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贝家骧 | 大马路上的灰色年华

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贝家骧 | 大马路上的灰色年华崇真艺客

贝家骧，大马路，布面油画，410x235cm，2016

《大马路》是贝家骧绘画创作中为数不多的大尺幅作品，4米的宽度和2.3米的高度足以令每一位驻足于画前的观者为之震撼与动容。于贝家骧本人而言，或许唯有这样的大尺幅才更足以容纳他对历史的存照，对那个记忆中的老上海深邃而温柔的情感。

在这里，他将上个世纪上海的动荡、不安与焦虑一起揉进画里，那如历史洪流般激荡的岁月年华在画卷中铺陈开来，灰黄低沉的色彩恰如为老上海染上了一层逝去的灰色年华。

贝家骧 | 大马路上的灰色年华崇真艺客

《大马路》局部

画画的人习惯于用属于味觉的“味道”来谈画，实际上讲的是视觉审美问题。所以，老上海的味道，实际上是讲对老上海的一种感悟，一种回味，是一种充满感情色彩的思想表达。在《大马路》中，贝家骧不拘于画面场景的真实性，亦不在意于年代的前后，他打破时间与空间的概念，用一种看似朴素的纪实风格来还原老上海的旧时场景。

贝家骧 | 大马路上的灰色年华崇真艺客

《大马路》局部

贝家骧 | 大马路上的灰色年华崇真艺客

《大马路》局部

画面中高大的建筑群矗立，即使没有明显的商幡铺号，行人熙熙攘攘、有轨电车的标志性符号、洋车礼帽的摩登鲜活也不由的让人怀想起往昔岁月的南京路，那个曾经声色犬马、灯红酒绿的十里洋场。然而，画面接近一半尺幅的沉静灰暗的色调又将一切的热闹与喧嚣掩盖，模糊而拥挤的人群隐入幽暗，高楼窗景却曝露在温暖而耀眼的光影之下，在声光化电的软尘中透露出上个世纪那个动荡不安年代里的气息。

贝家骧 | 大马路上的灰色年华崇真艺客

《大马路》局部

贝家骧 | 大马路上的灰色年华崇真艺客

《大马路》局部

逆光的空气透视效果，像一帧默片，遥远而又亲切，时代的故事就这样娓娓道来。这里没有撩拨人们怀旧情感的缠绵绯恻、风情摇曳的动人情节，而是那些被历史烟尘所淹没的沧桑，朦胧迷离，如梦如幻，遥远而又亲切。

贝家骧

1953年出生于上海，1976年毕业于上海师范大学艺术系，1984年自中央美术学院第一期研修班毕业，于1984至1991年间于上海师范大学美术系任副教授，1991年移居澳大利亚。

任教上海师范大学期间，其油画代表作品《昨天、今天、明天》获得第六届全国美展优秀作品奖和上海市文联评选“1984-1985油画作品”一等奖，消息刊载于当时《光明日报》的头版。因真实反映了“文革”后大批失学青年如饥似渴的强烈求知欲望，这件作品也成为一代青年的集体象征，并于2021年作为《美术》杂志封面再次出现在大众视野中。

1991年，贝家骧移居澳洲，其后近两年的时间里，他频繁进出墨尔本博物馆临摹学习，并专注于思索将中国传统文人画精神注入西方当代油画的创作中，为当代油画赋予新的精神与内涵。其间，作品曾荣获澳大利亚罗贝尔美术展油画金奖，坎贝尔美术展优秀奖等。

时至今日，贝家骧虽有长达二十余年旅居澳洲的异域经历，然而其艺术创作始终扎根于中国海派的文化厚土。近年来，他以其油画创作：“奔马”“老上海”“色界”“戏曲人物”“沪语”“扇子”“水墨戏曲人物”等多个系列作品惊艳画坛。作品多次被澳洲、美国、日本、韩国、中国（上海、台湾、香港）等多国画廊机构代理，先后在日本、韩国、中国举办个展，并被澳大利亚电讯公司、中国美术馆、上海美术馆等多家艺术机构、画廊、私人藏家等广泛收藏。

BEI Jiaxiang was born in Shanghai in 1953 and graduated from the school of art of Shanghai Normal University in 1976. In 1984, he finished his study at the first advanced oil painting training course organized by the Central Academy of Fine Arts and became an Associate Professor until 1991, after that he moved to Australia.

During his work at Shanghai Normal University, one of his artworks Yesterday·Today·Tomorrow won the Excellence Awards at the 6^th National Arts Exhibition and the 1^st Prize among oil paintings made between 1984 and 1985 in an art competition organized by Shanghai Literature and Arts Association. This work was then published on the front page of Guangming Daily as it highly illustrated the hunger for knowledge of a whole generation of young people dropped out of school during the Cultural Revolution. In 2021, on the cover of Art Magazine, this work was appeared again in the eyes of the world.

In 1991, he went to Australia and spent 2 years in Melbourne Museum to learn and imitate the world’s best artworks, and started to look for a way to bring new implication to western oil paintings by adding spirit of Chinese traditional paintings. During that period, his works were rewarded Gold Award at Australia Robert Art Exhibition and Excellence Awards at Campbell Art Exhibition, etc.

However, after more than 20 years of experience in Australia, we can see that BEI Jiaxiang’s art is still deeply rooted in the regional culture of Shanghai. In recent years, he created a number of amazing works including Running Horses, Old Shanghai, Shikumen (a traditional Shanghainese architectural style combining Western and Chinese elements), Chinese Operas, Shanghainese Dialect, Fans, Ballet and Ink Wash Paintings on Characters from Chinese Operas, etc. His works are now operated by galleries from Australia, USA, Japan, Korea, China (Shanghai, Taiwan and Hongkong) and widely collected by Australian Telecommunications Corporation, National Art Museum of China, Shanghai Art Museum, as well as private collectors, and he successfully organized art exhibitions in Japan, Korea and Shanghai.