士

2006 近期水彩画，Danese画廊，纽约，美国

部分群展

2022 身外之躯，BROWNIE Project，上海，中国

2021 光的续言，永福52，上海，中国

021艺博会，拱⻔画廊，上海，中国

生命中不可承受之蓝，淮海TX，上海，中国

2020 艺述单元，北京当代艺术展，CHAO艺术中心，北京，中国

2018 群展，Sébastien Bertrand画廊，日内瓦，瑞士

2016 群展，陕西艺术博物馆，西安，中国

2015 纸上作品，Sébastien Bertrand画廊，日内瓦，瑞士

2014 艺术巴黎，巴黎，法国

2013 艺术日内瓦，Sébastien Bertrand画廊，日内瓦，瑞士

即刻绘制巴黎艺术节，罗浮宫博物馆，巴黎，法国

群展，Anne De Villepoix画廊, 巴黎, 法国

第九届上海双年展浦东机场项目, 上海，中国

肖像：古董柜，Sébastien Bertrand画廊，日内瓦，瑞士

亚洲艺术，Bafund，迈阿密，美国

2012 群展，德美艺嘉，北京，中国

2011 共振失调，Anne De Villepoix画廊，巴黎，法国

沃尔特7，Sébastien Bertrand画廊，巴塞尔，瑞士

2010 纸上作品，Danese画廊，纽约，美国

2009 沃尔特5，Bertrand & Gruner画廊，巴塞尔，瑞士

2008 纸上作品，Bertrand & Gruner画廊，巴塞尔，瑞士

2007 迈阿密范围，Houldsworth画廊，迈阿密，美国

艺术迈阿密，Danese画廊，迈阿密，美国

The ADAA艺术展，Danese画廊，纽约，美国

2006 从灰到黑，Danese画廊，纽约，美国

艺术评论写作实践

2015 07 LEAP 杂志

12 LEAP 杂志

2013 里昂双年展艺术论坛

特别项目

2022 TASAKI 委托装置“ 衡星”，上海久事艺术中心

2013 “INVISIBLE TIMES”艺术芭莎

Solo Exhibitions

2012 Turn On The Light, Galerie Bertrand & Gruner, Geneva, Switzerland

2009 Fragment of Numerous Impacts, Galerie Bertrand & Gruner, Geneva, Switzerlan

2006 Recent Watercolors, Danese Gallery, New York, USA

Selected Group Exhibitions

2022 The Body of Non-body, BROWNIE Project, Shanghai, China

2021 The Sequel of Light, Yongfu52, Shanghai, China

021 Art Fair，Arch Gallery, Shanghai, China

The Unbearable Blue of Being, Huaihai TX, Shanghai, China

2020 Story Unit, Beijing Contemporary Art Expo, CHAO Art Center, Beijing, China

2018 Group Show, Galerie Sébastien Bertrand, Geneva, Switzerland

2016 Group Show, Shanxi museum of art, Xian, China

2015 Works on Paper, Galerie Sébastien Bertrand, Geneva, Switzerland

2014 Art Paris, Paris, France

2013 Art Geneva, Galerie Sébastien Bertrand, Geneva, Switzerland

Drawing Now PARIS, Louvre Museum, Paris, France

Group Show, Anne De Villepoix Gallery, Paris, France

9th Contemporary Art Biennale: Pudong Airport Project, Shanghai, China

Portraits : Cabinet de curiosités, Galerie Sébastien Bertrand, Geneva, Switzerland

Art Asia, Bafund, Miami, USA

2012 Group Show, Beautiful Asset, Beijing, China

2011 Resonance Dissonance, Anne De Villepoix, Anne De Villepoix Gallery, Paris, France

Volta7, Galerie Sébastien Bertrand, Basel, Switzerland

2010 Works on Paper, Danese Gallery, New York, USA

2009 Volta5，Galerie Bertrand & Gruner, Basel, Switzerland

2008 Works on Paper, Galerie Bertrand & Gruner, Basel, Switzerland

2007 Scope Miami, Houldsworth Gallery, Miami, USA

Art Miami, Danese Gallery, Miami, USA

The ADAA Art Show, Danese Gallery, New York, USA

2006 Gray to Black, Danese Gallery, New York, USA

Art Review Writing Practice

2015 07 LEAP magazine

12 LEAP magazine

2013 Lyon Biennale Art Forum

Special Projects

2022 TASAKI commissioned installation ‘Balance of Star’, Shanghai JIUSHI Art Museum

2013 “INVISIBLE TIMES” BBART

金赞颂

Chansong Kim

金赞颂是一位韩国艺术家，拥有韩国首尔国民大学美术学院绘画学士学位。金赞颂感兴趣于“边界“的概念，在她以身体为主题的绘画中，主体与客体、亲密与陌生、驱逐与侵入总是在不断交织，保持着紧张的关系，在模棱两可的边界上暗藏着悬而未决的时刻。而在这个过程中，边界被慢慢模糊，新的内核又会从中升起，引起新一轮的共生与博弈。

Chansong Kim is a Korean artist. She graduated from Kookmin University (Seoul, Korea) with a BFA in Painting. Kim’s practice revolving around the body explores the concept of "boundary". In her paintings, subject and object, intimacy and strangeness, expulsion and invasion are always intertwined, maintaining a tense relationship, like a moment in suspense on these ambiguous borders. In this process, the boundaries are gradually blurring, and a new core will rise from them, bring symbiosis and game again.

个展

2023 3月摩洛哥个展即将呈现

2022 蓝色时光，Pipe画廊，首尔，韩国

姿势和诗歌，CL艺术，首尔，韩国

2021 触手可及，TEMI艺术家驻地，大田，韩国

城市漫游者，Artertain，首尔，韩国

2019 恰当的姿势，Karas画廊，首尔，韩国

2017 雾的重量，Aile画廊，首尔，韩国

2016 无法定位的风景，4walls画廊，首尔，韩国

2015 不可思议的间隙，4walls画廊，首尔，韩国

不可思议的间隙，Cheongju艺术工作室，清洲，韩国

2014 漂浮森林，Alternative Space Noon，水原，韩国

2012 粘滞的房间，The K画廊，首尔，韩国

2010 茧屋，Kookmin艺术画廊，首尔，韩国

部分群展

2022（即将呈现），The Stroll画廊，香港，中国

（即将呈现），PBG，Print bakery画廊，首尔，韩国

阔步，Supermarkt画廊，东京，日本

生动的自传，Dohing艺术，首尔，韩国

固化剂，Eulji艺术中心，首尔，韩国

喜悦：升起的名字，Lotte画廊，首尔，韩国

2021 边界，Artside画廊，首尔，韩国

难以辨认的地图，3艺术空间，首尔，韩国

消失的风景 (Chansong Kim, Pierre Knop)，Tra艺术，首尔，韩国

香草天空，Azulezo画廊，首尔，韩国

预览，TEMI艺术家驻地，大田，韩国

世界上所有的绘画，Artertain，首尔，韩国

2020 转变，Pakyoung画廊，坡州，韩国

非典型开采，KC艺术空间，城南，韩国

线路美学，Aile画廊，首尔，韩国

Public画廊 X Jongro塔，Jongro Towerm，首尔，韩国

2019 青春，绘画的力量，Artertain，首尔，韩国

粉色外表，Dohing艺术，首尔，韩国

媒介属性，K空间，果川，韩国

上升：各式各样，Lina画廊，首尔，韩国

2018 Lee Eungno巴黎驻地计划，Lee Eungno美术馆，大田，韩国

反射：某种湍流，Lee Eungno驻地，巴黎，法国

新兴画布5，Lalit Kala Akademi，钦奈，印度

她的故事，Aile画廊，首尔，韩国

MVG休息室的3位艺术家，Lotte Department Store Gangnam，首尔，韩国

Douze，LJA画廊，首尔，韩国

回溯绘画，Aile 04画廊，首尔，韩国

2017 之间，Sophis画廊，首尔，韩国

回溯绘画，Aile 03画廊，首尔，韩国

莫纳德，Kimi艺术，首尔，韩国

皮肤，Hoard画廊，首尔，韩国

新绘画计划，Chang Ucchin美术馆，扬州，韩国

看见未来，Aile画廊，首尔，韩国

2016 文献，Cheongju艺术工作室，清州，韩国

丽水国际艺术节，丽水，韩国

Majoongmool，Kimreeaa画廊，首尔，韩国

2015 就在那里，Miboo艺术中心，釜山，韩国

2014 韩国青年群体，Shine艺术家画廊，伦敦，英国

涂鸦4，Unofficial Preview画廊，首尔，韩国

2011 明日艺术家，Kyumjae-Jeongseon美术馆，首尔，韩国

奖项

2020 年度青年艺术家，GAMMA青年艺术家竞赛，韩国

2016 绘画奖，Chang Ucchin美术馆，扬州，韩国

2011 明日艺术家奖，Kyumjae-Jeongseon美术馆，首尔，韩国

驻地

2021 TEMI艺术家驻地，大田，韩国

2018 Leeungno巴黎驻地，Vaux-sur-Seine，法国

2014 清州艺术工作室，清洲，韩国

公共收藏

首尔城市, 清洲美术馆, Chang Ucchin美术馆, Pakyoung出版公司, “A”公司

Solo Exhibition

2023 (Upcoming solo exhibition in Morocco, March)

2022 The Blue Hour, Pipe Gallery, Seoul

Gestures and Poem, CL Art, Seoul, Korea

2021 At a Moment’s Touch, Artist Residency TEMI, Daejeon, Korea

Flaneur, Artertain, Seoul, Korea

2019 Proper Gestures, Karas Gallery, Seoul, Korea

2017 Weight of the Fog, Gallery Aile, Seoul, Korea

2016 The Scenery Which Couldn’t Be Situated, Gallery 4walls, Seoul, Korea

2015 Uncanny Gap, Gallery 4walls, Seoul, Korea

Uncanny Gap, Cheongju Art Studio, Cheongju, Korea

2014 Floating Forest, Alternative Space Noon, Suwon, Korea

2012 Sticky Room, The K Gallery, Seoul, Korea

2010 Cocoon House, Kookmin Art Gallery, Seoul, Korea

Selected Group Exhibition

2022 (Upcoming) The Stroll Gallery, Hong Kong

(Upcoming) PBG (Print bakery Gallery), Seoul, Korea

Stride, Galerie Supermarkt, Tokyo, Japan

Lively Autobiography, Dohing Art, Seoul

Hardener, Eulji Art Center, Seoul

Rejoice : Rising Names, Lotte Gallery, Seoul

2021 Boundary, Artside Gallery, Seoul, Korea

Illegible Map, Artspace 3, Seoul, Korea

Disappeared Landscapes (Chansong Kim, Pierre Knop), Tra Art, Seoul, Korea

Vanilla Sky, Azulezo Gallery, Seoul, Korea

Preview, Artist Residency TEMI, Daejeon, Korea

All the Drawings in the World, Artertain, Seoul, Korea

2020 The Shift, Gallery Pakyoung, Paju, Korea

Atypical Mining, Artspace KC, Sungnam, Korea

Aesthetics of the Line, Gallery Aile, Seoul, Korea

Public Gallery X Jongro Tower, Jongro Towerm Seoul, Korea

2019 Youth, Paintings in Power, Artertain, Seoul, Korea

Pink Facade, Dohing Art, Seoul, Korea

Media Attribute, Space K, Gwacheon, Korea

Step-up : Various, Lina Gallery, Seoul, Korea

2018 Lee Eungno Residence in Paris, Lee Eungno Museum, Daejeon, Korea

Reflet : une certaine turbulence, Paris Lee Eungno Residence, France

Emerging Canvas 5, Lalit Kala Akademi, Chennai, India

Her Story, Gallery Aile, Seoul, Korea

3 Artists in MVG Lounge, Lotte Department Store Gangnam, Seoul, Korea

Douze, LJA Gallery, Seoul, Korea

Retrace with Drawing, Gallery Aile 04, Seoul, Korea

2017 Between, Sophis Gallery, Seoul, Korea

Retrace with Drawing, Gallery Aile 03, Seoul, Korea

Monad, Kimi Art, Seoul, Korea

Flesh, Gallery Hoard, Seoul, Korea

New Drawing Project, Chang Ucchin Museum of Art, Yangju, Korea

Seeing the Future, Gallery Aile, Seoul, Korea

2016 Document, Cheongju Art Studio, Cheongju, Korea

Yeosu international art festival, Yeosu, Korea

Majoongmool, Kimreeaa gallery, Seoul, Korea

2015 Out There, Miboo Art Center, Busan, Korea

2014 Young Korean Collective, Shine Artist Gallery, London, England

Scribbles 4, Unofficial Preview Gallery, Seoul, Korea

2011 Tomorrow’s Artist, Kyumjae-Jeongseon Art Museum, Seoul, Korea

Award

2020 Young Artist of the Year, GAMMA Young Artist Competition, Korea

2016 Drawing Award, Chang Ucchin Museum of Art, Yangju, Korea

2011 Tomorrow’s Artist Prize, Kyumjae-Jeongseon Art Museum, Seoul, Korea

Residency

2021 Artist Residency TEMI, Daejeon, Korea

2018 Paris Leeungno Residency, Vaux-sur-Seine, France

2014 Cheongju Art Studio, Cheongju, Korea

Public Collection

Seoul City, Cheongju Museum of Art, Chang Ucchin Museum of art, Pakyoung Publishing Company, ‘A’ Company

麦海士·辛格

Mahesh Singh

麦海士·辛格（1985，波卡罗，贾坎德邦）出生成长于印度，他本科与硕士毕业于新德里的国立伊斯兰大学，同时获得了中国美术学院当代艺术专业的油画国际硕士(IMFA)学位，目前为上海大学博士候选人。

受东方宗教和哲学中转变、超越和神秘的观念影响，他的绘画呈现出内观的体验，并带有一种真空般的静止和永恒。他倾向于使用或明晰或晦涩的元素来构建画面，用一种充满暗示的方式引人深思，而画面主体通常为某种景观，来充当意识、梦和记忆的载体。从自身身心灵的经验出发，麦海士试图让他的绘画可以在不同的维度被审视与解读。空间与身体，视觉与心理，艺术家与画布，这些链接与对话引领观者以直觉进入超越之旅，引发片刻的沉思与冥想。

Mahesh Singh (b. 1985, Bokaro, Jharkhand) was born and brought up in India. He got his BFA and MA degree from Jamia Millia Islamia University in New Delhi and holds an IMFA from the China Academy of Art, specializing in oil and acrylic painting.

Influenced by the notions of transformation, transcendence and mystery in eastern religions and philosophies, Singh’s paintings present an inner experience with a sense of vacuum of stillness and eternity. He tends to use distinct or obscure elements to build a picture, which is full of indications to arouse people's deep thinking. Landscape usually serves as his subject, the carrier of consciousness, dreams and memories. Drawing from his psycho-somatic or psycho-spiritual experiences, Mahesh tries to suffuse his work with an awareness that allows the work to be contemplated and considered on multiple levels. Space and body, vision and psychology, artist and canvas, these connections and dialogues lead the audience to enter the journey of transcendence with intuition and trigger a moment of meditation.

教育背景

2025 博士候选人，上海大学上海美术学院，上海，中国

2020 艺术硕士，中国美术学院，杭州，中国

2021 大众传播硕士，国立伊斯兰大学，新德里，印度

2009 艺术学士，国立伊斯兰大学，新德里，印度

部分展览

2022 山！山！山！艺术节，长沙，中国

2021 后浪艺术博览会，华萃艺术，上海，中国

2019 双影——当代艺术展，天际线美术馆，杭州，中国

亚洲艺术节，昌原，城山艺术馆，韩国

2018 来自东方的信：青年国际绘画展，中国美术学院博物馆，杭州，中国

太阳下的所有艺术：中国美术学院海外留学生教育40周年，中国美术学院博物馆，杭州，中国

2014 全印度美术和工艺协会，全国摄影年展，新德里，印度

2009 第12届全印度绘画展，国家拉里特卡拉学院，勒克瑙，印度

获奖经历和驻留项目

2022 卡拉南德大奖，Prafulla Dahanukar艺术基金会，孟买，印度

艺术家驻留项目，斯沃琪和平饭店艺术中心，上海，中国

2017 中国政府奖学金，国际艺术硕士，中国美术学院，杭州，中国

2014 三等奖，完美的德里：摄影比赛和展览，由印度德里政府的信息和宣传主任组织

Education
2025 PhD Candidate at SAFA, Shanghai University, Shanghai, China
2020 IMFA, China Academy of Art, Hangzhou, China
2012 MA in Mass Communication, Jamia Millia Islamia University, New Delhi, India
2009 BFA, Jamia Millia Islamia University, New Delhi, India

Selected Exhibitions
2022 Changsha Mountain Art Festival, Changsha, Hunan Province, China
2021 Post Wave Art Fair, Hua Cui Art Museum, Shanghai, China
2019 Double Shadows- A Contemporary Art Exhibition, Skyline Art Gallery, Hangzhou, China

Asia Art Festival, Changwon, Seongsan Art Hall, South Korea
2018 Letters from the East: Inter-Youth International Painting Exhibition, Museum of China Academy of Art, Hangzhou, China

All Art Under the Sun: The 40th Anniversary of Education for the Overseas Students, China Academy of Art, Museum of China Academy of Art, China

2014 All India Fine Arts and Crafts Society, National Annual Exhibition of Photography, New Delhi, India
2009 12th All India Painting Exhibition, State Lalit Kala Akademi, Lucknow, India Grants

Awards and Residencies

2022 Kalanand Grand Award, Prafulla Dahanukar Art Foundation, Mumbai, India

Artist-in-Residency, Swatch Art Peace Hotel, Shanghai, China

2017 Chinese Government Scholarship, International Masters of Fine Arts, China Academy of Art, China

2014 3rd Prize, Picture Perfect Delhi: Photography Competition and Exhibition, Organized by Director of Information and Publicity, Govt. of NCT of Delhi, India

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