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HdM·展览 |云永业法国首次个展《春秋》

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HdM·展览 |云永业法国首次个展《春秋》 崇真艺客

展览名称:云永业|春秋

开幕时间:2022.12.08(周四)

展览地点:Espace Structure Primaire,法国 


HdM画廊法国Espace Structure Primaire 空间高兴的宣布我们将于2022年12月8日举办艺术家云永业个展《春秋》,此次展览是艺术家和画廊合作的第二次个展,也是其在海外的首次个展,届时将展出艺术家最新创作的二十余件油画作品。




关于展览

在云永业工作室中,一张手掌大小、小型金色油画框(购于法国,年代约十八世纪,法国大革命后期)侧边,静静躺着一块有蝌蚪纹样,凹凸起伏的齐国地砖残片。这块残片来自于古中国的“春秋”时代:公元前770年,这片土地上持续了近半个世纪的和平被打破,堕入一次空前的大混战纪年。此后,战乱持续了二百二十四年,共计三十六名君主、诸侯死于战乱,五十二国被灭。

HdM·展览 |云永业法国首次个展《春秋》 崇真艺客

©HdM GALLERY

《新生》,铜板油画,Φ14.5cm,2021-2022


他静坐在工作室里不断通过触摸、轻嗅,去了解这两件具有特殊历史背景的物品,让陶土的腥臭和金箔的光芒混合在他脑海深处,放任自己游荡在恰如博尔赫斯构建的先验世界中。由此,这个浪漫又诡谲、血腥又愚昧的夜晚逐渐呈现:昏暗的光线中植物散发着微弱的光芒,枝干渗出血液;相互狩猎的人们被光瞬间洞穿,喉咙来不及发出呼喊。

HdM·展览 |云永业法国首次个展《春秋》 崇真艺客©HdM GALLERY
《沉睡》,木板油画,37×28.5cm,2022


云永业在这个私人的时空里沉溺,让东西方文化交融,借图像幻化诗意。在本次展览即将展出的作品《巢穴》、《蝴蝶》、《等待》中,他用写实主义的手法向法国艺术家居斯塔夫·库尔贝及中国古典春宫绘画致敬,赤裸地展现了繁衍的伟力;《被遗忘的写作》、《此处死去几页》、《七月来信》倾注了其对于西方植物学与东方草药学的志趣,呈现了一种异化后的大地;《狩猎》、《晚祷》、《鲜艳的隐喻》、《迷失》、《两个自我》提取西方宗教与文化中的经典形象和典故,重新赋予了特殊的语境与故事线索,释放画面的解读余地。

HdM·展览 |云永业法国首次个展《春秋》 崇真艺客©HdM GALLERY 
《两个自我》,铜板油画,14×11cm,2021-2022


在本次展览展出的作品中,他扰乱了故事与情节的时间顺序,并以此超越现实的主题性创作回应他对当下的体悟:“春秋”既是一个私密的夜晚,一个臆想中的 “桃花源”;也代指那些在历史中远去、具有特殊意义的时代;更隐喻着连绵不绝的自然循环,“物竞天择”的规律将永恒流转于这个宇宙。

云永业1990年生于海南,2012年毕业于湖北美术学院油画系,现工作生活于武汉。他曾在北京HdM 画廊举办个展《新月》,深圳无事发生画廊举办个展《由缺失之物补完》,武汉 RS_PROJECTS 举办个展《无法称呼的人》,也曾参加北京HdM 画廊、深圳万一空间、Tong Gallery+Projects、武汉美术文献艺术中心等多个群展。

HdM·展览 |云永业法国首次个展《春秋》 崇真艺客

©HdM GALLERY

《迷失》,木板油画 / 铝板油画,Φ14cmΦ27cmΦ14cm,2021-2022




Exhibition: Yun Yongye | Autumnal Spring

Opening: 2022.12.08 (Thursday)

Location: Espace Structure Primaire, France 


HdM Gallery is pleased to announce that it will hold Yun Yongye's solo exhibition "Autumnal Spring" at Espace Structure Primaire on December 8, 2022. This is the second solo exhibition of the artist with the gallery, and his first solo exhibition overseas. More than 20 of his latest oil paintings will be exhibited.




About the Exhibiton

In Yun Yongye's studio, besides a palm-sized golden frame (purchased in France, dating from the 18th century, in the later period of the French Revolution) lays an uneven floor tile with tadpole patterns debris from the Qi state of Western Zhou. This fragment comes from the "Autumnal Spring" period of ancient China: in 770 BC, the peace that lasted in the country for nearly half a century was at last broken, and an unprecedented chaos fell unto the land. From then on, the war lasted for 224 years. A total of 36 monarchs and princes died in it, and 52 countries were destroyed. 
HdM·展览 |云永业法国首次个展《春秋》 崇真艺客©HdM GALLERY
A Letter from July, oil painting mounted on wood, 40×50cm, 2022

Sitting quietly in the studio, Yun Yongye keeps touching and sniffing these two objects with their own special historical background, letting the stench of clay and the light of the gold leaf mix in the depths of his mind, and he lets himself wander in the world just like Borges in his labyrinth of the prior world. As a result, a romantic, treacherous, bloody, and stubborn night gradually appears: therein, the plants in the dim light radiate a faint light, and blood oozes from their branches; people hunting each other are pierced by the light, and there is no time to cry out from their throats.
HdM·展览 |云永业法国首次个展《春秋》 崇真艺客©HdMGALLERy 
Waters Abandoned by the Setting Sun, oil painting mounted on wood, 40×32cm, 2022

Yun Yongye is immersed in this private time and space, blending Eastern and Western cultures, and using images to transform poetry. In the works "Nest", " Flipped" and "Waiting" to be exhibited in this exhibition, he pays tribute to the French artist Gustave Courbet and Chinese classical erotic paintings in realistically, displaying “The power of reproduction” in a brutal way; "The Forgotten Writing", " Dead Pages herein", and "A Letter From July" are testimonies to his interest in Western botany and Eastern herbal medicine, presenting a post-chaotic land; "Hunting" , " Vespers", " Vibrant Metaphors", "Lost", and "Two Selves" extract classic images and allusions from Western religion and culture, re-endow them with a special context and clues to their narrative, and create a space for their interpretation. 

HdM·展览 |云永业法国首次个展《春秋》 崇真艺客

©HdM GALLERY

Hunting,oil painting mounted on wood,90×90cm, 2022


In the works shown in this exhibition, he disrupts the chronological order of stories and plots, and responds to his understanding of the present with thematic creations that transcend reality: "Autumnal Spring" is not only a private night, but also an imaginary "Peach Blossom Spring"; it also refers to those eras that have gone by in history and have retained a special significance; it is also a metaphor for the continuous cycle of nature, and of how the law of "natural selection" will flow eternally in this universe.


Yun Yongye was born in Hainan in 1990, and graduated from the Oil Painting Department of Hubei Institute of Fine Arts in 2012. He now works and lives in Wuhan. He has held a solo exhibition entitled "New Moon" at HdM Gallery in Beijing, another entitled "Complete with missing parts" at Gallery-Nothing Happened in Shenzhen, and " L'Innomable" at Wuhan RS_PROJECTS. He has also participated in group exhibitions at Beijing HdM Gallery, Shenzhen Wonespace Space, Tong Gallery+Projects, Wuhan Fine Arts Literature Art Center and many others.

HdM·展览 |云永业法国首次个展《春秋》 崇真艺客

©HdM GALLERY

Angel Attack, oil on canvas, 27.5×22.5cm, 2020-2022



HdM·展览 |云永业法国首次个展《春秋》 崇真艺客

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